Suchergebnisse

Povzetek. Družbe se tako na individualni kot na kolektivni ravni nenehno presojajo skozi lastne elite. Medijski
diskurz »celebrifikacije« in vseprisotno lokalno kulturo
slavnežev razumem kot pomemben legitimacijski narativ in enega od ključnih prispevkov k postsocialističnemu neoliberalnemu konsenzu. Članek se ukvarja z
reprezentacijo Melanije Trump v slovenskih medijih in
na podlagi empiričnega materiala analizira prepletenost diskurza slavnih oseb v komercialni popularni kulturi z regresivnim populizmom. Analiza ugotavlja, da
zvezdništvo predstavlja pomembno diskurzivno prakso
legitimiranja obstoječih razrednih razmerij in redistribucije javnega bogastva v postsocializmu, ki ga je kot
del kulturnega repertoarja »protonacionalnega« sentimenta mogoče organizirati v podporo desničarskega
populizma.
Ključni pojmi: regresivni populizem, razred, postsocializem, slavnost, Melanija Trump

Avtorica v članku obravnava »begunsko problematiko« v oddaji Odmevi na slovenski javni televiziji. Zanima jo, kako konvencionalna naturalizirana pravila novinarske prakse in uprizarjanje nevtralizma kot sestavnega dela profesionalne samopredstave političnega novinarstva določajo obravnavo teme. V tem kontekstu analizira izbor »zunanjih« ali »prisvojenih« glasov v studijskih intervjujih v Odmevih ter diskurzivno umeščanje intervjuvancev v narativ oddaje. Ugotavlja, da a) selekcija in b) diskurzivna obravnava gostov v studijskih intervjujih v Odmevih povzročata oz. omogočata zožanje razprave o »begunski problematiki« na polje legitimnih nasprotij, torej na tiste poglede, ki jih zastopa strankarska politika. S selekcijo in z obravnavo zunanjih glasov (gostov v studiu) se ustvarja t. i. mnenjski ali diskurzivni tunel, zaradi katerega prihaja do popolne simbolne marginalizacije vseh pogledov zunaj parlamentarnega mainstreama in njegovih interesov ter do obravnave »begunske problematike« kot sosledja pripetljajev.

Intro -- Title -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Part I Introduction -- 1. The The Lure of Utopia: Socialist Everyday Spaces Breda Luthar and Maruša Pušnik -- Part II Remembering Tito and Yugoslavia Before and After the Fall -- 2. First and LAst Emperor: Representations of the President, Bodies of the Youth Bojana Videkanic -- 3. Celebrating Yugoslavia: The Visual Representation of State Holidays Danka Ninković Slavnić -- 4. Officers without an Army: Memories of Socialism and Everyday Strategies in Post-Socialist Slovenia Tanja Petrović -- Part III Popular Culture and Yugoslavness -- 5. European Sounds, Yugoslav Visions: Performing Yugoslavia at the Eurovision Song Contest Dean Vuletic -- 6. Džuboks (Jukebox) - The First rock'n'roll Magazine in Socialist Yugoslavia Radina Vučetić -- 7. A Tale of Two Subcultures: A Comparative Analysis of Hippie and Punk Subcultures in Slovenia Gregor Tomc -- 8. Yugoslav Past in Film and Music: Yugoslav Interfilmic Referentiality Martin Pogaćar -- Part IV Leisure, Work and the State -- 9. Flirting with Television in Socialism: Proletarianv Morality and the Lust for Abundance Maruša Pušnik -- 10. Sportsmen of Yugoslavia, Unite: Workers' Sport between Leisure and Work Gregor Starc -- 11. Adriatic for All: Summer Holidays in Croatia Igor Duda -- 12. "SOBE": Privatizing Tourism on the Workers' Riviera Karin Taylor -- Part V Consumption, Fashion and Transgression -- 13. Shame, Desire and Longing for the West: A Case Study of Consumption Breda Luthar -- 14. Cooking in Socialist Slovenia: Housewives on the Road from a Bright Future to an Idyllic Past Blanka Tivadar and Andreja Vezovnik -- 15. Žuži Jelinek: The Incredible Adventures of a Socialist Chanel Djurdja Bartlett -- 16. A Face in the Market: Photography, Memory, and Nostalgia Hanno Hardt -- About_the_Authors.

The article argues for the audience studies, which draws on the analysis of artifactual, spatial, temporal, and sensorial aspects of media consumption and builds on, that is, the so-called medium theory and theory of practice in sociology. In the second part of the article, we interpret the results of a qualitative empirical study regarding the daily use of media technology among young people, aged between 19 and 29 years. The study finds that circumstances, under which digital media have colonized all spheres of public life and under which online social life has become completely naturalized, have led to constant online connectivity as well as highly fragmented and dispersed communication practices of users moving between different media. The analysis of media consumption diaries points to radical mediatization, which plays an important role in the changing generational structure of feeling.

In this article, we explore performance and the "dramatic realization" of local female social elites in popular mass-market magazines in Slovenia and Croatia between 2008 and 2011. We argue that popular culture—and, more specifically, celebrity discourse—is one of the central locations for analyzing cultural shifts in gender, nationality, and class in postsocialist society. At the center of the discussion is the argument that ethnicity should not be seen as an independent social process; the rise of national distinctions in the Balkans and the reframing of the nation need to be examined by stressing the rearticulations of class, ethnicity, and gender as they are experienced as organizing categories of social differences. We focus on two genres: social chronicles, or "society pages," and photo interviews with elite professionals. We investigate the key intersections of gender, class, and nationality and, more generally, reflect on the transformations in discourses of Balkan identity.

AbstractDue to radical changes in media consumption, manifested in the widespread mediatization and proliferation of the uses of personal media in everyday life, research about media audiences can no longer focus on a single medium. In order to identify ideal-typical combinations of media platforms and aesthetic cultures in the population of the two largest Slovenian cities, the concept of media repertoires was used. The study shows that our respondents's media consumption is structured into four typical media repertoires: integrators, digital natives, television viewers and newspaper readers. These four repertoires also represent distinct socio-cultural formations. In social terms, (digital) audiences therefore do not constitute a homogenous social community, but should be understood as class-differentiated discursive cultures or 'meaning systems'.

Through the perspective of the concept of generations and generationally
specific digital sociality, the paper analyses the transformation of reading as a
practice and as an experience. Based on analysis of interviews with teenagers,
it is argued that in today's polymedia environment users are constantly shifting
between platforms and live in constant anticipation of something new, being
permanently occupied, and constant affective engagement represent a condition for an algorithmically produced regime of visibility that normalises the distracted
multitasking they engage in. In the context of constant digital work, there remains
little space for practices beyond social platforms. The authors argue that in the
young interviewees' perception book reading does not hold the status of a cultural authority and that the role played by reading in distributing cultural capital
has been reshaped.

Karantena je kot spopad z epidemijo prinesla transformacijo prostorsko-časovne dimenzije vsakdanjega življenja. Porušila se je fizična in družbena diferenciacija prostorov v vsakdanjem življenju (delo, počitek, zabava, zasebno, javno, ospredje, ozadje ...). Obenem so bili ukinjeni običajni interakcijski rituali, ko je digitalno komuniciranje potisnilo ob stran telesni vidik družbenosti in utelešeno interakcijo med ljudmi. Življenje v karanteni se tako prevladujoče dogaja v sintetičnih situacijah. Avtorji analizirajo medijske prakse »komunikativne figuracije« skupine študentov – sošolcev, pri čemer se osredotočajo na spremembo komunikacijskih praks v obdobju najstrožnjih omejitev v času epidemije v kontekstu intenzivne mediatizacije. Ugotavljajo, da je permanentna raba medijev okrepila integracije tehnologije in praks občinstvenja v vsakdanje življenje, naturalizacijo digitalne družbenosti in fragmentacijo pozornosti. To je spletna predavanja na platformi Zoom spremenilo v eno od številnih enakovrednih medijskih praks. Predavanja so tako zaradi tesne integracije v siceršnjo medijsko pro-trošnjo izgubila svojo ritualno distinktivnost in lokacijo zunaj komodificirane digitalne kulture.