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Preliminary Material -- Chapter One Introduction: Cultural Governance and Chinese TV Drama Series -- Chapter Two The State and Its Officials in TV Dramas -- Chapter Three Securing the State: Law Enforcement and Military Action -- Chapter Four Justifying the State: Political Legitimacy and Accountability -- Chapter Five Creating the Political Discourses of TV Dramas -- Chapter Six The Chinese Television Drama Audience -- Chapter Seven Government Regulations and Censorship Mechanisms -- Chapter Eight Chinese Perceptions of Television's Function and Influence -- Chapter Nine Conclusion: Chinese TV Discourses and the Factors of Their Production -- Glossary of Technical Terms -- Bibliography -- Appendix -- Index.

Preliminary Material -- Chapter One Introduction: Cultural Governance and Chinese TV Drama Series -- Chapter Two The State and Its Officials in TV Dramas -- Chapter Three Securing the State: Law Enforcement and Military Action -- Chapter Four Justifying the State: Political Legitimacy and Accountability -- Chapter Five Creating the Political Discourses of TV Dramas -- Chapter Six The Chinese Television Drama Audience -- Chapter Seven Government Regulations and Censorship Mechanisms -- Chapter Eight Chinese Perceptions of Television's Function and Influence -- Chapter Nine Conclusion: Chinese TV Discourses and the Factors of Their Production -- Glossary of Technical Terms -- Bibliography -- Appendix -- Index.

是次研究旨在探討日本變裝流行文化及其對香港受眾和次文化的影響。由1980年代開始,香港深受日本流行文化影響,變裝文化亦不例外。本研究首先概述香港性別論述及酷兒政治,然後沿歷史脈絡追溯變裝在日本的發展歷程,並重點闡述寶塚歌劇團,角色扮演,及最新的男裝文化(女生於一般社交場合穿中性或男性服裝示人)。本論文期望指出日常生活中的變裝習慣,如何有意無意地改變性/別定型及規範,並影響我們對性/別的理解,繼而豐富現有的變裝研究。 ; The purpose of this study is to discuss female cross-dressing practice in popular culture in Japan and its impact on Hong Kong audiences and subcultures. Since Hong Kong is highly influenced by Japanese popular culture since the 1980s, the cross-dressing practice is no exception. This research opens with an outline of the gender discourse and queer politics in Hong Kong. After that, the development of cross-dressing in Japan will be traced, namely the Takarazuka Revue and cosplay. I will then illustrate how they further develop into the new current trend –the dansou practice which refers to the phenomenon of girls wearing male clothing in everyday life as fashion. This thesis aims at demonstrate how the evolving cross-dressing practice in daily life serves as both a conscious and unconscious attempt to redefine genders and bring impact to the gender norm. By exploring the trend, I hope to enrich the current discussion of cross-dressing and show how it affects the understanding of genders and blurs the boundary of sexuality. ; Keywords: Hong Kong, Japan, popular culture, cross-dressing. ; Lam, Wing Nga. ; Thesis M.Phil. Chinese University of Hong Kong 2016. ; Includes bibliographical references (leaves ). ; Abstracts also in Chinese. ; Title from PDF title page (viewed on …). ; Detailed summary in vernacular field only.

Chan, Siu-han. ; Thesis submitted in: July 2004. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 184-193). ; Abstracts in English and Chinese. ; ABSTRACT --- p.i ; 論文摘要 --- p.ii ; ACKNOWLEDGEMENTS --- p.iii ; CONTENTS --- p.v ; INTRODUCTION ; Chapter 1.1 --- Empirical Puzzles and Theoretical Concern --- p.1 ; Chapter 1.2 --- The Cultural Scene in Hong Kong --- p.5 ; Chapter 1.3 --- Defining the New Wave Cinema --- p.8 ; Chapter 1.4 --- The Objectives of the Thesis --- p.12 ; Chapter Chapter 2 --- In Quest of Theoretical Perspective and Analytical Framework ; Chapter 2.1 --- Existing Studies of the New Wave Cinema --- p.13 ; Chapter 2.2 --- The Study of Popular Culture in Hong Kong --- p.21 ; Chapter 2.3 --- Culture Industry: The Approach of the Frankfurt School --- p.28 ; Chapter 2.4 --- The Elective Affinity of Culture Industry with Hong Kong Society --- p.33 ; Chapter 2.5 --- Analytical Framework --- p.36 ; Chapter Chapter 3 --- The Anxiety of Political Subjectivity ; Chapter 3.1 --- Prelude --- p.45 ; Chapter 3.2 --- The Perturbed Hong Kong People --- p.50 ; Chapter 3.3 --- The Hong Kong Diaspora --- p.57 ; Chapter 3.4 --- The Negative Projection on the Colonizers --- p.60 ; Chapter 3.5 --- The Ambivalence Towards the Motherland´ؤChina --- p.66 ; Chapter 3.6 --- Discourse on Political Modernization: The Anxiety of Political Subjectivity --- p.86 ; Chapter Chapter 4 --- The Contradiction of Societal Modernization ; Chapter 4.1 --- Prelude --- p.89 ; Chapter 4.2 --- Looking back at the Pre-modernized Social Order --- p.91 ; Chapter 4.3 --- Rethinking the Entanglement of the Old and the New --- p.102 ; Chapter 4.4 --- Representing the Modernized New Social Order --- p.110 ; Chapter 4.5 --- Discourse on Societal Modernization: The Contradiction of Societal Modernization --- p.123 ; Chapter Chapter 5 --- The Fragility of Hong Kong Cultural Identity ; Chapter 5.1 --- Prelude --- p.126 ; Chapter 5.2 --- Historical Memories as Cultural Receptacles --- p.128 ...

Chan Ka Yan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. ; Includes bibliographical references (leaves p. 93-100). ; Discography: p. 101. ; Abstracts in English and Chinese. ; Chapter Chapter 1 --- Introduction: Resistance & Incorporation in Subcultural Studies --- p.1 ; Research Objective --- p.1 ; The Case --- p.2 ; Conceptualizing Subcultures --- p.3 ; Resistance: An Antagonistic Relation between Subculture and Dominant Culture --- p.9 ; Incorporation: An Exploitative Relation between Subculture and Dominant Culture --- p.12 ; A Critique on Post-war Youth Subculture Studies --- p.15 ; Local Studies on Subcultures and Alternative Music --- p.17 ; Conceptual Framework --- p.21 ; Research Methods --- p.22 ; Major Argument and Outline of Paper --- p.28 ; Chapter Chapter 2 --- Subcultural Discourse: Textual Analysis on LMF Music --- p.30 ; Lazy Clan: Dominant Values vs. Subterranean Values --- p.31 ; Hong Kong for Sure: Distrust of SAR Government --- p.34 ; Challenging Music Industry --- p.35 ; Attacking the Media: 'Uknuwudafuckimsayin' --- p.36 ; Dramatized Masculinity --- p.38 ; Subcultural Resistance? --- p.40 ; Chapter Chapter 3 --- Youth's Body as a Battleground: Reception Studies --- p.45 ; Domination --- p.50 ; Negotiation --- p.57 ; Resistance --- p.66 ; "Conclusion: Discursive Struggle - Domination, Negotiation and Resistance" --- p.70 ; Chapter Chapter 4 --- Dialectic between Incorporation and Excorporation --- p.73 ; LMF in Mainstream Record Industry --- p.73 ; LMF in Advertisements --- p.75 ; LMF in Media --- p.77 ; Conclusion: Dialectic of Incorporation and Excorporation --- p.80 ; Chapter Chapter 5 --- "Conclusion: Populist Resistance, Multiple Identities and Imagined Authenticity" --- p.84 ; Populist Resistance --- p.85 ; Multiple Identities --- p.87 ; Imagined Authenticity --- p.89 ; References --- p.93

于一个国家而言,民众抗争不仅是一个政府治理和治安问题,也是一个战略沟通问题。本研究即选取社会沟通的视角研究当代中国的社会抗争,旨在了解当代中国逐渐开放的抗争话语的演变、产生条件及其深刻意义。 ; 于定量与定性相结合的研究方法,本文分析了1990至2010年间中国政治社会精英关于民众抗争的话语。研究发现在抗争数量和规模不断增长的同时,抗争的话语环境发生了显著变化并向日趋宽松的方向发展。中国的政治领导人正逐步正视民众抗争,官方话语也开始同情抗争者。从对抗争的报道来看,以往严密的媒体审查制度逐渐放宽,重大事件的详细报道得以频见于报端。与此同时,越来越多的人士加入到抗争的公开讨论中,社会抗争成为激烈的社会争论的焦点。 ; 于以上分析,本文认为政治领导人的话语转变可以被理解为执政当局在一党执政和官民矛盾日益激化的特定条件下为促进政策实施和维持政权合法性而采取的手段,知识分子越来越直言不讳地提出批评意见则源于"话语机会结构的扩展。结合这些见解与已有文献表明,当代中国公民抗争和公共话语似乎彼此促进,形成了一个自我强化的循环。 ; 研究意义而言,本研究首先探讨了"话语机会这一概念的价值及其局限性,继而指出民众抗争,精英话语和政权演变之间存在重要的联系。本文发现,只要能够触动社会精英阶层并激起他们的回应,即使是非持续性的,非跨区域性的公民抗争也会带来抗争政治参与空间隐性但却显著的扩展,以及政治话语实践的转变。因此,虽然抗争者没有直接挑战共产党政权,但他们的行动已经从某种程度上促进了中国的政权演变。 ; For the state, popular protest is not merely a problem of governance and policing, but also an issue of strategic communication. Investigating protest in contemporary China from a communicative and elite-centered perspective, this dissertation shows that in parallel to the constantly growing number and scale of protests, the communicative environment of citizen resistance over the last two decades was significantly transformed and liberalized. Based on a mixed quantitative and qualitative analysis of political discourse between 1990 and 2010, the study seeks to understand the evolution, conditions, and significance of this widening discursive opening. ; The research reveals that the Chinese political leadership gradually addressed the problem of popular protest in the open and shifted its discourse towards more protester-sympathizing assessments. Moreover, tight censorship was gradually lifted and detailed accounts of major protest events emerged in the news media. In parallel to these developments, the topic became accessible to a growing circle of speakers and eventually emerged at the center of a lively and increasingly critical public debate. ; Based on this assessment, the present study argues that the political leadership's discourse can be rendered intelligible as a policy endeavor and a regime-legitimating instrument under the particular conditions of one-party ...

Cheng, Connie. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (p. 182-192). ; Abstracts in English and Chinese ; appendix in Chinese. ; Thesis / Assessment Committee --- p.i ; Abstracts --- p.ii ; Acknowledgements --- p.iv ; "A Note on the Use of Chinese / Japanese Terms, Names, and Webpage Materials" --- p.V ; Table of Contents --- p.vi ; Chapter Chapter 1: --- Preface --- p.1 ; Objectives and Significance --- p.4 ; Issues to be Addressed --- p.5 ; Methodologies --- p.10 ; Structure of the Thesis --- p.12 ; Chapter Chapter 2: --- The Rise of Japanese Pop Culture in Hong Kong - The 1980s --- p.15 ; Japan's Economic Influences in Hong Kong --- p.15 ; Japanese Popular Culture Boom in Hong Kong --- p.19 ; Tourist Flows to Japan in the 1980s --- p.31 ; Chapter Chapter 3: --- The Second Japanese Popular Culture Boom - The 1990s --- p.38 ; The Change in Economic and Social Environment --- p.38 ; Japanese Popular Culture Continues to Flourish --- p.40 ; Japanese Pop Music (J-pop) --- p.40 ; "Animation, Comic and Game (ACG)" --- p.42 ; Japanese Television Dramas --- p.47 ; Hong Kong Tourists to Japan and the Development of Cultural Pilgrimage --- p.56 ; Chapter Chapter 4: --- The Age of Cultural Pilgrimage - the 2000s --- p.64 ; Hong Kong People's Consumption of Japanese Products --- p.64 ; Pop Songs --- p.64 ; Television Dramas --- p.65 ; ACG --- p.66 ; Tours to Japan --- p.69 ; Pop Culture Tourism and Cultural Pilgrimage --- p.75 ; Governmental Strategies --- p.77 ; Tour Agencies' Strategies --- p.87 ; Self-guided Tourists --- p.91 ; Chapter Chapter 5: --- Case Studies of Hong Kong Young People who Performed Cultural Pilgrimages to Japan --- p.112 ; Case 1 --- p.113 ; Case 2 --- p.117 ; Case 3 --- p.121 ; Case 4 --- p.125 ; Case 5 --- p.129 ; Case 6 --- p.135 ; Case 7 --- p.138 ; Case 8 --- p.142 ; Case 9 --- p.146 ; Case 10 --- p.149 ; General Remarks --- p.154 ; Chapter Chapter 6: --- Concluding Analysis --- p.157 ; Chapter 1. --- Cultural Pilgrimage and the Cultural ...