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"René Descartes's Regulae ad directionem ingenii ('Rules for the Direction of the Understanding') is his earliest surviving philosophical treatise, and in many respects his most puzzling text. It is a profoundly original work with few intellectual precursors, and offers the fullest account anywhere in Descartes's work of his theory of method. Yet Descartes left it unfinished, and unpublished, at his death in 1650. The versions currently known to modern readers are all posthumous: a manuscript copied for Leibniz in the late seventeenth century, a Dutch translation of 1684, and the version printed in 1701 in Amsterdam. As a result, the details and date of its composition, its fragmentary, unfinished state, and its philosophical content have long puzzled scholars. The discovery by Richard Serjeantson in 2011 of a previously unknown, early manuscript draft of the Regulae in Cambridge University Library was a hugely significant event in Cartesian scholarship. This edition presents the Cambridge manuscript of the Regulae alongside the 1701 Amsterdam version of the text to allow comparison between the early manuscript draft and the version best-known to modern readers, together with a full English translations of both texts. It is also the first critical edition of the Regulae to take into account the full range of textual witnesses to the text, both manuscript and printed. The new Cambridge manuscript sheds important light on the composition, date, and philosophical content of the Regulae, and will provoke scholars to rethink key questions about Descartes's early philosophical development

This publication provides the original Latin texts with new explanatory annotated translations of two philosophical works by Anton Wilhelm Amo (c.1703-after 1752), the first African philosopher in early modern Europe. It also includes an extensive introduction intended to help readers contextualize and engage with his philosophical ideas and their historical and intellectual background and significance.

This is the first great commentary in the Western European tradition of expounding Aristotle's On the Soul. Dated about 1235, this work by Richard Rufus of Cornwall is a major contribution to the history of Western philosophy and the study of Aristotle. Indeed, no future account of thirteenth century philosophical psychology will be able to ignore the contribution of Richard Rufus. Following Aristotle, Rufus addresses questions as diverse as `how do we reproduce and grow', `how do we see and hear', `how do we understand ourselves', and `how is our immortal soul united with our body?' Its exposition and its questions date from about 35 years before Thomas Aquinas wrote his commentary on On the Soul, so its publication will prompt a re-evaluation of Aquinas's theory of the soul. As the copious notes to this edition indicate, not only is this the earliest surviving commentary on Aristotle's On the Soul taught at a Western University, but it was read by most of Rufus's early successors. Part of this commentary was published in 1952 but this present edition benefits from two recently discovered complete manuscripts. In addition to the text itself, this edition features an extensive introduction which presents the reader with the subsequent tradition, both published and unpublished.

"With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and - in addition to blending it with Judaeo-Christian biblical exegesis exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena" --