Suchergebnisse

Intro -- Contents -- Preface -- Chapter 1 -- Soybean in India: At a Glance -- Abstract -- Abbreviations -- 1. Introduction -- 2. Methodology for Selecting Model through Arima -- 2.1. ARIMA Model -- 2.2. The Box-Jenkins Modeling Procedure -- 3. Resullts and Discussion -- 4. History of Development for Soybean Industry -- 5. Reason for Low Productivity -- Conclusion -- Recommendations -- References -- Chapter 2 -- Value Addition in Soya Bean: Production of Soya Sauce -- Abstract -- 1. Introduction -- 2. Soy Sowing and Harvesting of Soybeans -- 3. Important Varieties of Soybeans -- 3.1. Quality Characteristics of Soybeans -- 4. Production of Soy Sauce -- 4.1. Raw Materials -- 4.2. Types of Microorganisms and Fermentation Stages of Soy Sauce -- 4.3. Composition of Fermentation Media for Production of Soy Sauce -- 4.3.1. Growth Media for A. oryzae -- 4.3.2. Growth Media for Lactobacillus Delbrueckii -- 4.3.3. Growth Media for S. rouxii (salt tolerant yeast) -- 4.4. Fermentation and Application of Soy Sauce -- 5. Value Addition in Soy Proteins -- 5.1. Nutritional Compositions of Soy Sauces -- 5.2. Benefits of Soy Sauce Consumption -- Conclusion and Future Work -- References -- Chapter 3 -- Biological Effects of Soy Protein and Isoflavones: A Review -- Abstract -- 1. Introduction -- 1.1. Soy Intake across Different Countries -- 1.2. Nutritional Value of Soybeans -- 1.3. Absorption of Soy Protein -- 1.4. Metabolism of Soy Protein -- 2. Effects of Soy Protein on Some Health Parameters -- 2.1. Effect of Soy Protein and Isoflavones on Lipids -- 2.2. Effect of Soy Food on Breast and Prostate Cancer -- 2.3. Effect of Soy Food on Bones and Menopausal Symptoms -- Conclusion and Current Status -- References -- Chapter 4 -- Modified and Unmodified Soy Protein: A Versatile Protein Supplement -- Abstract -- 1. Introduction -- 2. Habitat and History

Soy feminista

¿Quién soy?

Ernesto Ochoa-Jacobo is an undergraduate student attending California State University, Los Angeles. In his narrative, he describes his state of indifference as he struggled to find his place in a world of ambiguity. The narrative possesses a sense of rebellion, as he refuses his existence to be restrained within an empty void of meaningless political labels. Through his arbitrary journey, he was able to find color, illuminating his obscure path towards a sense of belonging.

In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched.