Le contrôle des mass media
In: Communications, Band 14, Heft 1, S. 100-110
ISSN: 2102-5924
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In: Communications, Band 14, Heft 1, S. 100-110
ISSN: 2102-5924
In: Autres temps: cahiers d'ethique sociale et politique, Band 16, Heft 1, S. 5-12
ISSN: 2261-1010
In: Communications, Band 14, Heft 1, S. 129-136
ISSN: 2102-5924
In: Études internationales, Band 8, Heft 2, S. 320
ISSN: 1703-7891
In: Communications, Band 5, Heft 1, S. 94-99
ISSN: 2102-5924
In: Autogestion et socialisme : études, débats, documents, Band 20, Heft 1, S. 204-205
In: Le débat: histoire, politique, société ; revue mensuelle, Band 195, Heft 3, S. 67-77
ISSN: 2111-4587
In: Recherches sociographiques, Band 12, Heft 1, S. 117
ISSN: 1705-6225
In: Communications, Band 28, Heft 1, S. 219-233
ISSN: 2102-5924
In: Mélanges de la Casa de Velazquez, Band 10, Heft 1, S. 233-271
ISSN: 2173-1306
In: Études internationales, Band 7, Heft 3, S. 479
ISSN: 1703-7891
In: Revista Observatório, Band 2, Heft 4, S. 46-60
Este é um ensaio teórico sobre a relevância do conceito de massa utilizado no contexto dos estudos de Comunicação. Há o reconhecimento da importância da mídia na formação de identidades, comportamentos e sociabilidades, a dinâmica vivida na esfera pública promovida por ela e nas relações entre diferentes práticas culturais. Nestes termos, o conceito de massa está completamente superado. Já deveria ter sido superado pouco depois de ter sido inventado. Logo após as primeiras pesquisas de Lasswell sobre as intenções de voto dos norte-americanos, descobriu-se uma teia complexa de fatores, em que eles votavam influenciados por inúmeras variáveis e, portanto, não eram uma massa homogênea, sem identidade, sem rosto. O fato é que, do ponto de vista científico, o conceito de massa, em termos analíticos, é completamente inoperável, é um muro opaco que esconde atributos fundamentais do público receptor das mensagens midiáticas e impede a compreensão dos complexos processos interativos que ocorrem entre eles.
In: Dados: revista de ciências sociais ; publication of the IUPRJ, Instituto Universitário de Pesquisas do Rio de Janeiro, Band 58, Heft 1, S. 111-149
ISSN: 1678-4588
In: Canadian journal of political science: CJPS = Revue canadienne de science politique, Band 45, Heft 3, S. 685-710
ISSN: 1744-9324
This paper aims to assess the sociopolitical role of journalists through a conceptual approach linking media and democracy and through an analysis of the data resulting from an investigation of journalists' commitment to democracy that was conducted from the summer of 2008 to the spring of 2010. Our study is founded on the dichotomy between an active role for the media and an instrumental one in the face of the political system, and this dichotomy is applied to journalists. We believe that the media and journalists function as 'mediators' in liberal societies, that is, as individual or collective agents through whom explicit or implicit messages pass; these agents add a layer of signification by diverse methods, among which are the selection of news, the categorization of issues or the framing of individuals or events. Adapted from the source document.
In: Politix: revue des sciences sociales du politique, Band 3, Heft 103
ISSN: 0295-2319
In the fall of 2009, a wave of demonstrations by French farmers predominantly took the form of a milk strike. The destruction of a significant quantity of milk, spread over fields or dumped in slurry tanks, typified the strike and drew considerable media coverage. Beyond the sought-after effects of shock and attracting attention, such practices are in line with a long history of constructing a specific repertory of action within the agricultural world, observable over the three milk strikes of the last half-century. The forms of action deployed in 1964, 1972, and 2009 reflect the transformation of economic and union power relations and the necessity of taking actions of increasing visibility. The decisive importance of media access, television in particular, in implementing collective mobilizations leads us to highlight the changes that have taken place in systems of agricultural and farmer representation, and how they are used by professional and media actors. Adapted from the source document.