Search results

In a series of epic self-narratives ranging from traditional cultural embodiments to picaresque adventures, Christian epiphanies and a host of interactive strategies and techniques for living, Kewa Highlanders (PNG) attempt to shape and control their selves and their relentlessly changing world. This lively account transcends ethnographic particularity and offers a wide-reaching perspective on the nature of being human. Inverting the analytic logic of her previous work, which sought to uncover what social structures concealed, Josephides focuses instead on the cultural understandings that people make explicit in their actions and speech. Using approaches from philosophy and anthropology, she examines elicitation (how people create their selves and their worlds in the act of making explicit) and mimesis (how anthropologists produce ethnographies), to arrive at an unexpected conclusion: that knowledge of self and other alike derives from self-externalization rather than self-introspection

In the wake of numerous terror attacks around the globe, academic and popular discourse on radicalization has witnessed exponential growth in publications that, sadly, have not resulted in a coherent or consensus definition of the concept, nor have they determined its causality and effects. In this article, we use the term three-pronged process of radicalization by narrative to denote an ongoing process of meaning-making, adaptation, and coping, and argue this process to be inherently linked with the social, cultural, and ideological construction and reconstruction of the identity arch-story of individual lives. We suggest that, in some cases, the ceaseless process of social interaction of identity narratives eventuates in what we define as the Shapeshifting Self, by coherently fusing stories of personal loss, rupture, or trauma together with the counterparts of movements and national stories of sociopolitical engagement. At the endpoint of the process, violent engagement is perceived by the self as legitimate and even necessary for the psychological well-being of the perpetrator. By applying this approach to the Jewish-Israeli context, we aim to illustrate the socioculturally situated contingencies associated with the process of radicalization by narrative. ; Special Issue: "Religion, Experience, and Narrative"

Drawing on accounts from interviews with white women, this article explores the production of narratives of the self. It suggests that the story produced of the self is not inevitable and may revolve around notions of sameness and difference that, in turn, depend on the positionality of individuals in terms of normative discourses of `race', class and gender. Sally can be seen to be reciting the process of subjection in the way she creates herself as the subject of a narrative, using tropes of difference and sameness to explain who she is and who she is not. However, for the others, the norms and conventions of lifestory do not conform with their experiences of subjection. This is because, in the case of Madeleine, she does not experience an easily retold sense of herself, while Deborah appears to want to present herself as so inevitable and conforming to dominant norms that there is no story to tell.

On 24 May 2019 – the designated deadline under the Justices' Interpretation no.748 – the Legislative Yuan passed the law, Enforcement Act of Judicial Yuan Interpretation No. 748. Taiwan then became the first country in Asia to legalize same-sex marriage. It is a significant legal change that was achieved after years of legal battle involving intense debate between supporters and those against the legalization. In this article I treat the debate as a sense-making project and place heterosexuality at the centre of enquiry. Using official transcripts of hearings and forums organized by government branches as research data, a narrative analysis was conducted to examine what stories about heterosexuality are told by the opposition to argue against same-sex marriage. I found that personal experiences of heterosexual marriage and family life were the main theme emerging from these narratives. Based on the roles that the narrators identify themselves with in the stories, the narratives can be categorized into three groups: narratives of children, narratives of spouses, and narratives of parents. The analysis indicates that a vulnerable heterosexual self emerges from the narratives claiming the need for protection from 'the threat of same-sex marriage'.