In: Studies in Critical Social Sciences volume 122
Intro -- Media, Ideology and Hegemony -- Copyright -- Contents -- Preface -- Maps -- Notes on Contributors -- Introduction -- 1 Global Media Practices and Cultural Hegemony: Growing, Harvesting, and Marketing the Consuming Audience -- 2 The Return of Radical Humanism in Marxism and Anarchism? The Art of Refusal, Resistance and Humility -- 3 The Culture of Capitalism -- 4 Adorno on Ideology: Ideology Critique and Mass Consumerism -- 5 Hegemony, Ideology, Media -- 6 Hegemony and the Media: A Culturally Materialist Narrative of Digital Labor in Contemporary Capitalism -- 7 Distorted Knowledge and Repressive Power -- 8 Counter-Hegemony Narratives: Revolutionary Songs -- 9 The US Empire's Cultural Industries, at War: Selling and Subverting the Ideology of Militarism -- 10 Donald Trump and the Politics of the Spectacle -- 11 The US Media, State Legitimacy, and the New Cold War -- 12 American Journalism's Ideology: Why the "Liberal" Media is Fundamentalist -- 13 Media Activism from Above and Below: Lessons from the 1940s American Reform Movement -- 14 The Role of the Hollywood Motion Picture Production Code (1930-1966) in the Creation of Hegemony -- 15 MH17 as Free-Floating Atrocity Propaganda -- 16 Commercial Reform and the Ideological Function of Chinese Television: A New Model in a New Era? -- Index
In: Studies in critical social sciences Volume 122
In: Studies in critical social sciences volume 122
8 Counter-Hegemony Narratives: Revolutionary Songs9 The US Empire's Cultural Industries, at War: Selling and Subverting the Ideology of Militarism; 10 Donald Trump and the Politics of the Spectacle; 11 The US Media, State Legitimacy, and the New Cold War; 12 American Journalism's Ideology: Why the ""Liberal"" Media is Fundamentalist; 13 Media Activism from Above and Below: Lessons from the 1940s American Reform Movement; 14 The Role of the Hollywood Motion Picture Production Code (1930-1966) in the Creation of Hegemony; 15 MH17 as Free-Floating Atrocity Propaganda
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