Aesthetics: Aesthetics of Cognitive Mapping
In: Filozofski vestnik: FV, Band 23, Heft 3, S. 121-134
ISSN: 0353-4510
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In: Filozofski vestnik: FV, Band 23, Heft 3, S. 121-134
ISSN: 0353-4510
In: Latin American research review: LARR ; the journal of the Latin American Studies Association (LASA), Band 18, Heft 3, S. 256
ISSN: 0023-8791
In: Rethinking marxism: RM ; a journal of economics, culture, and society, Band 16, Heft 1, S. 57-72
ISSN: 0893-5696
In: Filozofski vestnik: FV, Band 28, Heft 2, S. 99-116
ISSN: 0353-4510
In: Organization: the critical journal of organization, theory and society, Band 10, Heft 1, S. 33-54
ISSN: 1350-5084
In: Rethinking marxism: RM ; a journal of economics, culture, and society, Band 6, Heft 4, S. 66-86
ISSN: 0893-5696
Surveys the major aesthetic concepts within the writings of Fredric Jameson, especially Marxism and Form (1971), The Political Unconscious (1981), & Late Marxism: Adorno, or the Persistence of the Dialectic (1990). The influence of both Georg Lukacs & Theodor W. Adorno on Jameson's theoretical system is noted. Also examined are key philosophical assumptions as well as the historical context behind Jameson's suggestion that the aesthetic approaches of both Lukacs & Adorno may prove to be "two distinct & equally indispensable moments of the hermeneutic process itself.". 42 References. AA
In: New left review: NLR, Heft 56, S. 154
ISSN: 0028-6060
In: Filozofski vestnik: FV, Band 28, Heft 2, S. 135-150
ISSN: 0353-4510
In: China perspectives: Shenzhou-zhanwang, Heft 2, S. 47-53
ISSN: 2070-3449, 1011-2006
In: Radical philosophy: a journal of socialist and feminist philosophy, Heft 63, S. 13-21
ISSN: 0300-211X
In: Filozofski vestnik: FV, Band 28, Heft 2, S. 83-98
ISSN: 0353-4510
In: Filozofski vestnik: FV, Band 28, Heft 2, S. 67-82
ISSN: 0353-4510
In: Rethinking marxism: RM ; a journal of economics, culture, and society, Band 20, Heft 3, S. 343-345
ISSN: 0893-5696
In: Telos, Heft 117, S. 60-78
ISSN: 0040-2842, 0090-6514
The aesthetics of Theodor W. Adorno are commonly believed to sympathize only with negative art forms. This reading of Adorno fails to consider Adorno's justification of positive artworks that instigate true reconciliation. A short poem by Morike, On a Hike, meets Adorno's criteria. Not only is it truthful, but it also resists employing linguistic & mental cliches. Likewise, it does not rely on shocking dissonance. Another poem, Goethe's Wanderer's Nightsong, possesses still another of Adorno's specified qualities: authenticity. In short, Adorno has not dismissed art. He has simply determined its rightful place in a contradictory world. K. A. Larsen