Abstrak Karya sastra merupakan miniatur dari dunia nyata, dimana sebuah karya sastra biasanya mengungkap beberapa masalah yang berkaitan dengan makhluk hidup termasuk isu-isu tentang hubungan manusia dengan alam. Manusia lebih cenderung melakukan kerusakan pada lingkungan daripada menjaganya, hal ini menyebabkan kehancuran bumi beserta isinya. Hal ini tergambar pada novel The Road karya McCarthy dimana lingkungan yang menjadi setting utamanya hancur berantakan. Lansekapnya tertutup oleh abu yang berterbangan. Dan ketika salju turun, ia berwarna abu-abu. Langitnya juga terlihat gelap. Oleh sebab itu, ada beberapa masalah yang berhubungan dengan kehancuran bumi yang tergambar pada novel yang kemudian memunculkan dua dasar pertanyaan (1) bagaimana kehancuran bumi digambarkan dalam novel The Road karya McCarthy? Dan (2) bagaimana kehancuran bumi memberikan dampak terhadap karakter utama dalam novel The Road karya McCarthy?. Untuk melihat masalah ini perlu teori yang pas yang biasa disebut ecocriticism. Ecocriticism melihat kehancuran bumi sebagai hasil dari tingkah laku manusia terhadap lingkungan misalnya: eksploitasi dan colonialisasi. Seperti yang dikatakan Lawrence Buell bahwa kondisi lingkungan itu ditentukan oleh manusia. Ecocriticism adalah suatu istilah yang berada dibawah payung postcolonialism dimana seorang postcolonialist meyakini bahwa kolonialisasi mempunyai campur tangan dalam penghancuran bumi. Para penjajah merasa percaya diri untuk mengeksploitasi bumi karena dianugrahi kekuatan oleh modernism. Untuk mendapatkan analisis yang jelas, skripsi ini menggunakan metode descriptive quality dimana kualitas data menjadi poin utama daripada jumlah data. Jadi, terlihat jelas bahwa kehancuran bumi terjadi diseluruh lapisan lingkungan; yaitu atmosfer, permukaan tanah, dan laut. Seluruh atmosfer dipenuhi oleh abu, debu dan karbon, tanahnya terkikis, tandus dan gundul, dan lautnya berubah menjadi abu-abu. Kehancuran bumi ini juga memberikan kesuraman tersendiri kepada tokoh si bapak dan si anak. Mereka harus melalui hidup yang keras, susah untuk bernafas, susah untuk menemukan sesuatu yang bisa dimakan dan secara mental mereka selalu takut akan ancaman-ancaman dari kehancuran bumi. Kata Kunci: kehancuran bumi, ecocriticism, postcolonialism, modernism. Abstract Literary work is a miniature of larger world or reality, whereas a literary work reveals some problems related to humans being including issues of human relationships with the environment. Humans tend to do damage to the environment rather than maintaining it, thus it causes devastation of earth. It is reflected in McCarthy's the road where the environment is devastated. The landscape save the ash on the wind, and when the snow falls, it is gray. The sky is also dark. Therefore, there are some problems of knowledge about how the devastation of earth portrays in the novel, which are delivered to two main questions of (1) How is devastation of earth depicted in Cormac McCarthy's The Road? and (2) How does devastation of earth give impacts to the main characters in Cormac McCarthy's The Road?. In case to observe these problems, it needs a suitable theory which called ecocriticism. Ecocriticism sees the devastation of earth as the result of humans' behaviour such as exploitation and colonialism of the environment, as Lawrence Buell says that the condition of the environment is determined by humans. Ecocriticism is under umbrella term of postcolonialism in which postcolonilist believes that colonization has intervention in devastating the earth. Colonizer is encouraged to exploit the nature because of power that is given by modernism. To get a clear analysis, this thesis uses descriptive quality method; it means the quality of the data becomes the reference to work rather than the quantity of the data. Thus, it is seen clearly that devastation of earth happened in the whole layers of environment; atmosphere, land and sea. The atmosphere is occupied by ash, dust and carbon, the land has eroded and barren and the sea have changed into gray. This devastation also gives a misery to the father and the son as the main characters. They have to undergo hard life; hard to breathe, hard to find food and mentally they are haunted by the devastated earth's threatens. Keywords: devastation of earth, ecocriticism, postcolonialism, modernism. INTRODUCTION Humans often feel indifferent toward nature. For them, nature is something considerably as a 'mystic' thing, when it goes right, humans forget it, when it goes wrong, they worry it. People tend to prefer natural environments more than built environments, and built environments with water, trees, and other vegetation more than built environments without such features (Kaplan & Kaplan, 1989). On the other word, humans tend to permit the nature walks down by itself. They seem to just let it flow without thinking how to keep and maintenance the nature. The study of humans' relation with nature which is known as ecology was begun since years ago when humans lived in harmony with the nature. However, in line with development the nature also changes. Unfortunately, this natural changes brings devastation on earth, as Donald Hughes says that looking back to our historical ecology, Humans have related in multiple ways to the Earth's systems; some of these ways promise a sustainable balance with them, while others are destructive (Hughes, 2001: 269). Historically, through devastation of earth Humans have made major changes in their environments. This is happened almost in the whole surface, as Hughes says that devastation of earth has happened in every historical period and in every part of the inhabited Earth (2001: 1). In order to observe those processes of change that affect the relationship, ecologist studies the mutual effects that other species, natural forces, and cycles have on humans, and the actions of humans that affect the web of connections with non-human organisms and entities (id. at 4.). This ecologist's study shows that devastation of earth is the result of humans' behaviour toward environment. This bad behaviour has changed the environment that will bring devastation to the humans themselves. Humans seemingly don't care of the environment. Severity, humans tend to be more destructive. It forces some Ecocritics who concern in literary study and environment in late nineteenth criticized humans' behaviour toward nature. This criticises show how important avoiding that kind of behaviour toward nature which brings devastation of earth merely, it signed that the study of literature which related to the environment has to be discussed. There were in fact some isolated calls for an ecologically oriented criticism during the 1970s (Rigby, vol 2: 2). However, it was not until the end of the twentieth century that the study of literature and the environment was finally recognized as 'a subject on the rise'. In studying of literature, humans ordinarily focus on the relation between humans and others (society) or between humans and themselves (psychology), whereas, the relation between humans and environment actually is tightly connected. Unfortunately, the study of literature which related to the earth was often forgotten, whereas, the study of literature which related to the environment is greatly important. The study of environment is not merely observing of the nature or nonhumans aspect but it tends to study the relation among nature, earth and the humans themselves. Human actually is a part of environmental system, and therefore the environment has the crucial role in humans life in which it is become the main point of literary study. In some respects, it is perhaps not surprising that the study of literary texts should be coupled with such forgetfulness of the earth. Thus it is needed a study of humans' relation and environment. The study of literature and environment got a full attention when modern era begun to destruct the environment. Since last decade ago, especially years ago, humans consciously realized the impacts of their behaviour toward nature, moreover when they become crazier of invention, exploration and exploitation of the nature. Surely, this impact is indirectly causing ecological changes. However, actually what people do about their ecology depend on what they think about themselves in relation to things around them. Human ecology is deeply conditioned by beliefs about our nature and destiny (White 1996, 6). It can be imagined when humans were only thinking about themselves and forgetting the nature or they were just considering their needs without considering the nature needs, it can be ascertained that the nature will vanish and be extinct. This idea or thought about indifference toward nature is criticized by the Ecocritics. Ecocriticism maintains that literature may be approached in a way that examines humans as part of an ecosystem; they are neither master nor slave to it, but simply one part of an intricate system. Literature and environment truly can't be separated each other. Moreover, Lawrence Buell argues in his book The Truth of Ecology as quoted by Dana Philip that literature would be environmental. It would evoke the natural world through verbal surrogates, and would thereby attempt to bond the reader to the world as well as to discourse (Philip, 2003: 7). It can be assumed that through the literary work, the reader will be brought to the environmental world and devastation of earth. Indirectly, literature causes the reader's interpretation of the environment. Thus, it is important to understand the relation between humans and environment through literary work. It needs to notice that ecology is not a slush fund of fact, value, and metaphor, but a less than fully coherent field with a very checkered past and a fairly uncertain future (Philip, 2003: 45). By understanding the relation between humans and environment, it is beneficial to determine the act effectively on the impact of natural destruction and to integrate knowledge and actions. The study of literature and environment works in tandem in determining humans' perception and interpretation toward nature. As Lawrence Buell says that literature and environment studies must make their case for the indispensableness of physical environment as a shaping force in human art and experience, and how such an aesthetic works (2001: 9). It can be assumed that environmental interpretation is a humanistic inquiry. In other word, what people think about nature, and how they have expressed those ideas is what people interpret of the nature. Generally what people expressed the idea of the nature is a Realistic depiction of the world. Thus, it needs a tool to see this depiction. Surely Ecocriticism is a proper tool to see the depiction of the world. Ecocriticism is the most suitable binoculars to telescoped ecological issue and ecological changes in such literary work, as Sheryl Glotfelty (1996: xviii) says that Ecocriticism is the study of the relationship between literature and the physical environment, Ecocriticism takes an earth-centered approach to literary studies. Only Ecocriticicism observes the relation between humans and nonhumans aspects. What Ecocritics do, in short, is attempting to discover nature as absence, silence in texts, and construe environmental representation as a relevant category of literary (Buell, 2005: 30). Ecocriticism encourages the changing of canonisation through entering literary works which carry up natural issue. Ecocriticism ecologically oriented critique of the way in which Nature is constructed in certain canonical texts. Environmental literature constitutes the third way in which Ecocriticism recasts the canon. According to Lawrence Buell (1995, 7-8), an environmentally oriented work should display some characteristics; first, the nonhuman environment is present not merely as a framing device but as a presence that begins to suggest that human history is implicated in natural history. Second, the human interest is not understood to be the only legitimate interest. Third, Human accountability to the environment is part of the text's ethical framework. The last, some sense of the environment as a process rather than as a constant or a given is at least implicit in the text. In such literary work; Cormac McCarthy's The Road the nature as the setting represents ecological changes. Surely, this change causes devastation of earth. Nothing is more miserable on earth but devastation. The world which is the closest place we live at is not convenient again when it was devastated. Thus, literary and environment has interrelation that cannot be separated. Then, it is important to analyze such literary work through Ecocriticism. Ecological issue commonly represented by the presence of natural thing such as; tree, land and also circumstance in the novel which it become the setting. In other word, ecological issue become a centre point of setting. One of great writers in narrating the setting is Cormac McCarthy. Not only known as a king of the setting, McCarthy also has known as famous environmental setting as Addy Haddock (a writer of McCarthy's bibliography) says that his ability to provide eloquent descriptions with smoothly rolling darker undertones and poetically dismal nuances makes him become a writer with powerful setting. Thus, McCarthy is a right author referenced as a study of Ecocriticism. Indirectly, McCarthy's proficient is caused by his settled at a barn near Louisville, Tennessee. All the stones he gathered, all the wood he cut and kiln dried by himself to renovate his small house. Seemingly, McCarthy's life is not far away from the nature. Years later, after marrying fellow student Lee Holleman in 1961, he and she moved to a shack with no heat and running water in the foothills of the Smoky Mountains outside of Knoxville. These experiences of life sharpen his idea toward nature. McCarthy reveals that he is not a fan of authors who do not deal with issues of life and death; it can be assumed that his writing tends to be explored issues of life including devastation of earth. Recalling blithely the months he spent without electricity in a house in Tennessee. Without money, and he had run out of toothpaste and he was wondering what to do when he went to the mailbox and there was a free sample. It made him become more sensitive facing the nature and more respect it. In 2006, McCarthy writes The Road that grants him a change to be interviewed by Oprah Winfrey. Surely, this interview related to his writing especially devastation of earth and won Pulitzer Prize for fiction. McCarthy told Winfrey that related several stories illustrating the degree of outright poverty he endured at times during his career as a writer. He also states that his novel; The Road inspired when he was standing at the window of a hotel in the middle of the night, his son asleep nearby, he started to imagine what El Paso might look like 50 or 100 years in the future. He just had this image of these fires up on the hill. It shows the condition of the nature at the time which the hill was fired up. McCarthy can be categorized as a weird person. People usually gathered with other people who have same hobby or pleasure. However, it doesn't apply for McCarthy. As a writer, he doesn't like to gather with other writer. He would rather hang out with physicists or scientist than other writer. He does not know any writers and much prefers the company of scientists. No doubt if his knowledge of nature is rich. His knowledge of the natural world is vast and includes many of the Latin names of birds and animals. His pleasure gathering with physicists and scientist caused by his interest in science and environment, by absorbing the intelligence scientists, he realizes that in 100 years the human race won't even be recognizable. For him, what physicists did in the 20th century was one of the extraordinary flowerings ever in the human enterprise, which would much prefer to befriend a scientist than another writer. Most of McCarthy's novels are portraying about life or reality which many of them associated to ecological issue. In 1985, Blood Meridian was published. Blood Meridian portrays the desolate and indifferent 1850s Texas-Mexico borderlands. The extreme violence which takes place comments implicitly on both the environment and human nature. The novel's full title- Blood Meridian, or The Evening Redness In The West- is indicative of the novel's portrayal of the environment. A relationship between location, nature and violence is created in the symbolism of the sun as a "blood meridian". To call McCarthy's environments as constructed in Blood Meridian simply violent is an unsatisfactory conclusion. What is more appropriate and evident in the text is that man is inherently violent and the indifference of nature to this creates an amoral setting. In 1979, McCarthy published his fourth novel, Suttree. In short, Suttree tells the reader about a man named Cornelius Suttree, a fisherman, disillusioned scholar, alcoholic, nihilist, existentialist and transcendentalist. The attention to detail identified earlier in Suttree is telling in terms of his relationship with his environment. Generally, to an Ecocritical reading Suttree shows that, stripped of societal anthropocentrism, man is forced to reassess his relationship with nature. It could be said that McCarthy's prose style is often atavistic (anti-civilization, anti-materialism, anti-industrialism, anti-progress and pro-Nature) in that it both reflects natural processes and often appears primitive, stripped of culture. In 1973, Child of God was published. It was inspired by actual events in Sevier County. Child of God begins with Lester Ballard's dispossession from his parent's house. McCarthy's description of Ballard's lone nomadic wandering after he inadvertently burns down his squat uses the same free indirect discourse. Child of God can also be described as an existential text, particularly for the authenticity of its protagonist. Lester Ballard's atavistic tendencies bring him closer to an animalistic level. From those all of McCarthy's novels, The Road which was published in 2006 by Vintage book publisher is the most representative novel which is related to the study of Ecocriticism. The novel is generally thick of environments' issue. The issue for instance is the fire of woods that happened along the country which give the reader an image of burned land, ash and dust everywhere and so on. Because of this reason, the writer felt that The Road is interested to be analyzed through ecological critics. In short, the novel portrays a journey of father and son as the main character in a burned land in America. The issue of devastation of earth becomes the centre point of interest which grasps the whole setting of the novel. The Road brings the readers onto 'the future' in as much as it is set in a time after an ambiguous 'end' has occurred and society has collapsed. The reverse of the most recent reissue claims that it is the first great masterpiece of the globally warmed generation. It is also the first of McCarthy's novels to have provoked Ecocritical study. This wide appeal to the novel relies strongly on its environmental themes. The use of allusion to genre and form elsewhere in McCarthy's novels can be said to universalise his appeal but in The Road the key concern is the 21st century's most immediate global problem; the irrevocable damage global industrial capitalism is doing to our environment. It is difficult to read The Road without feeling the overwhelming cumulative force of the novel's desolation, and this desolation is most prominently present in the landscapes McCarthy portrays. The setting is almost entirely bereft of life; the little that is found is often malign humanity. The Road greatly represents a study of Ecocriticism. It portrays the colourless world because of devastation of earth. This devastation issue is common object of the Ecocriticism study. The Road continually reminds us of the bleakness of the landscape in the earth. As readers, we only experience bright colours through the characters' dreams or memories, if someone happens to bruise or bleed, or through fire or flare guns. The rest of the time we see a gray ash covering the landscape. As a reality, our landscape is actually green and natural. However, The Road shows the possibility of devastation of earth when humans did devastation to the nature and they can't live in harmony with the nature. Therefore, there is no doubt that The Road becomes the most influencing novel toward environment. It proves from the acclaim written in the novel by George Monbiot, an environmental campaigner that says "It could be the most important environmental book ever. It is a thought experiment that imagines a world without a biosphere, and shows that everything we value depends on the ecosystem." According to the brief story in background of the study that gives perception about the devastation of earth in the novel, it appears two questions as the problems: 1. How is devastation of earth depicted in Cormac McCarthy's The Road? 2. How does devastation of earth give impacts to the main characters in Cormac McCarthy's The Road? METHOD The used method is descriptive quality; it means the quality of the data becomes the reference to work rather than the quantity of the data. Besides, a technique is needed to understand the data. Technique of interpretation must be used to interpret and analyze the data. Through interpretation the analysis can be worked. Interpretation is a crucial step that has to do before analyzing the data. Then, extrinsic approach is used as an approach toward the analysis in which environment belongs to it. According to method above, the first thing that has to do is collecting data. In collecting data this research focuses on reading and documentation. Reading novel. In this step, novel becomes the object of the research. The novel is entitled The Road, written by Cormac McCarthy. To collect the correctly data, it needs reading more than once, because to get interpretation, it needs understanding all contents completely with all possibilities both intrinsically and extrinsically. Inventorying data. This step is collecting data through noting the quotations related to the statement of the problems and objectives of the study, it is including in words, sentences, and discourse that can represent devastation of earth in Cormac McCarthy's The Road. Thus, all data that will be analyzed are started and sourced through the novel's contents. Classification data. It is appropriate to the statements of the problems about devastation of earth in Cormac McCarthy's The Road. Tabling the data. It is to simplify reading the data and classify data that is used in the analysis for the readers. Continuously, the selected data or the collected data, which are related to the statements of the problems and the objectives, are analyzed through Ecocriticism in depicting the devastation of earth and its impacts to the main characters in Cormac McCarthy's The Road. MODERNISM The word "modern" closely means to up-to-date, abreast of the times, and going beyond the past in more than a temporally or chronologically literal sense (Greenberg, 1979; 2). Marshall Breman as quoted Jan Rada defines modernism as a trend of thought that affirms the power of human being to create, improve, and reshape their environment, with the aid of scientific knowledge technology and practical experimentation (2008; 6). Breman then argues that modernism is as any attempt by modern men and women to become subjects as well as objects of modernization, to be modern is to find ourselves in an environment that promises us adventure, power, joy, growth, transformation of ourselves and the world-and, at the same time, that threatens to destroy everything we have, everything we know, everything we are (Berman, 1982; 5; 14). The development of modernism emerged two poles that confront each other; science and technology and natural degradation. As Helena J. Keler explanation that the image of 'creative destruction' is very important to understanding modernity precisely because it derived from the particular dilemmas that faced the implementation of the modernist project. This destruction of a holistic universe in the modern era shatters the conception of human beings and societies as total entities, instead inaugurating an era characterized by a never-ending process of internal ruptures and fragmentations within itself (Keler, 2005: 4). According to Horkheimer and Adorno as quoted by Helena, modern capitalist society is engaged in a pattern of domination: the domination of nature by human beings, domination of nature within human beings, and this system of domination is driven by fear of the human and nonhuman unknown the Other (Keler, 2005: 3). Movement of modernism manifests itself in the self-destructive nature of symbolism: when pushed to its logical extreme, the symbolist aesthetic starts to forgo any notion of an organic, necessary relationship between signifier and signified, and simply imposes a particular motif as an arbitrary symbol of something else (Hutchinson, 2011; 58). Modernism often demonstrates the destructive rather than constructive nature. Modernists argue that the ecologically destructive projects are not viable because of climate change but modernism movement (Johnston, 2012: 207). Specifically, Barbara Rose Johnston states that Human conduct that contributes to the destruction of our ecological balance. Such interpretations of environmental change, however, can have undesirable effect of deflecting responsibility, since blame is placed on a cycle of time about which a person can do nothing (Johnston, 2012: 212). Global environmental change, which spans natural sciences, policy and development studies, is currently experiencing its first waves. Perhaps it is time to recognize that already some people are getting their feet wet. On what criteria should one decide to retreat to higher ground or stick it out unmoved until the tide turns. Modernism challenges the modern project of understanding global environmental change and doing something about it when it causes problems (Blaikie, 1996: 81). According to Piers M. Blaikie, modernism First, it challenges all embracing world views or 'meta narratives' which tend to be highly teleological and assume the validity of their underlying assumptions and their claims. Thus, the role of environmental scientists in policy making as 'talking truth to power' and as the only rational and legitimate brokers between the 'real' environment and the rest of us, is rejected. Second, it challenges the tendency that is more pronounced in areas of global environmental change where the local hands on experience of the environment (land degradation, desertification and biodiversity). Third, it challenged that reality is socially constructed. An epistemology which builds models of society and environment with causal connections is challenged by one which is constituted as a series of descriptive accounts according to different actors' perceptions (Blaikie, 1996: 81). Modernism encourages people and countries to over-exploit natural resources, and contribute to reductions in spending on social and environmental welfare (Huckle, 1999: 36). Moreover, environmental reductions being blamed on the impact of foreign cultural domination this has allegedly eroded and damaged the 'essential harmony' between humans and nature (Mawdsley, 2001: 96). Evernden contends that the second instrumental vision of control and domination over nature is the historical product of modernity, more specifically of Renaissance, when a new mode of knowledge, based on reason and experimentation replaced the medieval search for knowledge as contemplation and wisdom (1992). This argument is supported that Modernity is thus responsible for creating Nature by abstracting from nature, and with it a whole history of conquest and domination comes to be enacted. In the words of C. S. Lewis: "We reduce things to mere Nature in order that we may "conquer" them. We are always conquering Nature because "Nature" is the name for what we have, to some extent, conquered" (Lewis, 1978: 42). Latest, Environmental problems and other risks encompass less than the globally catastrophic. More and more disaster experts, development agencies, and citizens' groups are supporting that the globalisation is largely responsible for such human misery (Huckle, 1999: 36). Modernism signed by the development science and technology (Somerville, 2006: 17-18). Further, given the increasing production by technologically advanced capitalism of risks that threaten us all ironically that technology induced catastrophes and environmental disasters (Simon Cottle, 1998: 8). Since the Enlightenment, technology, especially science-based technology, has offered the promise of a better world through the elimination of disease and material improvements to standards of living. On the other hand, resource extraction, emissions of dangerous materials, and pollution of air, water, and soil have created conditions for unprecedented environmental catastrophe and have already caused irreversible damage to the biosphere (Vergragt, 2006: 7). Ironically, the persisting contradictions between a better life created and supported by technology for the wealthy few, also caused the increasing environmental degradation and persistent poverty for the vast majority calls for a deeper exploration and understanding of the nature. Philip J. Vergragt then, states that technology will support and enhance a "good life" for all of its citizens, in both rich and presently poor countries, without compromising the Earth's ecosystem or the prospects of later generations (Vergragt, 2006: 8). Thus, science and technology which shaped to the sophistication give man a power to colonize the earth. POSTCOLONIALISM Environmentalism in post-colonial discourse has its beginnings in Alfred Crosby's account of the impact of European incursions into the Americas and the Pacific (Ashcroft, 2000: 71). This incursion of course destructs not only the country; physical building and ideology but also the environment and nature. The conquest and colonization of so many extra-European environments produced irreversible changes in land use, in flora and fauna and frequently damaged beyond repair traditionally balanced relations between indigenous communities and their environments, a relationship unlike that of their conquerors crucial to their understanding of their 'being' as of the land rather than merely on it (Ashcroft, 2000: 71-72). He adds that imperial incursions and colonization have been regarded as environmentally destructive, yet as Richard Grove argues, the perception of what had already been lost in Europe, the sense of intrinsic connection between the 'more-than-human' and the human, and thus the urgency of environmental preservation became strikingly evident in Europe's colonies, particularly in the late nineteenth century. Much environmentalism in theory and practice has emanated from former imperial centres such as Europe and the United States. While belated recognition of the crucial importance of other forms of life on earth is both welcome and necessary, its export and sometimes imposition on postcolonized cultures invites the obvious charge of hypocrisy and generates resentment against former imperial states which having degraded their own and their colonies' environments in the 'interests' of progress and 'development' now encourage (or impose) the theory and practices of environmental preservation on other peoples (Ashcroft, 2000: 72). This also frequently creates division within post-colonized cultures themselves, where, for instance, peoples are moved off their traditional lands to make way for game parks, essentially for the benefit of wealthy tourists. Demands for the 'global' preservation of endangered species frequently clash with the policies of post-colonized governments eager to use their regained environmental sovereignty in the interests of a modern capitalism from which it is difficult for them to escape. Devastation of earth has highlighted how human–environmental vulnerabilities are amplified not only by anthropogenic climate change but also by the capitalist exploitation of natural resources (Carrigan, 2005: 1). Harmful environmental conduct exposes several broader dimensions such as the nation's ability to use its resources as determined by domestic political processes, such as; it changes the natural forest microclimates that have been transformed into new microclimates increasing sunlight and lowering humidity (Nazzal, 2005: 6). The ecological crisis is not merely an isolated event but has its roots in the modern materialistic civilization that makes man becomes the butcher of earth (Huggan and Tiffin, 2010: 1). They argue that one way out of this morass is to insist that the proper subject of postcolonialism is colonialism, and to look accordingly for colonial/imperial underpinnings of environmental practices in both colonising and colonised societies of the present and the past (Huggan and Tiffin, 2010: 3) Colonialism greatly changed the environmental condition of colonized country. Alfred W. Crosby (Crosby 1986) as quoted by Aschroft describes the ways in which the environments of colonized societies have been physically transformed by the experience of colonial occupation, imperialism/colonialism not only altered the cultural, political and social structures of colonized societies, but also devastated colonial ecologies and traditional subsistence patterns (Ashcroft, 2000: 69). Indirectly, colonization influences ecological changes in the past which cause ecological destruction in the present day. More importantly, based on Crosby statement in Aschroft explain that introduced crops and livestock not between colonizer and colonized country only supported conquering armies and colonizing populations, radically colonizer altered the entire ecology of the invaded lands in ways that necessarily disadvantaged indigenous peoples and annihilated or endangered native flora and fauna (2000: 69). Arguably this has led to one of the most profound ecological changes the world has seen. Colonization or colonialism can be defined as the conquest and control of other people's land and goods (Loomba, 2005: 8). Colonialism means a conquest which is done by the west or European and American country toward Asia and Africa by exploitation the land, surely it causes natural destruction. Elleke Boehmer has defined colonialism as the settlement of territory, the exploitation or development of resources, and attempts to govern the indigenous inhabitants of occupied lands (Boehmer as qtd. in McLeod 2000: 8). The term colonialism is important in defining the specific form of natural exploitation that developed with the expansion of Europe over the last 400 years (Ashcroft, 2000: 40). With the end of the cold war, global infatuation with neoliberal economics has intensified the peripheralization of the South along economic, political, social, cultural and natural lines (Geeta Chowdhry and Sheila Nair, 2002: 1). Postcolonial critique bears witness to those countries and communities - in the North and the South (Bhabha, 1994: 6). The assumption of postcolonial studies is that many of the wrongs, if not crimes, against nature are a product of the economic dominance of the north over the south (Young, 2001: 6). Thus, the Norh represents the West and the South represents the East. Postcolonialism sees the natural destruction on the South as the impacts of colonization The northern environmentalism considered as the rich (always potentially vainglorious and hypocritical) and the southern environmentalism considered as the poor (often genuinely heroic and authentic) (huggan and Tiffin, 2010: 2). However, northern needs of the natural need were supplied from the south in the name of colonization. Colonialism granted imperial powers the rights to arrogate and exploit the territory of a subject people as well as to appropriate unlimited property rights, post-colonial states acted quickly to regain control over their natural resources both through expropriation of foreign property interests and through the legal arena (Nazzal, 2005: 10). Colonialism, through both practice and discourse, has separated man from his natural surroundings and has given him a false idea about the meaning of nature: on the contrary, nature is not there to be plundered, but to be cared for, tended and made to yield its produce. Then, Man is ennobled by the relationship with the environment, by his power to make things grow and watch over their growth, but the reverse also holds true: devastation returns man to his primitive condition. It is not surprising when the the nature did reverse destruction to the humans. It is the result of what they do exploit to the nature. On the other world, man as the colonizer has colonized the earth which caused the devastation of earth. (Chrisman and Williams, 1994: 1–20). Thus, postcolonialism can be considered as umbrella term of ecocriticism in which it criticizes the relation between human and nature including criticizing humans' behaviour precisely humans' exploitation toward nature. ECOCRITICISM Humans truly can't be separated with environment. human beings are engaged in the eternal search for connection, for that which connects us to others and for that which connects us to ourselves, culture, language, history, belief systems, social practice, and other influences on human development are as much a part of place as the physical landscape one crosses (Dreese, 2002; 2-3). She emphasizes that environmental factors play a crucial role in the physical, emotional, and even spiritual configurations that determine our ideas of who we are. All human beings develop their own sense of place through life that determines why they love certain regions or feel utterly alien in others. The study of relations between humans and environment called ecology. Lawrence Buell defines ecology as the study of the interactions between organisms and the environment (Buell, 2005; 139). Meanwhile, Glen A Love defines ecology as not as merely a study of the relationship between organisms and their living and nonliving environment but also a combination of science and a sense of responsibility for life (2003; 37-38). Ecology as Lawrence Buell say above is drawn in the life circle; the life processes of many organisms put into their surroundings environment whose presence of other organism affects the life processes of these and other organisms sharing the same environment. When these processes are cut by such destruction, e.g. chemical by-products of the life processes of one species (or occupational group) are harmful to another species; the relationship between the two species is "antagonistic." Increased population density increases the probability of antagonistic interactions (Catton, 1994: 80). It is essential to be aware of the environmental damage which caused by ecological changes. The development of humans' ecology slowly damages the environment. The ecology of human development involves the scientific study of the progressive, mutual accommodation between an active, growing human being and the changing properties of the immediate settings (Bronfenbrenner, 1979: 21). Imbalance fine relations between humans and environment emerged a critic called ecocritic or ecocriticism (Buell, 2005; 2). John Elder as quoted by Dana Philip says that The science of ecology confirms the indivisibility of natural process: each feature of a landscape must be understood with reference to the whole, just as the habits of each creature reflect, and depend upon, the community of life around it (1999; 581). Ecology when it counts as science tends to be a lot more reductive, thus many of the core concepts of ecology once notable for their expansiveness have in recent years been cut down to size, made more particular, or abandoned altogether. It now appears that even the ecosystem concept may not be valid biologically, but valid concept or not, an ecosystem is primarily a theoretical entity, and therefore could never be the reality that somehow underwrites poetry, even if that poetry is of the good old-fashioned, supposedly "organic" sort (Philip, 1999; 582). By that kind of reason, Elder argues that culture too may be understood organically: it is the field of relationship between organisms and, as such, a complex organism in its own right (Philip, 1999; 582). Ecology is not merely bound to science and technology, but also moral and politic. Greg Garrard assumes that ecology itself is shifting and contested, the emphasis on the moral and political orientation of the ecocritic and the broad specification of the field of study are essential (2004; 4). Problems of ecology are features of our society, arising out of our dealings with nature, from which we should like to free ourselves, and which we do not regard as inevitable consequences of what is good in that society (Garrard, 2004; 5). Lynn white, Jr argues in his article on Cheryll Glotfelty's The Ecocriticism reader: landmark in literary ecology that environmental crisis is fundamentally a matter of the beliefs and values that direct science and technology and dominating attitude toward nature (1996; 4). Discoveries in ecology and cellular biology revolutionize our sense of self, teaching us that there is no such thing as an individual, only an individual-in-context (Neil Evernden, 1996; 93). Discoveries of course get much of invention. Unconsciously, humans' behaviour (ex: exploitation) toward environment was changed. Industrial Revolution affected humanity's conception of its relationship to nature, warning that technology has created the false illusion that we control nature, allowing us to forget that our "unconquerable minds" are vitally dependent upon natural support systems (Harold Fromm, 1996; 31) Ecocritic or Ecocriticism is an umbrella term, used to refer to the environmentally oriented study of literature and (less often) the arts more generally, and to the theories that underlie such critical practice (Buell, 2005; 138). Cheryll Glotfelty simply writes the definition, ecocriticism is the study of the relationship between literature and the physical environment, ecocriticism takes an earth-centered approach to literary studies (1996: xviii). Ecocriticism might succinctly be defined as study of the relation between literature and environment conducted in a spirit of commitment to environmental praxis (Lawrence Buell as quoted by Dana Philip, 1999; 583). Ecocriticism is, then, an avowedly political mode of analysis, ecocritics generally tie their cultural analyses explicitly to a 'green' moral and political agenda. In this respect, ecocriticism is closely related to environmentally oriented developments in philosophy and political theory (Greg Garrard, 2004; 3) Ecocentrism is more compelling as a call to fellow humans to recognize the intractable, like-it-or-not interdependence that subsists between the human and the nonhuman and to tread more lightly on the earth than it is as a practical program (Lawrence Buell, 2005, 102). Ecological criticism shares the fundamental premise that human culture is connected to the physical world, affecting it and affected by it. Ecocriticism takes as its subject the interconnections between nature and culture, specifically the cultural artefacts of language and literature (Cheryll Glotfelty, 1996; xix). The majority of ecocritics, whether or not they theorize their positions, look upon their texts of reference as refractions of physical environments and human interaction with those environments, notwithstanding the artifactual properties of textual representation and their mediation by ideological and other socio-historical factors (Lawrence Buell , 2005; 30). Literary theory, in general, examines the relations between writers, texts, and the world. In most literary theory "the world" is synonymous with society-the social sphere. Ecocriticism expands the notion of "the world" to include the entire ecosphere or nonhuman, which is physical environment. Several things that have to be seen are: • Transforming this concept becomes social movement that will bring the humans into conscious of the equality between human and their environment and doesn't consider the nature into binary opposition between dominate and dominated. • Ecocriticism encourages the changing of canonisation through entering literary works which carry up natural issue. • Ecocriticism is not only an approach but also a pendadogis tool. • Ecocriticism connects the literary study with the earth to see how is the relation between humans and earth where they stand (Cheryll Glotfelty, 1996, xxii) The majority of ecocritics, whether or not they theorize their positions, look upon their texts of reference as refractions of physical environments and human interaction with those environments, notwithstanding the artifactual properties of textual representation and their mediation by ideological and other sociohistorical factors (Buell, 2005; 30). It can be assumed that Ecocrtiticism sees the text as the refraction of physical environment. Another denigrates attempts to recuperate realism as restricting the field of environmental writing, as ludicrously foreshortened in focus ("its practitioners . . . reduced to an umpire's role, squinting to see if a given depiction of a horizon, a wildflower, or a live oak tree is itself well painted and lively"), and in any case bogus, since "mimesis presumes the sameness of the representation and the represented object" (Phillips 2003: 163–4, 175). Buell has added that this is a conviction that contact (or lack ofcontact) with actual environments is intimately linked, even if not on a one-to-one basis, with the work of environmental imagination, for both writer and critic (Buell, 2005; 31). Ecocriticism can explore what we can call a discursively manipulated nonhuman world in literature, and discuss how it gets marginalized or silenced by, or incorporated into the human language (Legler, I997: 227). Nonhuman environment must be represented as an active presence and player within the text made some astute readers inclined to be sympathetic of the environment (Buell, 2005: 51). The task of ecocriticism, then, is to formulate a conceptual foundation for the study of interconnections between literature and the environment. Literature can be perceived as an aesthetically and culturally constructed part of the environment, since it directly addresses the questions of human constructions, such as meaning, value, language, and imagination, which can, then, be linked to the problem of ecological consciousness that humans need to attain. Within this framework, ecocritics are mainly concerned with how literature transmits certain values contributing to ecological thinking (Glotfelty, 1996: xxi). Ecocriticism offers researcher a way how to analyze such literary work through three steps. First is seeing the representation of nonhuman aspect. This first step is looking how is the nature like rice field, village, wilderness, forest, sea, beach, hill, mountain, valley, river, animal (or treatment toward animal) and city environment pictured in the text. Second is seeing the accusation toward ecology issues. The second step destructs how the natural issue is portrayed with the different way. For instance, the nature is pictured as an inconvenient place again for humans because of the emergence the new value; technology, capitalism, extinction of local knowledge, and development of building which is not oriented to the environment. Last is taking part of text's ideology. In this case examines the relations between writers, texts, and the world. This third step is seeing and taking part of the ideology that contains in the text. How the author's view and commitment toward the nature (Cheryll Glotfelty, 1996, xix). DEVASTATION OF EARTH Those all theories mentioned above are related to the word "devastation" which happened on earth. Modernism granted colonizer a power to devastate the earth in which postcolonialism and ecocriticism tend to criticize that devastation. Certainly, what is actually the meaning of devastation of earth? The word "devastation" itself according to Merriam-Webster dictionary means the state or fact of being rendered nonexistent, physically unsound, or useless. In other word, devastation is deterioration, destruction, vanishing of the earth through depletion of resources such as air, water and soil. Devastation of earth can be defined as a destruction of ecosystems and the extinction of wildlife. Devastation of earth is a term used to describe a situation in which a part of the natural environment (the earth) is devastated or damaged. According to Shakhashiri, earth is areas of land as distinguished from sea and air (2011: 1). It means that the earth is composed by three parts; land, sea and air. Thus, it can be ascertained that if the devastation happened on earth, it will strike those all of earth's parts. The devastation which strikes the air will harm the condition of air in the atmosphere or known as devastated atmosphere, devastation which strikes the land will harm the condition of the soil and change it into erode and barren, and devastation which strike the water will contaminate the clean water into the dirty one. The earth as mentioned above that composed from three parts; certainly those each parts have a role. Land is the surface of the earth where the creatures are growing and developing; the plantations (trees) grow well, the animals breed and the humans dwell the life. Air is the mixture of gases which surrounds the Earth in which it contains a lot of vital substances such as oxygen and ozone. And water is a clear liquid, without colour or taste, which falls from the sky as rain and is necessary for animal and plant even human life. Water is also available in the river and sea. All of those parts of the earth greatly have advantage when it states in the normal/natural condition. However, when it was devastated, the earth turns into less natural and more miserable. That is the picture of the devastation of earth. DEPICTION OF DEVASTATION OF EARTH The devastation of earth as Hughes says has happened in every historical period and in every part of the inhabited Earth (2001: 1). It means that devastation of earth happened in the whole surface of the earth. Devastation has stroked the whole environment; atmosphere, land, and sea. Postcolonialism argues that colonialism has an intervention on devastating the earth. Colonialism has devastated the earth as Ashcroft says that the conquest and colonization of so many extra-European environments produced irreversible changes in land use, in flora and fauna and frequently damaged beyond repair traditionally balanced relations between indigenous communities and their environments (2000: 71-72). He adds that imperial incursions and colonization have been regarded as environmentally destructive. Devastation of earth happened over earth. It means that devastation happened on land, atmosphere and sea. The land has changed into gullied, eroded and barren. This changing surely as the impact of devastation of earth which is done by the colonizer in colonizing the land. Everything which stands on the land has changed, There was no reborn flora and fauna in McCarthy's The Road. However, the presence of the flora and fauna is the rest of the previous world. Indeed these flora and fauna have changed as the impact of colonialism. Flora in McCarthy's The Road is dominated by the trees. However, most of the trees have changed into gray, dark and black. It is so pathetic when the father and his son faced the standing black trees and they realized that it changes. Horribly, it seems like ghost of trees. The changing of the trees is not underlined on the changes of its colour but also its presence. It means that the trees are not only changing into dark and black with its standing but also there are many trees which die and fall to the ground. The changes of fauna can be seen when the father and his son was camp in the forest and listening for any sound, it draws that the bird has changed its behaviour by holding migratory to circle the earth. The birds can no longer life in harmony with the environment by occupying the forest. It is caused the changing of trees which turn into dead. Thus, it forces the birds to change themselves. Other fauna changing draws when the father who found an odor of cows. However, the cows are extinct since years ago. He asked to himself whether the cows are really real or not. He finally realized that it is extinct. It shows that the cows are changed from the presence to absence. The burning of a certain thing; such as the trees, surely produces a residue or combustion. It can be carbon and ash. It can be imagined how large the amount of ash will be produced if the whole land of forest were burned. Certainly, the ash will cover everything that has seen. A horrible fire of forest has produced a horrible ash too till everything is covered by ash. The ash has moved along the wind till it covered the city and everything in the city, The fire of forest makes the amount of ash become uncontrolled. The moving of ash filled the air and atmosphere in which it makes everything coloured covered by ash and dust. Hence, everything becomes colourless. The ash changes the landscape become gray. It can be assumed that the graying landscape is no other causing by the moving ash. The occupying of ash in the atmosphere makes the day become unseen and dark. The result of the residual combustion is not ashes merely, but also carbons that harm the environment. Ash and carbon both fill and occupy the atmosphere. As the greenhouse effect idea, that the ash and carbon also dust which in a large amount and uncontrolled in atmosphere will form a mantle which wrapped out the whole of earth. This causes our sight of the sky become dark and gray.The sky and cloud are devoured with ash. The cloud becomes ashen and gray. Severity, the ash and carbon have contaminated everything in the air including the sea water vapor. Then, the result is clouds of ash. Ash and dust have affected the form of the cloud to become gray. Probably its content has been also affected. When the clouds changes into gray, it can be predicted that the rainwater which come down from the clouds will also be gray. It is supported with the presence of the ash mantle that wrapped up the earth. Certainly, everything which come down from the sky; rainwater has to pass this mantle, consequently the rain water will be coloured as gray by the ash mantle. The ash mantle has coloured the rain water. The rainwater which drips down to the earth is seen as the gray sheets of rain. Rainwater that is usually used by humans to fulfil their needs such as to irrigate the fields has been contaminated by ash and carbon so that its contents no longer can be used for the benefit of man. Consequently, there will be no crops and there will be no natural food. Mantle of ash has blanketed the earth during the unknown time. As described above that everything which fell from the sky will pass this mantle so that everything will be contaminated by it. The result, everything which fell will be gray. After several days the father and his son watched the gray sheets of rain, the weather quickly changes into snowy. Everyone knows as it has seen that snow is falling from the sky. The snow actually is similar to the rain, including their formed and their fell. The sea water vapor which is formed into cloud in the sky will fall as the rainwater, however, because of the extreme/cold weather, the rain water freeze into ice and it changes into snow that is white and soft. This falling snow of course has to pass the mantle of ash and it changes into gray. The next devastation of earth is turned to everything which lay on the surface of the earth covered by darkness as the ash effect. Everything stands in the earth turned to be black such as the dead trees which burned by fire forest, and the rain water and snow which fell as gray turn into black in the land. The dead trees which burned by fire forest surely create a black view of trees. The trees which burned in incompletely will make an appearance of burnt and black trees. The rainwater and snow which are grey in their falling turned to be black in the land. The large number of those rainwater and snow gathered as one in the ground create a new colour, more intense and black. The gray flakes which fell down turned to the dark slush. Dark slush can be assumed as the slush which is thicker than a flake. Thus, the slush which is as the result of flakes changes into black. It is also applied in the rainwater; the water in the land is not the whole from the rainwater, some from the river and so on. However, the thick rainwater which fell down in gray proved that its water is dominated to black water. the slush which is melted flows through the ash and turned to the black water. THE IMPACTS OF DEVASTATION OF EARTH ON FATHER'S ATTITUDE Living and dwelling in such devastated earth surely give impacts to the humans who walk over it. The father and his son reveal those kinds of impacts. The father who lived before and after unknown disaster seems undergoing a lot of impacts. It is different with his son who born after that disaster. He tends to be innocent, only watch and observe what his father did. There was an idea to end the life when the father still lived with his woman. She always forces him to end their life because there was nothing else to do in the ruined world. However, the father keep his believe that humans have to struggle. The experience of dwelling the life before the unknown disaster made him stronger. The father realized that what the environment did to him is the result what the humans did to the environment, as Lawrence Buell says that human culture is connected to the physical world; nature and environment, affecting it and affected by it. In other word, humans have affected the environment and have been affected by environment. The woman forces him because they lived in unusual life, they lived like zombie. The devastation of earth causes their life as like as zombie or walking dead in a horror film which the father and his son have a role as the victims. They have to avoid even to face the zombie to keep alive. Dwelling the life in such devastated earth; the air was filled by the ash and dust forces them to wear a mask. The devastated earth; unfriendly air forces him to wear mask (canister mask) and even wear biohazard suit. As the affection of the devastated earth, the father and his son have to worry their life, Mostly he worried about their shoes. Worrying is something that the father in his son has to do. There is no certainty living in such ruined world. It is a common thing for them to worry anytime, worrying of food and shoes. Food is essential thing to keep alive. It is the reason why they worry of food. If they can't find some foods, it means they will die. The shoes are important stuff to hold a journey. As explain before that the weather extremely changes a while. Few days were raining, and another was snowing. Shoes keep the father in his son feet to keep away from coldness and freezing which can take their life. The weather is extremely cold. It is not surprising that the weather turns to colder and colder. The weather has changed anytime; sometime it rains and often snow. The coldness of weather doesn't only force them to eat the food that already fermented as above but also threaten their life. The coldness is very extremely danger for them. Moreover it is pictured that the cold can crack the stone and takes their life off. In such condition surely makes them hard to breathe because in the coldness the air contains thin oxygen. Dwelling the life in such devastated earth actually makes him aware of surrounding even the weather. The sounds like forest fire, fallen trees, and so on makes his ears disturbed and consequently he has to keep awake. Living in such devastated earth makes him to be more aware toward everything that threatens them. The father and his son have experienced many kinds of problems. Everything that happened to him does not break his spirit to keep alive even when they are in starving. He always believes that he would find something to eat. the father always optimistic dwelling life. the devastated earth makes him become more optimistic. Struggle is a must to do to find another thing to be eaten to keep the life. Keep trying is the key for the good guys who living in the ruined environment. By keeping trying, they can survive dwelling the life in such environment. Keep trying is not enough to live in such devastated earth. Always suspect the possibility that may happen has to be done, because no one knows what will happen, but the threat of nature always happen all the time. Thus, another thing that has to do is to remain vigilant about the environment. The devastated earth forces him to become "cautious, watchful" and always "on the lookout". He believes that no one expect a trouble. However, living in the devastated earth, the thing that has to do is to always expect it. Thus he was always wary of something bad that may happen. Nothing can be expected from the nature. The father always believed it. He no longer agrees if people prepare something for tomorrow. Although he always optimistic of what he did, he never believed it. For him, even though he's preparing for tomorrow, he doesn't believe that the nature will prepare for him. What the father believes that is now or tomorrow is the same. This belief keeps the father spirit to face his following days. As a father he would often feel the pain. Physically, he is ill of facing the devastated earth. And mentally, he is ill of the feeling of bearing the responsibility as a father who is responsible for the survival of his son and his own life. However nature should never take the life of his son. He would bet his life for the life of his son. Often he complains to himself about his illness. He pretends as tough man in front his son but actually he felt tremendous pain. It's just that he does not want his son to know. THE IMPACTS OF DEVASTATION OF EARTH ON SON'S ATTITUDE Being born in the devastated earth which the unknown disaster has swept it surely affects the son's behaviour toward environment. The greyscale image of environment has saved well in his mind that forces him to expect something else, something in colour. When they continue their journey, the son had found some crayons. These crayons change his mind that something left on earth in colour. Thus, environment is not filling of gray merely. The crayons seem like a hope for
Desde la perspectiva de fines del siglo XX, los regímenes políticos de la España de los años veinte y treinta aparecen como una secuencia de ensayos en respuesta a la profunda crisis sufrida por el sistema de la Restauración (1876-1923). Bajo ese enfoque, la Segunda República (1931-1936) se nos muestra inscrita en el esfuerzo por encontrar una nueva alternativa tras el fracaso de la Dictadura primorriverista (1923-1930) y las dictablandas del general Dámaso Berenguer y del almirante Juan Bautista Aznar. No es, pues, una cuestión casual acortar cronológicamente nuestro objeto de estudio entre el 13 de Septiembre de 1923 y el 18 de Julio de 1936. En esas fechas se gestó el desplazamiento de los antiguos partidos dinásticos por otros grupos de la que sería la derecha autoritaria Alfonsina (conservadores subversivos, en calificación de Gil Pecharromán) y, más tarde, por el movimiento republicano y los socialistas. Lo entonces acontecido sirvió de referente para posteriores actuaciones políticas, desde la valoración ideológica de sus elementos rechazables, corregibles o asumibles. Ciertamente, hay que subrayar que las costumbres y la vida cotidiana de los españoles cambió sustancialmente entre 1923 y 1936. La tímida pero imparable introducción de nuevos medios de transporte transformó el paisaje urbano. El automóvil, dirigido hacia la locomoción individual de los consumidores más pudientes, comenzaba a proliferar por las vías de las principales ciudades, forzando la ampliación de calles y modificando los usos habituales de la red pública. En paralelo, el crecimiento demográfico de las urbes impulsó tanto la construcción de viviendas (la más de las veces desordenada y de escasa calidad) como la expansión del Metropolitano (Madrid, Barcelona), al igual que las líneas de tranvías y los autobuses de enlaces con la provincia. Estos últimos, junto a los camiones, vinieron a completar el transporte de personas y mercancías por ferrocarril, estimulando el tendido de numerosos kilómetros de caminos vecinales y carreteras provinciales. También la radio irrumpió a mediado de los veinte. De lámparas para los de mayores posibilidades y de galena para el común de las gentes, los receptores comenzaron a formar parte del mobiliario doméstico, canalizando las noticias que antes sólo llegaban a través de la prensa. Por su parte ésta, comenzó a difundir información gráfica gracias a los últimos adelantos técnicos. La expansión del telégrafo y del teléfono contribuyeron a la mejora de las comunicaciones, aunque sujetos a la protección menopolística de la Dictadura (Telefónica, CAMPSA, Tabacalera, Compañía Arrendataria de Fósforos, etc.). Fueron también los años del avance de la aviación y de la promesa de los dirigibles, acariciando algunos la posibilidad de convertir a Sevilla en el aeropuerto terminal de Europa (Tomás de Martín-Barbadillo). Por último y para concluir el cuadro de aquellas innovaciones modernizadoras, cabe subrayar cómo la mujer se incorporó lenta pero inexorablemente a la vida pública (participación en el plebiscito de 1926, ingreso creciente en la población activa, nombramientos de concejalas en 1928, estreno del voto femenino en las elecciones de 1933). Buena parte de estos fenómenos se amplificaron en la Sevilla que estaba preparándose para celebrar con el máximo ornato la tan esperada como retrasada Exposición Iberoamericana (1929). Al sensible crecimiento vegetativo de la ciudad se le sumó la inmigración atraída por los puestos de trabajo del proyectado Certamen, precipitando el hacinamiento en barriadas periféricas surgidas sin orden ni concierto (Cerro del Águila, Villalatas, Amate). Y es que Sevilla mostraba sensibles contrastes. Por un lado, sufría frecuentes inundaciones y también, paradójicamente, un deficiente suministro de aguas, responsabilidad de una empresa extranjera (The Seville Water Works Company Limited). Contaba con un sistema de alumbrado para la Exposición (farolas diseñadas por Aníbal González), mientras muchos ciudadanos carecían de suficiente fluido eléctrico. Capital orgullosa de sí, pero capaz de plegarse a los designios de José Cruz-Conde (el tercer hombre más influyente de España, después del Alfonso XIII y de Primo, según el diplomático Carlos Morla Lynch). Feudo aparente del conservador marqués de Torrenueva y, a la vez, centro de disturbios estudiantiles que tantos problemas dieran al gobernador, conde de San Luis, y al ministro de la Gobernación, marqués de Hoyos. Baluarte anarquista y comunista durante la República, radical y socialista en las elecciones de 1931, pero también vivero de la primera sublevación grave contra el régimen nacido el 14 de abril (Sanjurjo). Cuna de líderes republicanos (Martínez Barrio, José Díaz) y campo de experimentos del Nuevo Orden tras el 18 de julio. A la vez cofrade y crisol de huelgas violentas. Foco destacado de la Masonería española y lugar de nacimiento de la Liga Católica. Ciudad semindustrial y terciaria en medio de una provincia agrícola. Es en esas coordenadas cronológicas y espaciales donde emplazamos el objeto de estudio: la Diputación Provincial de Sevilla. Un análisis fundamentado en la respuesta a estos dos interrogantes: 1ª) ¿qué puede aportar el estudio de las instituciones político-administrativas al conocimiento de la España contemporánea?; y 2ª) ¿por qué elegir dentro del conjunto de este tipo de organismos a la entidad provincial? El Estado, como comunidad de personas asentadas en un territorio fijo y sujetas a una dirección política común, se encuentra constituido por tres elementos básicos: población, territorio y poder (Andrés de Blas, Ramón Cotarelo). Este último –es decir, el poder o la capacidad para imponer obediencia desde una autoridad- se sirve de dos tipos de instrumentos (Duverger): los ideológicos (legitimidad, soberanía) y los materiales (órganos y aparatos del Estado). Planteado este esquema conceptual, se entiende que el estudio de las instituciones político-administrativas resulta imprescindible para observar las formas de ejercer el poder. Lo llamativo es que este relevante campo de investigación no haya despertado todavía el suficiente interés entre los estudiosos, mientras que otras cuestiones como el movimiento obrero, el papel del sindicalismo o la politología –especialmente la de los partidos externos al sistema- sí han recibido brillantes tratamientos, tanto en forma de síntesis globales como en obras de rango local. Es decir, hasta no hace mucho se ha analizado más la historia de los contra-poderes que el comportamiento preciso del propio poder, bien por las influencias ideológicas derivadas de la coyuntura política de los últimos años del franquismo y la transición democrática, bien por la acumulación de trabajos en determinadas parcelas historiográficas marcando tendencia generales, consideradas dignas de atención. Compárese, a modo de ejemplo, el número de monografías sobre la historia del sindicalismo con aquéllas otras que tratan de los organismos públicos responsables, en mayor o menor medida, de paliar las causas de la conflictividad social. Diseccionar las pautas de comportamiento de las instituciones (insistimos, soportes del poder) obliga a mostrar también las interrelaciones gobernantes-gobernados. No se trata sólo de esbozar la composición de unas corporaciones, saber quién ocupa determinados cargos o precisar el origen de la selección del personal político (sea por elecciones o por nombramiento gubernativo). Es todo eso, pero también lo es enlazar su actuación gestora con las realidades materiales y humanas objetivas sobre las que hubo de desplegarse. Este estudio sobre la Diputación Provincial de Sevilla ha sido realizado sobre la premisa de no perder esos referentes de la realidad. Otro aspecto a resaltar en la parcela de la historia de las instituciones lo constituye su interacción con la política. Ya durante el siglo XIX y la gestación del Estado liberal no pocos tratadistas se esforzaron en deslindar las esferas de lo político y lo administrativo. Ante el panorama de la creciente politización del funcionamiento del Estado y el enraizamiento del fenómeno caciquil, la práctica totalidad de los proyectos de reforma de la Administración recogieron declaraciones de expresa –y teórica- separación entre el apasionado campo de las luchas partidistas y el área –supuestamente neutra- de las decisiones de gobierno. Hasta tal punto llegaron a calar estos mensajes en la opinión pública que no fue excepcional el que un gobernador, un concejal o un diputado provincial formulasen públicos votos por dejar "en las puertas" su utillaje político y prometieran dedicarse a la gestión de los asuntos públicos bajo la más estricta independencia. Sin embargo, esos propósitos se hicieron tan inviables como el total divorcio entre la figura del político y del gestor público. Y es que, naturalmente, la Política y la Administración son dos asuntos distintos pero comparten intersecciones en los órganos del Estado, en las corporaciones y en los cargos públicos. Sabido es que el político es una figura y la función que pueda desempeñar en el aparato del Estado es otra. Ambas poseen, evidentemente, mucho en común, aunque presentan diferencias sustanciales. Es en este punto donde la historia de las instituciones tiene bastante que ofrecer al campo de la historia política. Comprendida dentro de ésta se encuentran: los programas; las pugnas ideológicas; los organigramas de las formaciones políticas; las campañas electorales; la génesis, desarrollo y evolución de las agrupaciones; el funcionamiento de los partidos; y, entre otros extremos, los individuos políticos. Ahora bien, ese conjunto de elementos se guía por determinadas conductas que pueden cambiar parcial o totalmente (de hecho, lo hacen) cuando el político o un partido pasa a asumir responsabilidades públicas. En este aspecto, fue bien relevante el cambio de actitud que registraron los partidos externos antes de 1923 en Sevilla: cuando eran beneficiarios del encasillado, guardaban sus baterías más agresivas contra el caciquismo de las formaciones dinásticas. Tampoco sería menor la transformación de republicanos y socialistas a la hora de ocupar los ayuntamientos o las diputaciones provinciales a raíz del cambio de abril de 1931. Valga una muestra: Hermenegildo Casas, presidente de la Diputación Provincial durante el primer bienio, abandonó su agresividad verbal como miembro del Ayuntamiento hispalense de 1930. Es más: su gestión al frente del organismo de la provincia le desmarcó de su propio partido (PSOE), del que acabaría saliendo en 1934. Creemos conveniente, por tanto, completar la historia política con las conclusiones aportadas por este tipo de estudios. Por último, resulta muy útil el análisis de las instituciones –y, dentro de éstas, de las locales- para inferir el modelo de Estado en que están inscritas y en qué medida cumplen su función ante los ciudadanos. Ese enfoque constituye, a nuestro juicio, un ángulo privilegiado para comprender tanto los problemas del edificio estatal español durante el primer tercio del siglo XX (déficit, desestructuración, ineficacia) como el arranque de las alternativas regionalistas o nacionalistas, que tuvieron sus orígenes no sólo en componentes culturales (lengua, tradición) sino en la escasa operatividad que el Estado centralizado brindó a sus ciudadanos-contribuyentes. Y es que los responsables políticos durante la Dictadura primorriverista y la Segunda República no corrigieron las inercias y los vicios del edificio estatal. Si Primo de Rivera no se atrevió a suprimir las diputaciones provinciales, tampoco los gobernantes republicanos reorganizaron en profundidad la estructura del Estado –adjetivado como integral- salvo el reconocimiento de algunas autonomías (Cataluña). Y todavía resulta una cuestión pendiente. Baste recordar la última polémica suscitada por el cuestionamiento de los gobernadores civiles como figuras adecuadas dentro del Estado de las autonomías. Lo afirmado en párrafos anteriores avala suficientemente el valor de la historia de las instituciones político-administrativas. Ahora bien, ¿qué particularidades ofrecen las diputaciones para ser objetos de estudio? Varias son las razones que justifican la opción. En primer lugar, las diputaciones eran piezas estratégicas dentro del sistema político-administrativo español. Encargadas de velar por los intereses de las provincias, estaban emplazadas entre el Gobernador Civil y los ayuntamientos, lo que les convertía en elementos clave en coyunturas electorales durante la Restauración. Muchos reformistas a comienzos de siglo las consideraban auténticas lacras, viveros de caciquismo y paradigmas de la corrupción. En general, eran fieles obedientes a las consignas de Gobernación, transmitidas a través del gobernador de turno, y atendían regularmente el sometimiento político de las localidades de la provincia. Pero no es solo ésta la única vertiente atractiva de las diputaciones para los investigadores. De hecho, después de 1923 siguen presentando un enorme interés por la entrada en vigor del Estatuto Provincial de José Calvo Sotelo, en aquel entonces director general de Administración Local (marzo 1925). Aquella obra legislativa superaba a la vieja Ley Provincial de 1882 tanto en sus aspectos técnicos como en sus efectos prácticos: las diputaciones recibieron competencias y un sensible reforzamiento de sus recursos, alentando el desarrollo de una amplia actividad en materia de obras públicas y beneficencia. Obviamente, cabe adjudicar parte de aquel desenvolvimiento material a la coyuntura de bonanza económica de los años veinte, pero también es cierto que los responsables de las corporaciones provinciales durante los gobiernos Berenguer/Aznar y las nuevas comisiones gestoras republicanas reconocieron las cualidades del Estatuto, al plantear proyectos de reforma inspirados en él. Es decir, la abundancia material de los años veinte no hizo sino realzar las capacidades potenciales intrínsecas del Estatuto Provincial. Con independencia de lo expuesto, la elección de la provincia como ámbito de análisis merece otros comentarios. En primer lugar, si situamos el centro de nuestro enfoque sobre la Diputación, conviene metodológicamente abrir el campo de estudio al conjunto global de los municipios de la provincia y, también, al Gobierno Civil. Bajo ese primas pretendemos superar el estrecho marco local al que están referidos la mayor parte de los trabajos disponibles. Actualmente asistimos a una proliferación de la historia local –tal vez excesiva- que, si bien resulta imprescindible, por otra complejiza cada vez más la elaboración de posteriores síntesis, aparte desniveles cualitativos. Por ello, juzgamos interesante el análisis de escalas intermedias como pueden ser la provincia o la región, siempre y cuando la temática seleccionada lo permita. La provincia, aunque nacida de la mano del legislador, ha cobrado carta de naturaleza tanto para el sistema político-administrativo como para los ciudadanos. Incluso el actual Estado de las autonomías ha corroborado la vigencia de las viejas provincias de Javier de Burgos. Y además –subrayamos esta cualidad- las provincias significaban mucho más en las década de los veinte y los treinta que hoy. En el caso de Sevilla, según el censo de 1930, la capital aglutinaba unos 228.000 habitantes mientras que en la provincia vivían 576.000; es decir: la suma de los municipios rurales doblaba sobradamente los efectivos demográficos de la capital. Es más, 17 localidades agrupaban a 267.000 ciudadanos, lo que indica la existencia de auténticas agrociudades con un peso demográfico y económico nada desdeñable dentro del conjunto provincial. Estos ingredientes bastan para justificar esta línea de investigación: la historia de Sevilla no es sólo la de la capital, sino también la de su entorno provincial y la de las mutuas interrelaciones entre ambas. Indudablemente, si alguna institución nos sirve para contemplar una amplia panorámica de la provincia, ésa es la Diputación Provincial. Sus diversas y heterogéneas áreas de gestión abarcaban tanto las obras públicas como la beneficencia, la enseñanza y el control de los ayuntamientos, las comunicaciones y la administración provincial de las elecciones… Suficientes argumentos para dedicar no sólo uno, sino varios trabajos monográficos a estas cuestiones. El afirmar que las diputaciones constituyen una interesante parcela de trabajo no es ningún descubrimiento original. Desde finales de los años setenta y a lo largo de los ochenta han aparecido una serie de valiosas obras sobre estas instituciones, aunque los esfuerzos pioneros se remontan a casi hace treinta años. Fue el profesor Cuenca Toribio uno de los primeros que se internó en este campo al publicar en 1963 un artículo titulado "Los orígenes del la Diputación sevillana" (Archivo Hispalense, nº 118, marzo-abril 1963). Entre 1964 y 1966; en la misma revista, el entonces cronista oficial de la provincia, Manuel Justiniano y Martínez realizó un esbozo de la historia de la Diputación hispalense durante la Dictadura y la República. A escala más general y en 1966, la Diputación Provincial de Barcelona promovió una obra colectiva en varios volúmenes sobre la historia de estos organismos bajo el título de La Provincia. Ya en la década de los setenta vieron la luz otros trabajos locales –véase el apéndice bibliográfico-, como fueron los de Salcedo Izu (Navarra, 1972), Lladonosa Pujol (Lérida, 1974), González Mariñas (Galicia, 1978) o Piña Homs (Baleares, 1979), aparte uno colectivo titulado: Asistencia hospitalaria. Estudios de las Diputaciones Provinciales, (1978). Pero la definitiva consolidación se produjo en la década de los ochenta y comienzos de los noventa, al aparecer un buen número de monografías sobre diputaciones, alguno de cuyos títulos recogemos aquí: Manuel Santana Molina (La Diputación provincial en la España decimonónica); José González Casanovas (Las Diputaciones Provinciales en España, 1812-1985); Fariña Fajardo y Pereira Figueroa (La Diputación de Pontevedra, 1836-1986), Borja de Riquer (ed.), (Historia de la Diputaciò de Barcelona); Enrique Orduña Rebollo (Evolución histórica de la Diputación Provincial de Segovia, 1833-1990); Pedro Ortega Gil (Evolución legislativa de la Diputación Provincial en España, 1812-1845. La Diputación Provincial de Guadalajara); Encarnación Lemus López (Extremadura, 1923-1930. La historia a través de las Diputaciones Provinciales); José Ángel Semas y José Antonio Armillas (La Diputación de Aragón: gobierno aragonés del reino a la comunidad autónoma); aparte los trabajos, aún inéditos o en curso de realización sobre los organismos provinciales de Valladolid (Heliodoro Pastrana) o León (Luis Carlos Sen Rodríguez). El IV Symposium de Historia de la Administración (cuyas Actas fueron publicadas por el Instituto Nacional de Administración Pública en 1983) y el Symposium Internacional sobre Organización del Estado Moderno y Contemporáneo en Italia y España, celebrado en Barcelona en 1991, significaron dos hitos historiográficos en esta materia al poner al día el estado de la cuestión. El elenco de trabajos citado conforma un grupo internamente heterogéneo. Cada uno trata períodos distintos y tienen sus propios enfoques, estableciendo paradigmas de referencia muy dispares. Dentro de este conjunto hemos seleccionado las pautas metodológicas consideradas más pertinentes y adecuadas para la elaboración de la presente Tesis Doctoral. A continuación planteamos cuáles han sido los objetivos, las hipótesis generales y la metodología que han orientado las coordenadas de esta obra. El análisis de la trayectoria histórica de una Diputación puede abordarse desde numerosas premisas y ángulos. Tras analizar la bibliografía disponible hemos optado por delimitar nuestra área de investigación en dos direcciones. En primer lugar, algo obligado: acotar el tratamiento de los que representa la institución. Esta se ofrece como órgano político (la corporación provincial) y como organismo administrativo. Si la primera vertiente es de por sí suficientemente amplia (todo lo relacionado con la dimensión política de la entidad), la segunda –es decir, las distintas líneas de gestión- pronto se reveló ante nosotros como un campo inabarcable en toda su complejidad. No cabía, consecuentemente, hacer sólo una historia de la beneficencia o de las obras públicas provinciales en profundidad y, por ello, decidimos mostrar un esbozo general de la variada actividad gestora de la Diputación en sus epígrafes correspondientes. Una panorámica que contiene campos de estudio de alto interés, señalando a los establecimientos benéficos y sanitarios dependientes de la Diputación como merecedores en un futuro de obras monográficas bajo perspectivas cronológicas más amplias. Hecha la anterior advertencia, conviene precisar otra observación previa de calado aún más hondo si cabe, por cuanto define el estilo global del estudio realizado. Si hemos restringido el terreno de la gestión administrativa a unas pinceladas generales, no ocurre así con las interacciones de la Diputación respecto de otras instituciones político-administrativas y la propia realidad provincial. Y es que no concebimos procedente historiar la trayectoria de este tipo de entidades sin tener presente el contexto representado por los gobiernos civiles o los ayuntamientos. Una institución exenta, esto es, presuponiéndola sin interconexiones con sus inmediatos órganos jerárquicos (superiores o inferiores) encierra un error de partida que puede desembocar en unas conclusiones metodológicamente erróneas o, cuando menos, incompletas. En el caso que nos ocupa, no podríamos responder a muchos interrogantes sin tener en cuenta extremos como cuál fue el marco legal de estos organismos, quién fue gobernador en determinadas coyunturas o en qué situación se hallaba socio-económicamente la provincia. Es más, los diputados provinciales fueron en muchas ocasiones concejales o diputados en Cortes. En consecuencia, las instituciones hay que analizarlas insertas en el ámbito de la estructura estatal al que pertenecieron. Eso es justamente lo que hemos hecho en el caso de la Diputación Provincial sevillana. Establecidos el marco propuesto, formulamos una serie de hipótesis de trabajo generales y otras, más concretas y específicas, según los aspectos de las materias tratadas. Siguiendo el método comúnmente utilizado (formulación, contraste de hipótesis, verificación-síntesis y elaboración de conclusiones), hemos de reconocer con toda honestidad que algunas de nuestras premisas se modificaron en el transcurso de la investigación ante la consulta de las fuentes. Así, por ejemplo, le ocurrió a la apreciación previa sobre el balance general de la Diputación primorriverista sevillana en su aspecto gestor, considerada a priori menor de lo que en realidad fue. El asunto de la persistencia del caciquismo más allá de 1923 fue otro de los interrogantes planteados en las primeras fases del proceso. En nuestro análisis pudimos confirmar para la corporación provincial sevillana una clara permanencia de viejos políticos, tal y como demostrarse en sus trabajos Javier Tusell pero, igualmente, constatamos la emergencia de figuras nuevas en el espectro de la derecha autoritaria, aceptando por consiguiente la opinión de Gómez-Navarro. Matices y definiciones conceptuales han resultado elementos obligados en la elaboración de una síntesis entre ambos fenómenos, en apariencia dispares. Por último, resultó sorprendente comprobar cómo el balance de la Diputación sevillana durante la Segunda República fue más pobre de lo que podría creerse, aparte el sorprendente grado de politización alcanzado en la vida administrativa de esta institución y las artes neocaciquiles practicadas por los partidos hegemónicos en la Sevilla de aquellas fechas. Sobre las fuentes utilizadas podemos distinguir cinco grandes grupos en orden a una clasificación de los centros de documentación donde hemos trabajado: a) archivos provinciales o locales; b) nacionales; c) privados; d) hemerotecas; y e) bibliotecas. En primer lugar, figuran los archivos provinciales o locales, destacando naturalmente el de la Diputación Provincial de Sevilla. Este archivo presenta sus fondos modernos perfectamente catalogados, pero su documentación contemporánea –considerada aún como administrativa- no se encuentra totalmente organizada. El inventario que utiliza es de 1964 y es objeto de reactualización hoy en día. En el año 1995 estos fondos fueron objeto de traslado, al cambiar la sede de la Diputación desde la Plaza del Triunfo al antiguo cuartel de Intendencia. Hasta ese año, la documentación utilizada en este trabajo se partía entre la biblioteca y el archivo de legajos propiamente dicho. La primera, amplia y muy completa, contenía los documentos encuadernados; entre ellos, el Boletín Oficial de la Provincia o las series de Actas de la corporación provincial (Pleno, Comisión Permanente, Comisión Gestora). Los legajos y carpetas quedan referidos a las áreas competencia de la Diputación (Secretaría, Intervención, elecciones, quintas, beneficencia, etc), aunque su ordenación no es absolutamente correcta. Por ejemplo, no resultó extraño encontrar documentos sobre caminos vecinales de comienzos de los veinte dentro de una carpeta que prometía guardar actas electorales de los treinta. La prolongación de este estado de cosas procede más de la falta de recursos que de una ausencia de preocupación sincera y real por mejorar la organización de estos fondos. Así lo demuestra el que la directora de este archivo, Antonia Herrera Heredia, publicase en el Ministerio de Cultura una obra titulada Manual de organización de fondos de corporaciones locales. El Archivo de la Diputación Provincial de Sevilla (1980). De cualquier modo y para nuestros propósitos, la asimetría organizativa de los fondos custodiados en la Diputación ha producido un uso desigualmente intenso de sus documentos. Esta carencia ha debido ser cubierta con otras fuentes indirectas. Los archivos municipales, en cambio, lo hallamos en un estado razonablemente bueno gracias a la preocupación de las áreas o delegaciones de Cultura de los ayuntamientos y el apoyo prestado por la Diputación Provincial, que ha contribuido a la labor de inventario y publicación de los fondos locales, en ocasiones en mal estado y dispersos- la consulta de archivos en diversos municipios (Alcalá del Río, Carmona, Morón, Lora, etc) nos ha proporcionado un amplio soporte documental del que ya conocíamos su valor. Al fin y al cabo, lo que en su día fue nuestro primer trabajo de investigación (un análisis de la política municipal durante la Segunda República en Lora del Río) significó el primer aporte en un campo que, ahora, con el presente estudio sobre la Diputación Provincial se desarrolla en profundidad a una escala más amplia. Por otro lado, hemos considerado imprescindible la consulta de otros fondos localizados en Sevilla, hasta la fecha sorprendentemente inéditos. La exhumación de este tipo de documentos trasciende como mucho la mera anécdota de su descubrimiento, pues gracias a sus informaciones hemos podido reconstruir con mayor precisión biografías personales y profesionales de la galería de figuras aquí tratadas. Entre éstos archivos destacarían principalmente dos: el de la Capitanía General de Sevilla y el de la Prisión Provincial. Ninguno de los dos se encuentra en una situación óptima y no resultó sencillo el acceso a los mismos pero, como compensación, ofrecieron informaciones extraordinariamente valiosas. Nuestras consultas en la Capitanía General nos ha proporcionado una imagen más precisa de lo que significaron las delegaciones gubernativas o el grado de censura durante la Dictadura de Primo de Rivera, entre otros extremos. El de la Prisión Provincial –de reciente ordenación- ha permitido precisar el perfil biográfico de muchas de las autoridades que fueron represaliadas en 1936. Otros archivos locales consultado como el del Gobierno Civil (prácticamente reducido a sus libros registro de asociaciones), el Histórico Provincial o el de Hacienda también han sido objeto de nuestra atención, aunque su importancia para nuestro estudio se encuentra en un segundo plano. En cuanto a los archivos de impronta nacional hemos visitado los siguientes, al considerarlos ineludibles: Archivo Histórico Nacional; Archivo Histórico Nacional-Sección Guerra Civil; Archivo General de la Administración y Servicio Histórico Militar. La temática y el período tratados justifican su consulta, aunque la utilidad de los mismos ha sido muy variable. Así, si los archivos nacionales de Madrid y Salamanca nos han resultado muy fructíferos, no cabe decir lo mismo del Servicio Histórico Militar o el de la Administración. Del primero, naturalmente, sólo esperamos información castrense sobre el período primorriverista, dominado por la militarización de buena parte de las estructuras públicas (Navajas Zubeldia) y, hasta cierto punto, nos ha servido para complementar algunas informaciones obtenidas en la Capitanía General de Sevilla. Sin embargo, el segundo defraudó nuestras expectativas. El Archivo General de la Administración alberga un copioso conjunto documental, si bien su complejo sistema de inventario no permite un acceso ágil al documento. Por otro lado, es difícil hallar allí información concreta sobre una provincia determinada al no corresponder en ocasiones los contenidos reales del legajo con su descripción. Estos problemas devienen de la reciente creación del Archivo y de la transferencia a su sección de Gobernación de los fondos el Ministerio del Interior y del antiguo archivo que existía en Guadalajara (palacio del Infantado). Ambos cuerpos documentales no ofrecían una óptima catalogación y, como añadidura, han presentado problemas para fusionarlos correctamente. Las carencias encontradas en estos centros sobre el tema que estábamos tratando y el exigible afán por documentar al máximo la investigación nos llevaron también a consultar otros archivos como el de Segovia, la Fundación Pablo Iglesias o la Fundación de Investigaciones Marxistas, éstas últimas en Madrid. Otras dos inspecciones de interés han sido las realizadas en el Archivo Nacional de Cataluña (donde se conserva la documentación relativa a la Mancomunidad catalana) y la Fundación Francisco Largo Caballero que completaron nuestra indagación, además de sugerirnos líneas de trabajo post-doctorales. Las hemerotecas han representado otra fuente de información, en especial las municipales de Sevilla y Madrid, aparte la utilización de alguna prensa local conservada en colecciones particulares. Con todo, conviene precisar algunos extremos con respecto al uso de la prensa en la parcela de la historia política y de las instituciones. Por un lado, hay que advertir que las informaciones periodísticas sobre las instituciones político-administrativas locales o provinciales ocupaban espacios muy pequeños o casi marginales en los rotativos. Tal vez el Ayuntamiento de la capital se escapa un poco a esta regla por las consecuencias inmediatas que su gestión representaba para los lectores de la capital, o sea, la mayor parte de la clientela de la prensa escrita por aquel entonces. Pero, en el caso de la Diputación y los municipios de la provincia, las informaciones se limitaban muchas veces a extractar las sesiones celebradas y a la publicación de algunos anuncios. Sólo en coyunturas de crisis política o sonados recambios en las corporaciones, la prensa dejaba traslucir algo más que la frialdad de las simples fuentes oficiales o actas transcritas. Estas excepciones se dieron con relativa frecuencia durante los años republicanos y menos durante la Dictadura, debido a la censura ejercida sobre los medios de comunicación. Desde luego, el sexenio no se reveló de una dureza extrema en cuanto a censura de prensa se refiere, pero sí la practicó en grado suficiente como para interferir las labores del historiador. Valga un solo ejemplo: el cese de José Cruz-Conde como gobernador civil de Sevilla. El final del mandato de una figura tan señera, que además era director de la Exposición Iberoamericana y estaba dotado de grandes influencias políticas, se reflejó en la prensa de pasada, aludiendo ambiguamente a un roce con el gobernador militar: el infante Don Carlos. El conflicto, en realidad, tenía más calado del que puede sospecharse de la lectura de los periódicos de aquel entonces. Tras el roce entre Cruz-Conde y el infante latió el conflicto de los Artillero, cuerpo al que pertenecía el primero: aquella fue la oportunidad de los crecientes enemigos de la Dictadura para sacudirse un baluarte del primorriverismo en Sevilla. Tampoco faltaron ciertas sonrisas entre lo más destacado de la escena social hispalense ante la despedida de Cruz-Conde. En lo tocante a su falta de profundidad en los aspectos más espinosos, puede aplicarse similares consideraciones a las fuentes oficiales. Evidentemente, éstas son imprescindibles para reconstruir la gestión administrativa y las directrices generales de una actuación, pero no son completas ni cubren todos los aspectos que interesan a un historiador. Por ejemplo, entre la documentación conservada en las instituciones no se encuentra normalmente correspondencia particular de los políticos, papeles de extraordinaria utilidad para comprender muchas de las decisiones políticas adoptadas, con quiénes se relacionaban los políticos, qué calidad tenían esos contactos epistolares, etc. en otro orden de cosas, tampoco las fuentes oficiales aclaran muchas de las sutilezas de la gestión administrativa: un acuerdo puede estar perfectamente recogido en las actas de la corporación y, sin embargo, dejar de cumplirse; unos fondos destinados para un menester pueden desviarse suavemente hacia objetivos menos confesables; el nombramiento de un funcionario puede reunir todos los requisitos legales pero, en verdad, procedía de una compleja maniobra caciquil en unas oposiciones, el beneficiario de la concesión de una obra –directa o por el sistema de subasta- presentaba, en apariencia, una mediocre oferta pero era familiar de uno de los diputados provinciales, etc. además, la propia complejidad burocráticas favorece el desorden documental de los fondos institucionales. Siendo esto así, nos parecía obligado acudir a otro tipo de fuentes: los archivos privados. Precisamente, desde el Departamento de Historia Contemporánea de la Universidad de Sevilla se viene promoviendo desde hace algún tiempo la exhumación de conjuntos documentales particulares. La labor es ardua por varias razones. En primer término, porque no existe una cultura de conservación del patrimonio documental en muchas de las familias más insignes que, en su día, marcaron una época y, en consecuencia, la información puede haberse perdido. En otras ocasiones, porque existen documentos pero en un mal estado de conservación o muy incompletos. Por último, puede darse el caso de que el fondo esté incluso organizado pero, curiosamente, nadie sabe de él, bien por celo de quienes lo custodian, bien porque nadie le ha prestado la debida atención. Este último grupo es el que debe merecer los esfuerzos de recuperación más intensos. En el curso de la investigación hemos indagado sobre la existencia de archivos privados de apellidos que figuraron al frente de la Diputación Provincial de Sevilla. Desafortunadamente, no hemos hallado indicio alguno en la mayor parte de los casos. Los descendientes del presidente de la Diputación durante la Dictadura, José María López-Cepero, no han mantenido bajo su propiedad ninguno de los papeles que poseyeron en su día. Tampoco se ha conservado rastro de la documentación de Pedro Parias y lo mismo caber afirmar de la mayor parte de os miembros de la Diputación. Sin embargo, nuestra búsqueda tuvo fortuna al encontrar dos fondos especialmente trascendentes para este estudio. Nos referimos al archivo de José Cruz-Conde (hallado en el domicilio particular de la familia en Córdoba) y a los fondos del presidente de la Diputación Hermenegildo Casas, en México. Ambos han resultado fundamentales para nuestra investigación al haber pertenecido a figuras clave en la política sevillana de aquellos años: Cruz-Conde fue mucho más que un gobernador civil, en realidad el indiscutible amo de la escena pública en la provincia (y en Córdoba) entre 1926 y 1929; Hermenegildo Casas, el principal líder socialista hispalense al comienzo de la República y presidente de la Diputación entre 1931 y 19354. Bien es verdad que los archivos privados no suelen ser cuantitativamente copiosos. De hecho, el de Hermenegildo Casas se encuentra muy esquilmado debido a las pérdidas que sufrió en su largo periplo hacia el exilio mexicano. Sin embargo, sus escasos documentos nos dicen mucho de su trayectoria masónica y de sus principios ideológicos, acercándoos a los pliegues más íntimos de su fibra humana: todavía en los años setenta ensalzaba su andalucismo y fervor por Sevilla en cada ocasión que se le presentaba. Algunos hallazgos en ese pequeño fondo muestran otras dimensiones distintas a las de la lucha política. La oración fúnebre pronunciada por el socialista Juan Simeón Vidarte con motivo del fallecimiento de Casas (1967) en toda una muestra de militancia masónica y de fraternal compañerismo más allá de las siglas de partido y de las controversias que les separaron durante la Segunda República. Al archivo de Cruz-Conde es acreedor de mayores comentarios. Su contenido puede dividirse en dos bloques principales: a) el de diversos asuntos particulares; y b) el de su correspondencia. En el primero apareen documentos relacionados con su situación económica particular (gestionada por la casa Lázaro and Brothers de Madrid), diversos títulos y certificados, recortes de prensa, el proyecto de reforma de Sevilla (1926) que fue rechazado por él, papeles relativos a la Exposición Iberoamericana, organización de Renovación Española en Córdoba y, entre otros, una interesante memoria sobre la situación política antes de la Dictadura y durante el Directorio Militar. El segundo apartado está compuesto por su correspondencia, organizada y en buen estado de conservación. Ojear esas cartas equivale a realizar un recorrido a través de todo un elenco de personales que caracterizaron la vida política de los años veinte y parte de los treinta. En ellas, cartas recibidas o copia de las contestadas, se recogen decenas de firmas, como las de Eduardo Aunós, el conde de Bustillo, Federico Berenguer, Manuel Blasco Garzón, Hermenegildo Casas, Carlos Cañal, José Calvo Sotelo, el duque de la Unión de Cuba, José María Gil Robles, José María Pemán y Pemartín, José Antonio Primo de Rivera, José Yanguas, etc. Con todo, los avatares del tiempo y de la Guerra Civil produjeron lamentables mellas en esta modélica organización de un archivo privado: no figura, por ejemplo, ningún cruce epistolar con el marqués de Estella. Aparte lo descrito, el archivo de Cruz-Conde también contiene algunos papeles menores sin catalogación precisa y un interesante diario escrito de puño y letra por don José a lo largo de sus asilos diplomáticos en el Madrid de la guerra civil (1936-1939). El ex-gobernador de Sevilla estuvo implicado en los preparativos del Alzamiento del 18 de Julio en Córdoba pero, sin embargo, las circunstancias de última hora (muerte de Calvo Sotelo) y los requerimientos del general García de la Herrán le hicieron permanecer en Madrid. El fracaso de la sublevación obligó a Cruz-Conde a buscar asilo diplomático en diversas legaciones y embajadas (Perú, Argentina, República Dominicana) hasta acabar sus días en el Hospital francés a fines del mes de enero de 1939. Precisamente, este diario es objeto de un estudio que estamos llevando a cabo y que verá la luz en un futuro próximo. Tanto la tarea de extraer información para la presente Tesis Doctoral como la profundización biográfica en la figura de José Cruz-Conde han sido posibles mediante la amabilidad de su familia y, muy especialmente, de Antonio Cruz-Conde, sobrino-nieto del que fuera director de la Exposición, a quien agradecemos su colaboración desde estos párrafos. Han sido también de sumo valor las aportaciones de las publicaciones de la época. Hemos examinado una ingente bibliografía política de los años veinte y treinta en la Biblioteca Nacional (Madrid) y en otros centros como la Biblioteca Arús o la comúnmente conocida como Biblioteca Figueras, ambas en Barcelona. Singular énfasis queremos poner en la segunda porque en ella hemos encontrado obras que no se hallaba en la Nacional y, sin duda, recoge referencias bibliográficas de sumo interés para los analistas del siglo XX español. Por otro lado, también hemos accedido a otros centros como la Biblioteca del Ministerio del Interior, la de Administración Pública, la del Ministerio de Administraciones Públicas (MAP) o la del Instituto Nacional de Administraciones Públicas (INAP). Tal y como el lector puede intuir, entre estas bibliotecas existen bastantes duplicidades y sería bastante racionalizador simplificarlas en una sola, correctamente dotada y organizada. La Biblioteca del Parlamento Andaluz y, sobre todo, la de la Universidad de Sevilla también han sido objeto de nuestras consultas. Por último, quisiera agradecer la disposición de Eduardo Ybarra al dejarnos investigar en su acogedora biblioteca particular. Volviendo al análisis de las fuentes originales consultadas y para cerrar este apartado, conviene hacer una última mención sobre la historia oral, son de sobra conocidos los argumentos en pro y en contra de la historia realizada a partir del recurso de las entrevistas personales. Nosotros hemos utilizado este recurso excepcionalmente y con la debida precaución por dos razones. De entrada, porque los entrevistados no son de primera mano (todas las personalidades que nos interesaban habían fallecido ya) y, en segundo lugar, porque son familiares de la figura que había motivado nuestra atención. Por todo ello, sólo han sido tomadas en cuenta cuando no existía documentación o cuando, indirectamente, hemos podido comprobar la veracidad de sus informaciones. Particularmente, he de agradecer la cooperación que nos prestaron la hija del marqués de Castellón (diputado provincial por el distrito de Utrera-Marchena entre 1924-1925), las familias de López-Cepero y de Muñoz Conde, Elena Casas Ordoñez (hija de Hermenegildo Casas) y, de nuevo, Antonio Cruz-Conde. Dicho lo anterior, la estructuración definitiva de los capítulos que siguen obedecen a un planteamiento cronológico en el que se intercalan núcleos temáticos específicos, todo ello precedido de un primer capítulo introductorio donde se traza una síntesis de las diputaciones provinciales desde su nacimiento hasta 1923, acercándonos a la situación vivida por la Diputación sevillana poco antes de la irrupción de la Dictadura primorriverista. Como queda indicado, el capítulo introductorio describe la génesis y evolución de los organismos provinciales en el siglo XIX. Las diputaciones fueron piezas en la construcción del Estado liberal en España y, como tales, sufrieron los avatares políticos del primer tercio de la pasada centuria. Nacidas sobre el papel en la Constitución de 1812, vivieron con interrupciones los primeros años de su existencia. Tras el Trienio Liberal, esos órganos desaparecieron durante la segunda etapa absolutista del reinado de Fernando VII y no sería hasta 1833 cuando tuvo lugar su definitiva implantación. La división territorial diseñada por Javier de Burgos les otorgó un dominio delimitado sobre el que ejercer su gestión, mediatizada ésta por la guerra carlista. El reinado de Isabel II y el sexenio revolucionario transfirieron cartas de naturaleza tanto a las provincias como a las instituciones político-administrativas encargadas de administrarlas (además de las diputaciones, también los gobiernos civiles). El segundo epígrafe del capítulo se dedica a valorar el papel de estos organismos dentro del sistema de la Restauración canovista y sus profundas raíces caciquiles. Por último, se concluye con una aproximación al estado en que se encontraba la Diputación Provincial de Sevilla en los años finales de la crisis del sistema. La sublevación de Primo de Rivera, el 13 de septiembre de 1923, irrumpió bajo una aureola de propósitos regeneradores envueltos en dictados autoritarios, constituyendo un auténtico impacto para las diputaciones. Precisamente, el capítulo segundo se inicia con un esbozo acerca de lo que significó en Sevilla la última corporación provincial del turno y en qué forma ésta hubo de asumir las normas del Directorio Militar. El entonces presidente de la Comisión –Serasúa Barandiarán- supo acomodarse a la nueva situación manteniendo unas relaciones más que cordiales con el gobernador civil: el general Francisco Perales Vallejo. Aquel fue uno de los primeros gestos de entendimiento entre los viejos políticos y las autoridades militares, en principio tan firmemente anticaciquiles como regeneradoras. Y es que los enérgicos proyectos de la Dictadura se fueron domesticando al poco de acceder al poder. Incluso, el dictador acarició la idea de suprimir de un plumazo los viveros de caciquismo representados por las diputaciones, pero todo quedó en una mera sustitución de corporaciones en enero de 1924, a excepción de las provincias vascongadas que conservaron sus diputados. En la sevillana, todos los miembros del pleno provincial fueron reemplazados por otros entre los que se contaron figuras de la vieja política pero, también, la emergencia de hombres nuevos (sobre todo católicos). La segunda parte del capítulo aborda las transformaciones acontecidas en la Administración Local de la provincia de Sevilla, de acuerdo con nuestro objetivo de incardinar a la Diputación dentro de la jerarquía institucional. En consecuencia, se tratan los cambios producidos en el Gobiernos Civil y en los ayuntamientos, reservando un apartado al fenómeno de los delegados gubernativos, bisturí anticaciquil en la última epidermis municipal y supuesto espejo de las virtudes que habrían de conducir el futuro del país. El ruido de las primeras purificadoras fue mucho mayor de lo que en realidad se consiguió, aunque ciertas cosas sí llegaron a cambiar. La persistencia de caciques no implicó la subsistencia del caciquismo anterior al 13 de Septiembre de 1923 y, de hecho, la gestión de los organismos administrativos registró notables modificaciones. Un ejemplo fue la actividad desplegada por la Diputación dirigida por el abogado católico José María López-Cepero y Muru entre enero de 1924 y marzo de 1925. Precisamente, en ésta última fecha Calvo Sotelo publicó su Estatuto Provincial gracias al cual la actividad de las diputaciones mejoró sensiblemente durante casi cinco años. El tercer bloque de contenidos está dedicado al estudio del desarrollo de aquel Estatuto para el caso sevillano. Una vez expuesto en el segundo capítulo su significado legislativo y sus innovaciones, en éste se contemplan los efectos palpables producidos por el Estatuto en combinación con los acontecimientos políticos que se dieron cita en la Sevilla del período 1925-1930. Fue entonces cuando se fraguó el mayor esfuerzo económico de la institución provincial, en forma de caminos vecinales, mejoras en la beneficencia y contribución a la puesta a punto de la Exposición Iberoamericana. Esa gestión se adecuó a las pautas marcadas por el régimen, secundadas y suscritas plenamente por las dos figuras que ocuparon la presidencia de la Diputación en aquellos años: José María López-Cepero (abril 1925 – junio 1928) y Pedro Parias (julio 1928 – enero 1930). No obstante, el consenso alcanzado en lo administrativo se conjugó con una serie de crisis políticas –conectadas con el progresivo desgaste del régimen- entre las que destacamos la del Ayuntamiento (1927) y la de la Diputación (1928). La actuación del gobernador civil José Cruz-Conde es la clave de aquellos sobresaltos políticos en su afán por controlar el status quo de la Unión Patriótica (UP) y, sobre todo, por llevar a buen término la citada Exposición. No dudó en sustituir a los católico-mauristas por el apoyo incondicional de los grupos económicos (Unión Comercial) que apostaban decididamente por la celebración del Certamen, promesa para el desarrollo del comercio exterior. Relacionado con aquel auge de las élites económicas reservamos un espacio para el estudio de un fenómeno hasta la fecha prácticamente inédito: el rotarismo. De hecho, el Rotary Club de Sevilla experimentó un sensible auge entre 1927 (fecha de su inauguración) y 1930, militando en esta cantidad diputados provinciales pertenecientes a actividades industriales, mercantiles o profesiones liberales. Finalmente, la caída de Cruz-Conde, los últimos reajustes políticos, el balance presupuestario de las corporaciones provinciales primorriveristas y el significado de la III Asamblea de diputaciones, organizada en Sevilla, jalonan la fase terminal de la Dictadura en nuestro estudio. El cuarto capítulo refiere lo que fue el crítico año de 1930. Hemos centrado especial atención en los meses que median entre la Dictadura y la República porque, además de servir de bisagra a los dos períodos que determinan este trabajo, durante el mismo se planteó la reforma del marco legal de las diputaciones. En ese año, incluso bajo una atmósfera revisionista contra lo ejecutado durante el sexenio, nadie quiso volver a la vieja Ley Provincial de 1882, decantándose la mayor parte de las diputaciones por realizar una reforma a partir de lo plasmado en el Estatuto de Calvo Sotelo. Esa postura equivalió a reconocer la superioridad de la legislación provincial primorriverista respecto de la de la Restauración. Actitud aún más significativa por cuanto en 1930 muchos personajes de la vieja política se habían reincorporado a los ayuntamientos y diputaciones. En Sevilla, los conservadores –acaudillados por el marqués de Torrenueva- dominaron toda la estructura político-administrativa de la provincia, desde el Gobierno Civil a los ayuntamientos pasando, lógicamente, por la Diputación. El objetivo político de los gobiernos Berenguer y Aznar radicó en preparar las próximas citas electorales, definitivas para el futuro curso político del país y el sostenimiento de la monarquía de Alfonso XIII. Pero no pudo lograrse por falta de consenso entre las propias filas monárquicas, aderezado además por el progresivo crecimiento de las dificultades económicas. Problemas políticos y económicos actuaron como una auténtica pinza sobre aquellas corporaciones transitorias e incapaces de desarrollar una labor gestora a medio plazo. La Diputación sevillana acusó todos estos factores, aunque con la mejor voluntad intentara sobreponerse a ellos. Creó –algo tardíamente- la Caja de Ahorros Provincial (el precedente de la actual Caja de Ahorros San Fernando de Sevilla y Jerez) con una mínima infraestructura y bajo un contexto desfavorable para las imposiciones. Por otro lado, consiguió ganar un pulso al propio Gobierno Berenguer cuando éste intentó resumir el cobro de las contribuciones del Estado en la provincia, cesión efectuada durante la Dictadura. Algunos logro, pues, se registraron en el haber de la Diputación presidida por el conservador Manuel Sarasúa. Sin embargo, poco pudieron hacer los monárquicos ante el impacto de las elecciones del 12 de abril de 1931. Los sorprendentes resultados que arrojaron las urnas precipitaron la proclamación del régimen republicano, transformando radicalmente el perfil político de la provincia de Sevilla. Precisamente, el quinto capítulo centra su interés en el análisis pormenorizado de los primeros meses de República, fechas en las que se operó una deliberada planificación republicanizadora de las corporaciones locales. De ahí la relevancia que le otorgamos al estudio de las elecciones municipales del 12 de abril y 31 de mayo de 1931. Junto a ello, analizamos las características de los nombramientos gubernativos efectuados en el Gobierno Civil y en la Diputación Provincial (ésta pasaría a ser dirigida por una Comisión Gestora designada por el gobernador y los partidos). De gran interés ha resultado el examen de los rasgos neocaciquiles adquiridos por algunos políticos republicanos y el constatar la conversión de personajes antes adscritos a las filas monárquicas, corroborando en ambos extremos las observaciones de Shlomo Ben Ami en su Anatomía de una transición. Por otro lado, se trata el controvertido rema de la Masonería y sus relaciones con el mundo de la política a través de los órganos de la estructura administrativa local. Hemos cuantificado qué número de masones ocupó cargos políticos en el Gobierno Civil, la Diputación y los ayuntamientos para, con posterioridad, delimitar las fronteras de la fraternidad masónica y los compromisos partidistas. ¿Influía la masonería en la política republicana a través de los hermanos emplazados en cargos de representación? ¿Ejercitó la Orden el recurso a las vías de favor o, por el contrario, fue instrumentalizada por los hermanos para conseguir beneficios particulares? Son cuestiones planteadas y a las que pretendemos responder –según la documentación consultada- en su correspondiente epígrafe. En último lugar, realizamos un somero examen de los resultados de las elecciones generales de 28 de junio de 1931 (además de las parciales de 12 de julio y 4 de octubre) con la finalidad de conocer cuál era el pulso político de la provincia en esas fechas. Llegados a este punto, procedemos al examen de la gestión provincial republicana durante el primer bienio, prácticamente coincidente con la presidencia del socialista Hermenegildo Casas Jiménez. En ese balance abordamos un heterogéneo abanico de asuntos: la transformación ideológica de la beneficencia; el fomento de las obras públicas como fórmula para conjurar el desempleo, la politización del organismo administrativo; etc. Especial relieve le concedemos al papel desempeñado por la Diputación –gracias a los empeños de Casas- en la dirección del proceso autonómico para la región andaluza. Los avatares políticos nacionales y el desgaste de los republicanos-socialistas tuvieron su traducción en Sevilla y en su Diputación. Por un lado, Hermenegildo Casas abandonó el PSOE y se unió al grupo de disidentes del PRR, encabezados por Diego Martínez Barrio; por otro, las elecciones de 1933 cambiaron el espectro político y, en consecuencia, la corporación fue renovada a favor de una sólida mayoría radical liderada por el médico José Manuel Puelles. No obstante, aquella Diputación tuvo una corta existencia (febrero-septiembre 1934) debido a la crisis del PRR, muy acusada en las filas del radicalismo sevillano. Casi todos los cuadros del partido siguieron a Martínez Barrio, dejando unos huecos rellenados con personajes procedentes de la vieja política o de las derechas moderadas, bajo el control de Guillermo Moreno Calvo, subsecretario en los gobiernos lerrouxistas. En consecuencia, la corporación provincial propiamente rectificadora fue la dirigida por José Prieto Carreño, con un perfil político lerrouxista y cedista, más el añadido de algún agrario. La labor de rectificación emprendida por aquellos diputados no tuvo éxito. Tal y como describimos en el capítulo séptimo, las dificultades económica y la precariedad del marco legal de la Diputación fueron factores adicionales en la crisis política casi permanente del lerrouxismo hispalense (siempre en reorganización). Al final, el escándalo Nombela y el hundimiento político de Guillermo Moreno Calvo dieron al traste con los equipos políticos del PRR tanto en la Diputación como en los ayuntamientos. No faltaron lerrouxistas que ensayaran aproximaciones hacia la operación centrista tejida por el gabinete del Portela Valladares y, de hecho, uno de ellos fue el presidente José Prieto Carreño. Incluso, curiosamente, el ex-socialista Hermenegildo Casas aceptó durante una semana asumir la presidencia de la Diputación poco antes de las elecciones del 16 de febrero de 1936. Sin embargo, todos estos propósitos quedaron desbaratados tras el triunfo del Frente Popular en las urnas. Al igual que los demás comicios, las elecciones de febrero son analizadas para extraer el mapa político de la provincia. Con dicho análisis arranca el último capítulo, centrado en los recambios introducidos por el Gobierno Azaña en las instituciones político-administrativas sevillanas. A la Diputación volvió José Manuel Puelles de los Santos con una mayoría de diputados martinbarristas, aunque sin faltar representantes de los demás partidos: PSOE, Izquierda Republicana y comunistas. Lógicamente, prestamos suma atención a la gestión desplegada por aquella corporación en su esfuerzo por recuperar las líneas de trabajo del primer bienio, incluyendo la reactivación del proceso autonómico. De especial interés se han revelado las elecciones a compromisarios celebradas en abril de 1936 con motivo de la caída de Alcalá-Zamora como presidente de la república. Los compromisarios que habrían de elegir a Manuel Azaña como nuevo jefe del Estado estuvieron integrados en Sevilla mayoritariamente por miembros del Frente Popular, ante unas derechas que se abstuvieron de presentar candidatos. El rechazo de una parte del espectro de partidos a participar en esas elecciones era una muestra de hasta qué grado se había deteriorado la convivencia política. La República se había convertido en un régimen de una parte del país, en parte por la instrumentalización de unos y en parte por la desafección de otros. La Guerra Civil sería la trágica consecuencia de esa ruptura. Esta obra está inscrita en las líneas de trabajo abiertas en el Departamento de historia Contemporánea en torno al tema Política y políticos en la Sevilla contemporánea. Agradezco desde estos párrafos la colaboración de sus miembros y, en especial, a María Parias y Leandro Álvarez, con quienes he tenido el gusto de intercambiar puntos de vista en el proceso de elaboración de la presente Tesis Doctoral. Quiero reconocer, igualmente, las conversaciones, contraste de pareceres y densas jornadas de trabajo que he sostenido con el director del presente estudio, profesor Alfonso Braojos, a quien me une no sólo el compartir proyectos intelectuales sino también una bien fundada amistad. No resulta posible hilvanar todos aquellos nombres con quienes, de un modo u otro, sostengo deuda de gratitud. Asumiendo los riesgos de una sucinta relación y disculpando los probables olvidos, quiero referir en primer lugar el amable trato dispensando por el personal de los archivos consultados, en especial el de la Diputación Provincial de Sevilla, tanto por l que se refiere a su actual directora, Carmen Barriga, como a las encargadas del servicio, siempre atentas a mis peticiones y valiosas informadoras de los fondos allí custodiados. Iguales consideraciones he de consignar respecto de los empleados de la Hemeroteca Municipal. También el director de la prisión provincial Sevilla-1, Javier Romero, es acreedor de mi reconocimiento al facilitarme los trámites pertinentes ante instituciones Penitenciarias y el acceso a la documentación recientemente ordenada. Por otro lado, las consultas en la Capitanía General de la Segunda Región Militar hubieran permanecido en un mero deseo a no ser por los permisos concedidos por el Capitán General y los buenos oficios del comandante Carpintero y del capitán Subirá. Con independencia de los favores concedidos por los titulares de documentación particular y reiterándoles mi gratitud, quiero hacer mención a todos aquellos investigadores con los que he cambiado impresiones, ofreciéndome ideas estimables. Largas horas de charla y amistad he compartido con Manuel Ruiz Romero hablando de temas políticos en relación con el proceso autonómico andaluz durante la Segunda República. Una relación ésta que no sólo ha sido fecunda sino que comenzó con la mayor honestidad profesional que puede haber entre dos investigadores: intercambiándose información extraída de los archivos que cada uno había visitado. Igual transparencia y honradez intelectual he encontrado en el profesor y compañero Juan Ortiz Villalba. Su amplio conocimiento sobre la historia cordobesa me han servido para profundizar en los aspectos biográficos de José Cruz-Conde, objeto de un futuro proyecto investigador. También he encontrado colaboración y ayuda en otros colegas que han abordado el tema de la historia de las diputaciones. Entre ellos quiero destacar , en primer lugar, a la profesora Encarnación Lemus (Universidad de Huelva) y a los profesores Eduardo Alonso Olea (Universidad del País Vasco), Manuel Requena Gallego (Universidad de Albacete), Pedro Carasa Soto (Universidad de Valladolid) y José Miguel Delgado Idarreta (Universidad de La Rioja). Los aportes bibliográficos facilitados por la biblioteca de la Facultad de Derecho y el Instituto García Oviedo han resultado imprescindibles para completar los repertorios de obras de referencia. La última sección de agradecimientos, tal como corresponde a lo más importante, va dirigida a mis seres más queridos: mis padres que compartieron conmigo los primeros pasos de esta investigación y, especialmente, mi mujer, sin cuyo aliento, sacrificio, compresión y ayuda esta obra no habría tenido objetivo mi meta. A todos ellos, pues, y a todos los que no han sido mencionados, se dirige mi pública gratitud. Naturalmente y siendo justa la advertencia, las imprecisiones o ausencias que el lector pueda encontrar son de exclusiva responsabilidad del autor.
Transcript of an oral history interview with Mrs. Carol Todd, conducted by Sarah Yahm at the interviewee's home in Roxbury, Vermont, on 12 May 2015, as part of the Norwich Voices oral history project of the Sullivan Museum and History Center. Carol Todd was the wife of Norwich University president, W. Russell Todd, and the founder of the Norwich University Center for Volunteer Management. Included in the interview are reminiscences of Mrs. Todd's early life and education as well as her experiences at Norwich University. ; Mrs. Carol Todd, Oral History Interview May 12, 2015 At interviewee's home Interviewed by Sarah Yahm Transcribed by C.T. Haywood, NU '12 May 20, 2015 SARAH YAHM: You know what hold on I haven't turned this on yet and we're talking about interesting stuff that might be good to have on tape. But what were you saying about "should?" CAROL TODD: Well I, when General Todd was a young officer and we were first living at Fort Knox I learned a good deal about what I came to feel was my responsibility or at least what I should do for those wives who are around me, who might need me, who were just like I was with their mother wasn't there, their family was far way. And in those days when you were in Kentucky and your folks lived in New England it was a long way away. There was none of the technology that we enjoy now. Now I never was very good at this but I tried my best and I eventually did the work not directly for these young people but through an organization called Army Community Services, which was a social work organization, which now has become very strong and has professional people that do it. But when it started it was folks like myself who saw the need to be available. And we did what people's family would do for people who are in need or really need, kept an eye on folks is what happened. We all lived on post in the 1950s almost everyone lived on post in government quarters, government apartments. And we were neighbors. We were friends. We knew each other. We did things. We went for walks with the babies in a baby carriage. It's a different world and I understand that but I don't know how we got on the subject but it's…. SY: Well it's interesting because JoAnn Kelley who I interviewed talks about… CT: Oh yes! Interesting yeah… SY: Yeah about um when they were in Germany I guess you know Mike Kelley was away for a couple days for some reason. CT: Sure. SY: …for some reason she had already lost most of her vision and she talks about the incredible support of the women living on post with her enabling her to be able to do what she needed to do, right? Her kid got hurt and needed to go to the hospital and the degree to which the other, the mothers just dropped everything and took care of her kids and got her to the hospital and got her kid x-rays. And she felt that very powerfully in Germany. CT: Yeah and isn't it wonderful that she was the recipient of that kind of attention, because it must have been pretty tough to be alone. I think the whole ethos of this type of 2 community has changed in this whole country. It isn't just the military that it's changed in but and it isn't just the Army. I think the whole, but, for instance in those early days wives did not work. Ha! Heavens no! I knew of one of my friends who had a job who worked for a while. And I had come from a pla--from a situation where I had been working full time and could have probably managed to continue doing personnel work which is what I was doing. But I thought, "Huh," but nobody does that, you know, that isn't what we do here, you know. SY: Did you miss it? Because you, I mean you were you know you'd had a very good education, you were trained, you were? CT: I really didn't miss it at all. I really didn't. It was, we had such a good time. It was really fun. It was really fun for a while and one of the couples to whom we were close then, they lived around the corner and down the street a little bit, we are still close to. They live in Saco, Maine and the name is Nutting, Jane and Wally Nutting, and we still talk a lot and send birthday cards and visit once or twice a year. Unfortunately they both have some health issues, well don't we all at this age if you come right down to it. And so we don't see them as often as we'd like. But there was some very, very strong bonds. We took care of each other's children, we took care of each other. It was, it was easy and it's what people did and it made it easier to do I think than perhaps a different situation. And we were poor. You've got to remember in those days there was no extra cash. Everybody was counting out to see how much money they have left for the last week in the month and… SY: And were some--were you paying for your housing or was your housing free? CT: No we were paying for it. Because there were all kinds of arrangements but everybody paid for it in one way or another. Either they deducted it from your salary if you lived in certain kinds of housing. We lived in what was considered contract apartments and I think we paid $65.00 a month which seems like, it seemed like a lot then. It was for us then. And everybody and nobody, everybody, all the women were wearing their clothes from their trousseau you know because that's, there was no running out and buying new outfits and stuff like that. Yeah. SY: So let me actually, let me officially start this interview because I need to get us on tape. CT: Please do. SY: So I'm here interviewing--though I'll transcribe that and use that it's super interesting. So I'm here interviewing Carol Todd. Its May 12, we're at her house in Northfield. Is this technically still in Northfield? CT: As a matter of fact the house is in Roxbury though the garage is in Northfield. SY: [laughs]3 CT: Winch Hill Road is, you know the dividing line goes right through our garage as a matter of fact. We can show it to you. It's painted on the floor the garage. SY: That's hilarious, yeah. It's like the Derby Line Opera House and Library. CT: Oh yes, right, right [laughs]. It's true. SY: So okay let's actually, let's start from the beginning because oral history it's a story of a life. So I guess where did you grow up? Where were you born? CT: I born in Beverly, Massachusetts which is just north of Boston - 28 miles we used to say - in 1928. I can remember, we've got a picture somewhere in our files of the funny old car that my father had to, came home from the hospital, a funny sort of thing, an open sort of sedan thing. My parents were older parents which made my birth very exciting because my mother was 37 or 8 by the time I was born and that was considered geriatric practically. She never had the first labor pain. She didn't have the baby and didn't have the baby when it was due. So finally the doc went, "Hmmm better do something about this," and it was determined well before I was born that I was no doubtful a boy. There was no question about it. I had such a slow heartbeat which I still do. But no I wasn't a boy was I? And he was to have been named for my father, it would have been William Henry. So when I was a girl, some of the doctor or one of the nurses said, "Well, what are you going to name her?" and she said, "Well I guess I'll have to name her Wilhelmina Henrietta" which caused everyone in the delivery room to have a good laugh. But instead I was named for my grandfather's mother who had died giving birth to him in 18--what is it? '34 I think, yeah. I get the numbers kind of mixed up. But no he was born in '54, 1854. And anyway, but I was named for her my name being Caroline but I've been called Carol ever since. Because at the time in the thirties Carole Lombard was very, very famous and very fancy. So lots of people who were named a word like Caroline would be named, called Carol and that's, I still use Caroline for my legal name but other than that. And then I grew up in Beverly, small town, 20,000 people more or less. Went to the public school there. Could walk to school, could walk home for lunch, back for the afternoon, back home in the afternoon, play outside in the in our yard or in the yard next door. Go sliding on down the street on the little hill in somebody else's backyard. I had ah [cough] (pardon me), I had friends that I knew in kindergarten that I graduated from high school with and one of them I still play Words with Friends to this day with. One of these girls is still my friend. It's really fun. Everybody went to a different church and I thought, was only thinking about that this morning. My sister and I and one other, Eleanor, went to the Washington Street Congregational Church which is around the street from us. But my friend Pauline went to the Baptist church which was up the corner, and Elizabeth Ann went to the Episcopal church and then another friend went to the Dane Street Congregational Church and nobody thought this was odd. I mean this is how it was. People were all mixed together I think in the public school system which was a really good thing. I can remember in the sixth grade how thrilled I was when a new student came whose name was Emilio Zarzanello. So my last name being Wyeth I was no longer the end of the alphabet when we lined up by names. So I loved Emilio Zarzanello.4 I thought that was grand. Went to all the way through the public school there, went to junior high. It was a building called Briscoe which still stands in the center of town which is the same school that my grandfather had gone to and it had been condemned during the time he was there so you can imagine what it was like then. Went to high school there at Beverly High School and that's where I met my husband whose family lived in Wenham, Massachusetts, which is an area just north of where we lived that had no high school. So he was tuitioned into Beverly High School, and I guess we just, we had lockers, adjacent lockers, you know how kids used to in high school. And l loved that high school. It was really great. Had extremely good teachers, some. A wonderful English teacher who pushed and shoved me hard to love words, to recite poetry, to do this sort of thing. And a history teacher named Mr. Bellmore who taught us how to take exams which was a marvelous thing to do. Every Monday morning he passed out a piece of paper on which there were 5 questions and these were things we were going to learn this week in American history. On Friday he would choose one of these topics, throw out a question in regards to this, give us blue books just like you had in college and said, "You now have 20 minutes to write me an essay on this subject." Well once you got the idea and got onto it all you had to do is learn the material and recite it back in written form, which he then corrected, spelling, punctuation, to say nothing of the facts and by the end of senior year I could take an exam in almost anything if somebody would frame it just correctly. And it helped me tremendously in college to have had that training. It was a good high school. SY: Absolutely. Do you remember your first impression of your husband? CT: Yeah I do. I just thought he was so handsome and he was wearing a bright red cable knit sweater that his grandmother had made for him. Isn't that funny? Yes I do. But the interesting thing was his mother had just had a baby. A what? We were astonished. And that baby is his brother Dick who we still are very. very close to but all those years through high school Russ was a big draw for girls who loved to go up to his house and push the baby carriage and knit mittens for Richard and this sort of thing. It's funny isn't it yeah? Our parents, both sets of parents sensed it once this was an important relationship for both of us. So my mother called a woman whose name I've really tried hard to remember, but she lived in Wenham and mother knew that - her name was Miriam something - she knew that Miriam would have known the Todds through the town. So she called up to ask Miriam who these people were. Meanwhile the Todds who lived down the street from this ladyhad called her to say, "Do you know who these people are that live in Beverley?" And she assured both parents that this was okay that this you know is a good relationship and everybody relaxed and said, "Okay." We went to a lot of activities together in high school. SY: I was just gonna say. So this is what year? You were born in '28 so this is… CT: We graduated in '46 so it's late forties. SY: Okay so, yeah what were, what was dating like in the early forties? What were the protocols? 5 CT: Well, the boy usually called up or said, "Do you want to go to the movies?" That's what we did; we went to the movies. And the first few times we dated we went with his parents, his mother and father, because Russ didn't drive because he, I suppose he wasn't 16 come to think--oh he must have been. Well I don't know why we wend, but anyway we did, we went with the Todds and a couple of times. And then my mother and by then my father wasn't well, but anyway and we were living with my grandparents. But my mother said, "Why don't we have him for dinner before you go out?" I don't know where we were going so he came for supper and that was a big success because he was reasonably comfortable doing that. He had met them and we lived about 5 or 6 maybe 7 miles apart. They weren't really in our neighborhood but it was another town. And that we also used to do things like go to a large picnics that the coll--school would have like the chemistry department would have a picnic and we'd all go. And I can remember one time we won a three legged race. Because you see physically we were very much the same size. Of course we're not now because I've shrunk more, but we were then. I have longer legs and he had a longer torso but we could do things like, we're very much the same shape and size which was handy for three legged races if nothing else. SY: Exactly. I'm also realizing that you grew up during the war. And so I'm wondering what your memories of wartime in Beverley were like? Do you remember blackout curtains? Do you remember rationing? CT: Oh yeah, all those things. Blackout curtains were fun. Well they weren't fun but it was interesting because you had to have them, and you had to pull them down and sometimes you pulled them down and fasten them on the sill. But if you didn't do it just right they'd unroll and go "brrrt" go up and everybody'd "oh no." We also had to paint the bottom half of the headlights on the cars because we lived near the ocean. You know we lived right there on the Atlantic Ocean. So you had to do that in order that the, to take care of the submarines so they wouldn't see you when they came in close to shore. Which of course we learned they did later. We learned quite a bit about that. My father was in the Coast Guard Auxiliary. He was of the wrong age to be in the second world, in either of the world wars. He was too young for one, too old for another. And so he used to go out with the other men on his team and walk on the beaches in Beverly and sometimes in other towns nearby looking for lights in the ocean and he'd come home. All night they'd be out, you know, like 8 or 9 hours maybe longer at night. I can remember how tired he would be and every once in a while he'd say to my mother, "It was worth it, it was worth it," meaning they'd seen something and notified the people in Boston who took care of it, you know. They had a telephone system. It wasn't like a cell phone but they had some sort of a telephone system they could call. And he also in the summertime went out in a boat with his friend Homer Riggs and looking for people who are off our coast that didn't belong there. Which was sort of interesting too. We collected tin foil when you chewed gum. You got, you know each one was wrapped in a tin foil. Maybe it still is I don't know, and we made balls of tin foil. We collected newspapers. As we recycled them then we recycled them then in the World War II. We 6 also collected bacon fat. Nasty trick but you put any fat into a tin can or some sort of a receptacle that would have a lid. I can't remember what else. Oh my mother was a hoot. She decided if my father was going to be in Coast Guard Auxiliary she'd have to do something so she joined the Red Cross Auxiliary and learned to cook for large numbers of people. I have a recipe book somewhere - cocoa for 100, meatloaf for 250, you know. She never did it, she never had to do it. But they were prepared for any kind of emergency. Well the only emergency we ever had was in our town. There were icehouses full of saw dust where they stored the ice from Wenham Lake and Kelleher's Pond which was near our house and stuff. Well time had come for those things to burn. Nobody set fires but I went to at least 3 icehouse fires during those years which, because my father would get us up in the middle of the night. They always burned at night it seemed. SY: Why would they being set on fire? CT: They weren't set on fire it would be combustion, you know, some sort of combustion, internal combustion. No, they were not set on fire. SY: Oh okay. CT: No, it just, they were accidents that happened I guess. SY: But there were a lot during that time period which is interesting. CT: Yeah, I guess, maybe I'm wrong. I don't know. SY: I don't know because it would be hard for an icehouse to be set on, it just seems strange to me. CT: When icehouses empty and there's no ice in there dripping. SY: Oh the sawdust I didn't realize that. CT: You see, would dry out [phone rings in background] I suppose that maybe lightning set it on fire. I really don't know. SY: But you would wake up and you would go - CT: And my father would say, "come on quick!" so my sister and I we'd jump [sound of getting ready in a hurry] and run down and mother would be in her suit in case she had to make coca for 100, and the 4 of us would go off. And the thing was to be sure to be watch your step because my mother like both of my sister and I tend to trip on things. So my mother once tripped over a fire hose and skinned her knee. Caused great trouble because then the other Red Cross volunteers all came around in excitement to give her a bandage. That was big stuff. SY: Because everybody was all dressed up with nowhere to go, they had nothing to do but make hot cocoa for 150 [laughs]. A Band-Aid for the woman who tripped! That's hilarious. 7 CT: And she's one of our volunteers too, "Oh dear there goes Helen again." But anyway it was sort of an adventure for us. Now the other thing about World War II that made a huge impression on me - down at the end of our street, the end of our street was right on the water itself. We lived about 5 or 6 houses up. I could count them maybe I'm not sure how many. Anyway, lived a family that had a little girl that we babysat, I babysat for and my sister did and we helped take care of this girl. Nice little handicapped - she had I'm not sure what but she was handicapped. But we, so we enjoyed her. She was a nice girl. And their father whose name was Les Buck was on the train. His father, her father was on the train going into Boston one time because the Boston went in from the, from Beverly, every day so people could work in what we called in Town. In town was Boston, not, and uptown was Beverly but in town was to go to Boston. So he goes in, he's going in town, and he's sitting there minding his own business and he had had language lessons when he was in high school like so many of us do, and he could figure that the people in back of him were speaking German. Didn't know quite what they were saying but it was clearly German. "Hmm," he said. So when they got to Boston, to the North Station, he just got off and walked into where - in the railroad stations then they had a lot military police and there were shore police from the Navy all the way around Boston - and went up and said what he'd heard. And said, "those are the two men right there," and they run right over and took them away. Just because they were speaking German which sounds awful doesn't it? SY: I mean who knows? They could have, right… CT: It could have been German. Who knows, but we always thought they'd come aboard out of a submarine which is apparently did happen many times, but we thought that pretty exciting. SY: Yeah because it happened on your street. Yeah, yeah, yeah. CT: But if Russ were here, he'd tell you another story about our family which is World War I that he unearthed, and that is that somewhere in the papers that he's got of our family there's a letter that my grandfather got beginning of World War I saying: "Dear Mr. Lee, because of your exemplary behavior and your role as president of a bank in this small town you are hereby appointed by the governor of Massachusetts and the President of the United States to be on the alert on anything untoward that might happen in your community. We are aware that on the same street where you live there is a Mr. Carl Klink and Mr. Klink is now a U.S. citizen but has many relatives overseas." And you can just hear this letter. Mr. Klink, charming man, ran a bakery uptown and they said, "if at any time you have concerns about anything going on your street. You are at once to…" you know it's terribly officious letter… SY: And it's good that it was your grandfather and not somebody else who was sort of a paranoid bully, right? And would have taken him out of the bakery. CT: It's possible, yeah. We knew them really well. His wife was a friend of my grandmother's. His daughter went to school with my aunt. His granddaughter was in my 8 sister's group of friends, you know. And so my grandfather just filed it under you know, but Russ found it not long ago which it's funny. SY: It's so interesting. CT: There must have been people all over this country that got letters like that, don't you think? And now we wonder about you know privacy and all that kind of stuff, yeah. SY: That's fascinating. CT: Isn't that interesting? SY: Yeah, yeah, yeah. Well and the "if you see something say something", right? The post 9-11 signs everywhere. I didn't realize that that's how it was done in World War I. That's fascinating. So what about the Depression, how did your family fare? CT: Well my father had a very bad experience. We're never going to get to, we're never going to get me grown up at this rate. But my father had a very bad experience and I'll try to tell it straight because it's a little difficult. He was co-owner of an automobile agency and they sold Chryslers and Dodge and maybe one other kind of car. I was pretty young when this happened. And he went off to work every day and they sold the cars and everything worked fine. His partner was a man named Mr. Berry like in strawberry, Ralph Berry. And the story goes that one day he was ah, he got up go to work, went down to the garage what they called it, where this agency was, there were no cars, there were no records, there was nothing in the office and Ralph Berry was gone and so was every single cent in the bank that belonged to this agency. This was before the days when we had limited partnerships and we had legal protections for people who entered partnerships. In other words this man stole everything and it caused a great deal, a great deal of distress as you could well imagine. My father eventually after a few days had what they called a nervous breakdown. Now I suspect it was a depression of some sort. I don't know what it was. But I know I don't what it was. But I know that he had he to stay in bed and the curtains had to be down and my sister and I either had to be very quiet or go across the street to where my grandparents lived and go stay. We stayed over there for a little bit. And I, how long it went on I don't know, but eventually of course he got over it, whatever it was. But what else could it have been but depression? He didn't have a stroke. I don't know. He, as a result of this always had high blood pressure so it must have happened in 1937 or '38. Or no even before - '36 or '37, because by '38 when I was 10 years old, he was okay I can remember. But anyway and he died very young from auxiliary problems from having high blood pressure which in those days they didn't treat. The only thing they did he was he was supposed to be on a salt free diet. You know almost everything, even eggs have naturally some salt in them and you don't have to add anything. But my mother made salt free bread. Oh there were all kinds of goings on but he just continually got worse and worse and he died when I was a, well he died in 194-, he died in the November of 194-, October of 1949. So the last few years of his life were pretty uncomfortable for him and for all of us you, know. But Mr. Berry got off from this scot-free to the best of my knowledge I don't know otherwise. Had the nerve shortly 9 after my father died to buy a beautiful big house in Hamilton which is another small town outside Beverly, with horses and big yards, and gardens and stuff. Married a second wife and came back to town. And I thought, "What gall?" now somebody, I hope nobody listening to this ever was a relative of this man. But he just caused an awful lot of heartache in our family. But shortly after that I think it was this didn't happen to my father alone. This sort of thing was going on all over the country. Times were getting hard, the Depression was hard on people and my mother and father managed to take care of us somehow, I don't know. There was no social security. I'm sure they used up every cent of savings they'd ever had. I know when we needed things like when we got to be a certain age and wanted to go to camp my grandparents always gave it to us for our birthday present. Winter coats magically appeared, you know. I can re--the only time I ever remember anything happening that affected me personally was I said to my mother, "I really need a new pair of shoes these are getting so worn out," blah, blah, blah. And she said, "Carol I know you do," and she said, "and you can have a new pair of shoes. We're just gonna have to wait until the first of the month." And so we waited until the first of the month and I got what I needed. But there was no ah, they didn't. We were very very fortunate. SY: And they protected you from--I'm sure they were filled CT: Absolutely! SY: with money anxieties but they protected you from that? CT: Oh yeah. Oh yeah. SY: And so your father never really got his footing back? CT: Well in a way he did. Because after he sort of got his wits back together he and a friend of his who is a doctor, and the father of one of my girlfriend's, and another gentleman who we knew got together and bought cranberry bogs in Rhode Island, in a little small town called Greene, Rhode Island that's on the border with Connecticut; in Marshfield, Massachusetts which is near Quincy and Duxbury; and a third one that I for the life of me can't remember where it was. And they formed little company called the Summit Cranberry Company. These were all cranberry bogs that at one time had been very productive and had been let go and they had the great pleasure of investing enough money in it to make them all productive. It was just the time that Ocean Spray was getting going and Ocean Spray kept trying to buy them out or buy their product. "No," said these strong New England gentlemen, "we are independent growers." They loved being…well of course it was their downfall but they remained independent growers and they sold through an independent agent. Only berries to be sold in crates in the grocery store, never anything boxed or barreled or made into juice or jelly [laughs] certainly not. Just straight cranberries and they had various, all these different kinds and my mother used to go and help during harvest season. She used to go down and live at one of the bogs with my father while he was managing the harvest and she would go and I don't know did things with the various women and stuff. 10 SY: A lot of the Cape Verde immigrants worked? CT: They did, yeah. Except the foreman who was the only man I remember. His last name was Thibodeau and that's French isn't it? SY: French-Canadian. CT: So he probably was French-Canadian and he had a daughter named Lilian who was my sister's age. And one year at Christmas in the midst of all this my family got together and they said now, "We want to tell you we always put aside a certain amount of money for your Christmas." And they said, "But we just feel this year that Lillian and her sister (whose name I forgot) need Christmas treats more than you do. Would you mind if we took some of your money and gave them?" We said, "No fine with us, we like these little kids too." Which they did and you know to this day I have no idea that we got any less or any different than we ever did. We never knew the difference, you know, but I love it that they told us what they were going to do. SY: Well I think they were modeling. They were teaching you something, yeah. CT: Yeah. SY: That's very interesting so he did manage to do it. So okay do you remember going down there during harvest time? CT: Oh yeah. Sure. SY: Did you help harvest? CT: No. We were always too small. They used women and no. And I think it sort of would have been against the ethic to have the boss's children paddling around in the. But interestingly enough wherever cranberries grow so do blueberries, and we would always pick all the blueberries we could and we'd bring them home and blueberry jam and blueberry pie, and give them to the neighbors and you know stuff like that. We picked blueberries. And if my sister were here she'd tell you a story that I'm not sure. She always says that one time when she was picking blueberries she began to feel really cross because my mother was sort of supervising her and saying, "Don't pick this one we don't want any green ones" [nagging sound] and she looked around and it wasn't my mother it was a bear that was standing by her. But that was the presence she felt was a bear. SY: Oh that's Blueberries for Sal. That's a children's book that I've read, she mixed that up. Blueberries for Sal is a story in Maine of a little boy named Sal picking berries. CT: It's Robert McCloskey isn't it? SY: Yeah, yeah. CT: Isn't that, that's where she got it. SY: That's where she got it. She thought it was her own story! [Laughs] that's hilarious. 11 CT: She probably--you can see as a little kid it just seems so much like the experiences she'd had. What a hoot and a half. SY: That's hilarious. CT: We're not going to let her hear this. Sorry, sorry. SY: You should buy her a copy of Blueberries for Sal and send it to her in the mail [laughs]. CT: Golly isn't that funny. SY: It's one of my favorite children's books it's lovely, yeah [laughs]. CT: Oh I am blushing here. SY: It's so funny. Okay so that's the forties at that point? CT: Yeah and then we went to high school and we worked hard and we had 2 or 3 good teachers, but some hm-hm. Oh Latin, my mother insisted we take Latin because she majored in German in college and she thought Latin was absolutely essential that everybody have lots of Latin. Because it was so good to help you figure out what all the words in other. To this day playing Words with Friends I'll give Pauline a French word and she'll say, "No you know you can't do that." But so we took French and we took lots of Latin in school and we had a French tutor whose name was Madam DeBesey and she was a French refugee of sorts, who made us come to her house and have tea and crackers after school one day a week. And have conversational French. It's so awkward you know, but we both learned a good deal. So that when I actually went to live in France I just turned on my high school years and was able to manage. SY: So your family wasn't part of the military. It doesn't seem like the military was part of your upbringing. CT: Oh, no, no except my father being in the Coast Guard Auxiliary. No, no we didn't know anything. But Russ' family was and when you talk to him he'll tell you about his dad and stuff. SY: And so when you and Russ started dating and seeing each other and it looked like it was going to get serious, you must have realized that you were probably going to be married to a man in the military. And what were your thoughts about that about that life? CT: Oh that's a good question. I don't--certainly in the high school years and in the first few years in college I just thought it was interesting that he was up here at Norwich going to school. I was in Northampton which isn't that far away and used to come up on the train to see him, and it was kind of fun except there were those fraternities. And I'm just too much of a stick in the mud or too, I don't know, I didn't find all this hilarity and all this drinking and stuff. I was just, I was just uncomfortabl,e it just didn't suit me. And so we became friends with several couples literally who were married and we were just 18-19 years old, but who were married and lived a more somber life here in the, you've 12 heard them talk about people who lived in the trailers down where Kreitzberg Library is. And some of these people who were, I was more comfortable with because they were more staid I suppose. And but we used to do things with the fraternity too. Russ had a good time working with them and we came up here, Junior Week was so much fun where they had polo game matches. SY: Can you pause for a second? Because I realizing your chair is making noise. CT: Oh yes I squeak this chair. SY: Let's just switch out the chairs is that possible? CT: Okay, sure. SY: Because I don't want because it's squeaky yeah. CT: I never even noticed it. SY: Yeah I didn't notice it until a little a while ago. Do you want me to move it or you got it? CT: No, no I've got it. Let's try that one. That's a newer one, give it a wiggle first and see. Better? SY: Quieter, way quieter [laughs]. CT: Yeah these are pretty old chairs. Alright good, I'll try not to. SY: Oh don't worry about it. It's not a big deal. I just thought you know why not get a less squeaky chair. Okay alright so you're coming up, so do you remember your first impressions of Norwich? CT: Not really, but one of things I really miss terribly is how beautiful Central Street was. When I came here Central Street was an arch of the most gorgeous trees all over the top and they took down the last of them, the one between the president's house and the next door just this spring. Beautiful trees. It was a very pretty place in the right weather. One of the times I came up here we've got a marvelous picture somewhere of me getting off the train and being met at the station downtown with the, by Russ and our friend Jim Ricker who was in, he also went to high school with us, and he was there too. So Jim came down too and a band from the university to meet the girls getting off the bus, ah, off the train. And I thought that was pretty swift you know. We always, the women in those days dates did not stay in the dorms [laughs] heaven forbid! We stayed with people around town and Russ can tell some funny stories about trying to get dates, places for me to stay because of course his father had gone here and his mother had come up to visit him and these people all remembered his dad because Dad Todd was a terrific dancer and they all thought this was fun to have Tommy Todd's son, you know, now coming to see him. So I got to know a few people who lived in town that way because I stayed at their house. It was fun. I was glad when put do--I was glad when they closed down the 13 fraternities it didn't make sense it and we still know people who fuss at it at with us and Russ just nods his head and said, "What can you do you know, it's how it is." SY: Change tradition, grumble, grumble. CT: Yeah. SY: Yeah. CT: But and you see that was talking about too and I'm talking about the changing tradition how it bothers me in another way when it's something that affected me more such as what goes on in Army life. It's just hard as you get older. It is. SY: It is hard, yeah change is hard. Okay so you would come up and you would stay with people in town? CT: Right. SY: And you would, oh so Junior Week you were talking about Junior Week. CT: Oh yes I had, let's see they had polo matches, which were great fun to watch. They had equestrian fancy riding, what do you call that? Dressage. They had all kinds of basket--not basketball, baseball games and other things that were really fun to do, as well as a dance. But the dances were really big time, they would pay somehow to have very big bands come here - Artie Shaw and all these people. Do you know who the Ink Spots were? Now the Ink Spots, I never saw them, but apparently they did come to Norwich once because as we speak somebody on behalf of the museum is trying to buy a poster that says the Ink Spots are coming to Norwich University. SY: I interviewed a guy two weeks ago, I'm blanking on his name, super nice man lives in town. Northfield, I mean Norwich graduate, who or I don't know if he graduated but he was at Norwich for a couple of years ,and he was in a band that played all the time during that period of time. CT: Oh I'm sure. SY: But I'm sure you know him but I can't remember his name right now. CT: I'm glad to hear you say you have the same trouble because I really can't remember a lot of these people's names. My vision and mentally I can see so many of these people and what fun it was. SY: Ha-Hammond? Hammond is his last name I think. He's in town, yeah but he was he played the saxophone and he played at all of these events on campus. CT: I'm sure. SY: Yeah. CT: I don't think….14 SY: Who knows? CT: I don't know that name. SY: Okay so you're at Smith during this time and what's your vision when you're at Smith of what your future's gonna look like. Are you thinking like when I graduate, were you thinking when I graduate I'm gonna get married, when I graduate…? CT: No I wasn't. Now that's interesting because Russ was always a part of my life from the time I met him. I think in a different way than most people get married so quickly to each other. He was just, I knew so much about him and his mother and his father and his brother and his sister-laws. But I also knew that somehow I needed to do something. I wanted to do something before I got married because in those days once you got married you probably weren't going to have a career. I don't know that I put it in words or said I wanted a career, (oh dear there's the rain) but I did want to, I guess try my skills. I guess maybe that's what I was thinking. So when it was time for me to graduate I majored in sociology with a lot of economics which I wasn't so good at, a lot of French, a lot of English literature. But the best courses I'll just don't mind telling anybody I ever took at Smith or anywhere else were art appreciation my senior year and music appreciation my French year. Those have lasted me so well so well. I oh well that's another whole story but so I always say to people I know going to college, don't just focus on what you might do for a career there's so much more to learn, don't sell yourself short. SY: That's what the liberal arts are about, developing yourself, right? CT: That's right yeah. Oh that art course was fabulous. Well anyway the upshot of all this is, so it's time for me to graduate and my sister however has still got another year. she's two years younger. But she was just a year behind me in school. So she was at Smith too and my father had died so I went into the--we all has appointments with somebody in the administration. Her name was Mrs. Mindel, but I don't know what her title was. And she said, "What are you going to do when you graduate?" I said, "Well I don't know for sure but there's a course at Radcliffe I'd really like to go to, a one year program in business administration. It is essentially the first year of the Harvard Business School which does not accept women as you know. But it's very much the same thing and I just would really love to do that and see if I can get some skills there that I could use." And she said, "Okay, let me think about this." So she called me back and she said, "Here's the deal," she said, "I'm going to call your mother and I'm going to suggest that if she will pay for you to go to this program at Radcliffe, I will give your sister full room and board and tuition for her senior year at Smith." What she was doing was giving me a graduate program. And they did. SY: Wow and I wonder….what an interesting arrangement because she wanted. CT: And my mother was just thrilled. She wanted me to have that opportunity. SY: That's great! 15 CT: It is--I have never heard of anything like it. SY: Me neither. CT: And I said, "really?!" And I know that the course I went to was nowhere, it was nothing dollar wise, I don't know what my mother paid but it was nothing like. But she knew, she knew that I was, that the family was having trouble financially and that we would've, they would have seen that Anne went, she would have finished, we would have found a way. So, "oh great," I said so off I went to be a bridesmaid in 2 or 3 weddings the way you'd often do it after in those days after college. And started in August at this program. Lived in Cambridge on Brattle Street. It was just a wonderful experience, learned how to write a one page memo that told, said everything you wanted to in you know 3 paragraphs. I just learned so much a lot about personnel work a lot about accounting. SY: Were you in classes with the men in the MBA program? CT: Oh no, no, no. We weren't even supposed to talk to them. No, no, no. SY: How did they make that clear to you? They said no talking to them or no interacting? CT: No, one of my classmates eventually, Jan Campbell eventually married the guy she met there, no. It was just. We were on the Radcliffe campus which was on Garden Street, do you know that area on Garden Street? And I lived at 69 Brattle Street and we had, we fixed our own breakfast, had lunch at the dining facility that was on campus, and then took turns fixing dinner. There were 9 of us that lived - I can make something for 9 in a flash - that lived in this house. And then the rest of the students who did not live in this house of which there were another maybe 10 or 12 lived at home or boarded somewhere else. But they were people that, I was the only person, there were two of us from Massachusetts. Everybody else was from another state. There were woman who were old as 30 [chuckles] old ladies. There were people who had majored in all kinds of different things, and the jobs they went onto afterwards were fabulous. One of my classmates had a seat on Wall Street. She was fabulous, Marilyn whatever her name was. And people worked for Bergdorf Gord-Goodman, Bergdorf Goodman as a buyer. Ah Jane, became the alumni, alumni director of Radcliffe before it amalgamated with Harvard. Interesting people. And it was a fabulous year. We had classes for a while then we had the first internship program, and I was sent to a--if I say Raytheon it was, it may have been Raytheon factory where I assembled the starters in the ends of a fluorescent tube. Did you even know there was one there? [laughs] Ah I am not dexterous. I never was dexterous and I tell you my experience on an assembly line where dexterity counted was so interesting. Because I didn't, I was not the star, I was the one that was holding them back. I was the bum. I was the rich girl from the college who was interfering, and the task was to win over my place in this --you know. Nobody said this, but that was the idea, to see what I could do in a situation like this. And it turned--and in the midst of this Russ has graduated from college and gone into the Army, and in the midst of this he came home to say good-bye to everybody when he went to Korea. And those were pretty bad scary days 16 so it was kind of a tough month in lots of ways. So he went off and I finished the st--this job and then went back and had some more classes and then in the spring this whole bunch of us got sent down to New York City where I worked for B. Altman which is, you remember which was a big. I had wonderful time doing that. I worked in their personnel office interviewing employees who had grievances and all kinds of things like this. It was very interesting. SY: And so you were living in New York on your own? CT: Well we, but we all had to live in a female hotel. Did you even know there was such thing? On 34th Street. And we lived there, just for a month. We were just there for a month and then we came back and had some more classes and finished up, I suppose in June. Meanwhile the recruiters are coming out and looking to recruit some of us and I got a job offer to be a personnel assistant at Mill Parr Incorporated which was an electronics research firm in Alexandria, Virginia. Well I knew what research was. But electronic research was really, I had no idea what they were talking about. It was such an experience. So I moved down to Virginia because I had a good friend who lived there and I could stay with Betty. And eventually worked there until Russ came home from Korea and we were married not too long afterwards. But it was a wonderful experience. SY: Do you want to get some water? CT: Yeah I think I'll just have sip here. SY: So do you remember -- did you see him off before he went for Korea? Do you remember, did you talk about if he didn't come back? Like what were the conversations? CT: Oh no, nope, no. He took me out to dinner at a local hotel, Hawthorne Hotel in Salem, which is nice hotel. And we had gone a lot of times I guess, well I don't know. But I just remember that we sat there and looked at each other and no we didn't. And I think we both knew that it was a go but we just had to wait. And I had told him before and he had asked me a million times to marry him and I said, "no, no, I got things to do, I got things to do." And I said, "I've done some things, you know, I'm good." I just had to fulfill that part of me I guess is what it comes down to and talking to you about it helps me clarify for myself what I was doing. I was just needing to know who I was, I could do things, I could succeed, not only academically but I could succeed when you put that thing to work. If not in the eyes of everybody but for myself I knew that I was good to go, you know, I could do things. SY: Yeah you had to live on your own in the world for a little while. CT: Yeah, and my mother who interestingly enough had gone down to Smith too and graduated in 20-in 1913. She was determined that both my sister and I would have that background, you know, that we'd be able to be on ourselves if we needed to be that we could be strong women, yeah. SY: Yeah it's important to know.17 CT: Yeah. SY: You never gonna know what's gonna happen in life and she'd certainly had enough upsets in her life to know that you needed to be able to make it on your own. Um, I had a question that I just lost. Okay so you're living in Alexandria by yourself, are you guys engaged at that point? CT: Nope. Nope. Russ called me from Kor--no not from Korea from Japan. They had R&R in Japan and he called me up and said he would be home on the (I don't know--I've forgotten it was January something) I said great and he said, "Well would you come to New York and meet me?" His parents by then had moved and were living in Scarsdale, New York. And he said, "Come, you know, spend the weekend at the folks." I said, "I will and let me know when," and he said, "I will." And we just talked a little bit. And said, well that's what happened. I guess we were past having to really verbalize a lot you know? We knew what we were doing. We just had, I had to grow up, time had to pass. People would say, "How could you date somebody for so long?" and I said, "Well we didn't date exclusively," We--oh he used to date a friend of mine, not a friend, a woman I knew that I couldn't stand, and I swear he dated her just to make me mad, you know. It was alright. and I dated this guy Jim Ricker a couple of times and he was practically engaged to somebody else. It didn't matter. It was something else. And I dated some guys from MIT who were a funny bunch. We just needed to have some experiences before we settled down is what it comes to. SY: But it sounds like you also knew that that was eventually where you were going. CT: Yeah. SY: Yeah. Oh this is what I was going to ask. In his oral history interview he talks about how he was kind of messing up and not doing so well in school at first and how you were like "you get it together, or we're done." Is that true? CT: Yeah it's true. Let's see when that was. I don't know exactly but it was in the summertime and I was staying at my grandmother's house which because they had what they called a maid's room upstairs. They used to have, they used to have full time help of course nobody did then. A wonderful bathtub with claw feet you know. But anyway so I was staying there. So he came down and we went out to play tennis one afternoon and we were hitting balls around and I finally said to him, "You know if you don't settle down and get some good grades and make some sense out of going to college," I said, "I just am not going to marry a loser. This is just ridiculous, you know you've just got to." And he just [sounds of bickering] and he was furious. He was mad and I was mad and he went home. He went back to New Hampshire or wherever he came from and then after that he's always done well academically. Because he just, he was acting like Maggie like our granddaughter I told you about. He was just having "such a good time." SY: At those fraternities? CT: Yeah. And in the military part of it. He really liked that, you know. 18 SY: Yeah. So okay, so you've been working on your own, right? You get married and suddenly your whole life changes. So what's your new life like? How do you learn what you're supposed to be doing? What the expectations are being married to him? What's his rank at that point? CT: Second lieutenant. SY: Second lieutenant, okay. CT: Or maybe first, he may have been a first lieutenant by the time we've, yeah he was. He'd gotten promoted in Korea. See he was over there during the worst of Korea and he…. SY: And did you know what was going on with him over there? CT: He wrote letters all the time. SY: And were they honest? CT: No, no not really, no. Just as well. He had a classmate that was killed you know? Somebody from Norwich, Pete DiMartino, maybe his name was. Be sure to ask him to tell you sometime because we should remember that. No not really. I just trusted him. I wasn't, he's been in a lot of bad scrapes and I never really have worried about him. I just trust him to know what to do. He has more common sense than most people I know, and he wouldn't try to second guess something, he'd do what was right. And he'd rather do what's right and fail and do what's wrong, you know. And he had a strong sense of doing the right thing and he did. Has he told you about how he won a Silver Star? SY: No. I haven't but I haven't interviewed him yet, so I've read other people's interviews. CT: But do make, be sure that he does tell you that. Because he never tells people. He won a Silver Star in Korea at a very young man. SY: So okay, so you're, where do you get married? CT: Oh where'd we get married? We got married in Beverly at home. At the church around the corner where I grew up. And some of these same people that I told you I had known in kindergarten were bridesmaids, plus Russ's sister who's a bit younger, then my sister too. It was really nice, it was the kind of wedding people had then where we had the wedding at the church and then walked back to the house and had a reception in the backyard with beautiful garden that we discovered florists will help you make if your garden isn't looking so well and you want to have a party. You call the florist and they bring in big pots of things and dig them in. Most gorgeous garden you ever saw. It was all gone the next day or the day after they just dug. It was fabulous and yeah, we had a good time. We went on a honeymoon down to Cape Cod where some other cousins had a cottage at the beach at a tow--place that's now called New Seabury but I know it's near Barnstable I think. But anyway we went there and had a nice time. And then we drove 19 out to Fort Knox and I'll tell you that summer I had been hot in my life but nothing like that humidity, you know? I thought this place is the pits. One of the wedding presents, he'd love to tell you this story. One of the wedding presents we got was a hand mixer, but it was so hot in that house he said, "I'm going to take the hand mixer and I'm gonna make us a window fan." I said, "Russ you cannot make a window fan out of a hand mixer," and you said, "You watch me." I don't know what he did. It had do with baking pans and ice cubes and the motor from this poor little hand mixer which can turn two little beaters. Well we laughed so hard we almost died laughing. But it helped not at all, but he had a great time thinking he could fix it for me you know. SY: Taking care of you that way. It's very sweet [laughs]. CT: I have learned to say when he tells me about a new invention, "ah I don't think so." [both laugh] He's usually right. He fixed something yesterday. He's a good fixer. It has to do with being so practical and having such good common sense. I don't ever fix anything I just "oh look it's broken," you know. SY: So what did you do during the day because he was working on the base? What were you doing? CT: What did I do? SY: During that time….? CT: Gosh I don't know. We lived next door. Well one of the fun things we lived next door to young George Patton and his wife Joanne who we have been so fond of all these years. And well that's one of the things I did now come to think of it. Joanne had gone to fancy place for her honeymoon, so I think that is not a good thing to do. She'd gone I think they had gone I think to Bermuda. I think they'd gone to Bermuda and she had gotten rheumatic fever. I think that's it. I think it was Bermuda but I may be wrong but I think so. And so she had to go to the hospital because she was really sick. Well the hospital was not air conditioned naturally. So one of the things that her husband George who had no common sense you may know, he decided that we would provide her with cold drinks and it would be nice if I could help with this. I said sure. So he had a pitcher and I, we still have one like this, a pitcher that has an insert so you put ice cubes in the middle and then you. So about every so often I had to run over and change her ice cubes [laughs] but I was glad to do that. I really liked her and I still do. She was a good, she's almost 3 years younger than we are, maybe more. She'd just graduated from college when they were married. Oh so many funny stories about them. Gosh, well anyway we had a good time. I also had this friend, this Jane Nutting that I mentioned before, who I'd known from before and she was my friend. And there was a girl named Ann something lived across the street who was pregnant and that was kind of fun watching her because we were all pregnant because that's what you did then. SY: So you were pregnant? 20 CT: I was pregnant right away. Char—Tom was born in April, so. But I didn't feel sick or I didn't have any problems for a while, all through the summer. And then I came down with something that I still have because it's a really funny disease. It's called erythema nodosum which you may never heard of because most of the doctors I've run into also say they never heard of it. But it's an allergic reaction to catching a cold in the spring or the fall. In that first fall I caught a cold and then my legs, and I didn't have it as much in my arms as on my legs would break out in huge areas of black and blue. And every time a new area popped out my temperature would rise and I would look like I was sick. Well I wasn't sick it was just until that black and blue got established. Then my temperature went down and I went on my merry way. But because I was pregnant they were sure something dreadful was wrong with me. Well it wasn't and somebody finally must have checked in the medical dictionaries and found out what this was, and decided not to worry about me because I had it then and I've probably over the years had it 5 or 6 times. Which is in the spring and in the fall if I get a cold I make every effort to get rid of it right away because I don't want to go into the next stage. And I haven't had one now for a long long time. But that was that was part of it and so the first Christmas that we were married Russ's sister Jane, who was young, a bit younger, was teaching school in New York state somewhere and she said, "I think I'll come down and spend Christmas with you so you won't be so lonely." Wonderful. So she came and flew down to Kentucky and we got her a date with a British foreign officer who was there attending a class, who fell head over hands in love with Jane. Jane was appalled really his name was Anthony, "really," she said. He kept saying to her, "Oh I want to take you back to England with me. You'll love my mom." My mom, and her woollies and her tea and I don't know, Jane was, she kept saying, "I'll stay until Christmas, but I got to go home." We had parties, lots and lots of parties in those days in the neighborhood next door and parties were just people getting together and bringing your own beer, you know, and maybe somebody would get some crackers and cheese out but no big deals. And then the units would have parties and you'd get invited to the post to a party. Meanwhile Russ has gotten to be the aide-de-camp to the commanding general, partially because George Patton's mother, Mrs. Patton - darling, darling lady - had come to visit. And one of the funniest memories I have of that early summer, Joanne's in the hospital with rheumatic fever. I'm running around trying to take Mrs. Patton to where she wants to go. She doesn't have a car. So every time she needs to go somewhere, "Oh Carol would you mind running me?" "No, I'd be glad." So one day she came over to our house and she said, "I am just too exhausted, so can I just sit in here and visit with you?" I said, "Certainly, Mrs. Patton." Well my mother and aunt had given me an old two-seater couch that must have belonged to I don't know who, whose springs had long since lost their elasticity. She was a little tiny lady, she sat down and disappeared. So that she was sitting with her knees up around her -- you know how people do it? I thought, "Oh this is so bad!" Well I said, "wouldn't you like to sit," I had one decent chair, "Wouldn't you like to sit here in my wing chair would you like to sit here? I would be so happy to you know." "Oh, no, no, this is fine." So she sat there until Russ came home from work for lunch. Because they came home for lunch and he said, "Oh hi Mrs. Patton, what are you 21 doing in the hole there? Can I help you up?" "No, I'm fine." So she said, "What's up with you?" and he said, "Well they just they asked me if I want to be aid to a General Collier." And she said, "Oh good idea, aren't you excited about." And he said, "I don't know if I should be doing that or not." And she said, "You should, you should, it's a good thing to do." She said, "Go upstairs and put on a clean uniform while Carol gets your lunch on, I'm going home now and you just be your natural self. You'll get chosen." Well of course that's exactly what happened and he did it for the next year or so. But I'll never forget her sitting there in that yellow couch with her knees, oh how I felt bad. But she was always friends with us ever since, and when Tom was born she sent him a lovely baby present. And well then she went home and Joanne Patton's mother came who also is a general officer's wife but instead of being the kind you'd put in your broken couch. She was Mrs. Holbrook and she was a bit fancier. By then I'd caught on, you see, and I managed to keep her sitting in the good chair. But she used to come over all the time and it was the same sort of thing. She'd come over and say, "I do need to run down to the PX," or "My friend Peggy so and so is having a coffee would you mind dropping me off?" well it was lucky that Russ - I don't know how I got the car, Russ must have gone in with a friend knowing that I needed to, because we lived about 2 miles from where the guys were working. Oh it was a hoot but that was one of the things I did that summer and that maybe is how I learned about the community you know come to think of it. This is such a good experience for me too, I'm thinking about these things that are more critical. Maybe that's how I learn this is what you do when people need you, you fill in and do what you need. And it's fun as long as you, I didn't have anything else to do you know. That was good and I wore all my, I can remember wearing one of the dresses I had from my trousseau, a really pink really nice beautiful cotton dress and I decided to put it on one day because we were going to drop off Mrs. Holbrook I guess at an event. She was going to a coffee and could I come back at x hours let's say 11:30 to take her home again. Okay. Don't--nobody says would you like to come in, or I'd like to introduce you to my friend, no no. So I come back at the appropriate hour and I park where she told me to park and I wait and I wait and I wait. By and by all the ladies come out, the coffee it's over, and they're leaving and getting into their cars and she walks across the street and interestingly enough her hostess--oh I can see her now--she walked with her. They came over to the car and Mrs. Holbrook jumps in but her hostess says, "Oh Carol," she said, "You're so kind to take," what's her name home and all this. I said, "I'm very glad to do that," and she said, "And what does your husband do in the Army? And what does your husband do in the Army my dear?" And my dear cleverly remembered and I said, "Well he's working as an assistant instructor at the Armored School," or whatever it was. And she said, "Oh that is so interesting. My husband works for the same Armored School." Course he was the commander, you know, and she said, "I was hoping he has a wonderful time with…" She was so gracious as compared to what the other side was doing. I thought even then I thought "ha ha this is what makes a difference" you know. She was so gracious and she was so sweet to me when she had no reason to be, you know?22 SY: And do you think she said something to her husband too? Do you think like your relationships with women and other wives in some ways helped your husband's career? Is that the way it worked? CT: If so I don't know. I don't know, maybe, maybe, but I don't know. SY: If you'd been rude it might have hindered his career? CT: Well that's right. "Oh boy he married a dud," yeah. And in a way, in a way it was interesting because most of the lieutenant's wives were college graduates. Most were. I'm trying to think of anybody who wasn't. Either that or heiresses, a couple of them were really very wealthy ladies who whenever they had a party served champagne, yeah champagne this is [inaudible]. But that's right but that marriage didn't last either that's interesting. She's the only person I ever knew who got infected by dropping a pickle, a pickle fork that she was polishing on her foot when she had no shoes on. It went [makes dropping sound] and she didn't pay any attent--I thought now that is a odd thing to happen to somebody. SY: That's a strange injury. CT: But I haven't forgotten it have I? SY: And you're careful with your pickle forks I bet. CT: Never polish a pickle fork is the answer. SY: Clearly. Alright note to self. CT: If you could even find one. SY: Yeah I was just gonna say. CT: Yeah, long time ago. This is way back in the 19, early 1950s and the Army was a different game than it is now. It was a different game. It was, it was always good that Russ had graduated from Norwich. Always, it always was even so long ago. And now it's really, but when Russ got to be a general officer he was the first one in years and years and President Hart was so thrilled because they hadn't had anybody promoted in a long time. SY: Yeah. Okay so then where do you go next? I mean we don't need to go through every one of your placements. CT: Oh I can't. SY: But I guess where were the places you liked best? And what were the places you liked least? CT: And people ask me that too and I can't help but say the same thing that has sort of been my whole life. I seem to be pretty adjustable or limp I don't know which it is. But wherever I am at the time for the most part I'm fine, I'm just fine. Ah we had a really bad 23 experience - our Tom was born as I said the next April, cute little guy and he was fine and life went along until the spring when he was (in January he would have been what 8 or 9 months old) and he was learning to crawl. And I was in the kitchen, I don't know, just fixing something for dinner. Russ was reading the newspaper, watching the baby, and the baby crawled across the floor. We didn't even know he could crawl this much you know, we just had plunked him down. He crawled across the floor and I had started a coffee pot. We used to call them a Silex pot, they had [oops] two sort of bulbs, the water went "brrrp" went up into the top and then dripped down. And I had started a pot of coffee for our dinner and he heard this noise I'm sure, crawled across thought: "Hmm what is this?" and saw the cord hanging down, you know, like this. Put his hand on the cord and it broke open on the back of his neck. Ah we picked him up rushed him to the hospital and they had moved the emergency room the week before or something. Of course we didn't, who pays attention to stuff like, so we got to the hos--we got to the right place and the person, the doctor on duty was a dentist. Nicest man you'd want to know but he was no surgeon and he said, "I'm going to I'm going to have to cut off this beautiful handmade sweater this child has got on." I said, "Why not, oh yes." He said, "I'll ruin the sweater." I said, "Ruin the sweater," you know. He was in the hospital -- it was January 13. He was in the hospital in the hospital for about--his birthday, probably until the first of April. Had numerous, not transfusions, but trans--what do they call it? When they take your skin from one place put it….? SY: Transplants CT: Transplants, numerous transplants. He was just a baby. They had never worked on baby before at Fort Knox. The doctor was terrific, the surgeon, he got on the telephone with the same burn center I told you about before where Steven was in San Antonio. This is 50 years before and tells, says, "Okay, when you go to do the transplant you get on the phone with me. I'll take you through it step by step and you can do this, you can do this." And if you just see my son right now without a shirt on all you'd see is a ring around his back like this where they hooked on the transplant. Everything took and he's fine. He's never had a minute's problem with his, they took all the skin off his chest and put it on his back. They took it all off his thigh and put it on his arm. This arm unfortunately after he'd been, it turned out alright, but after he'd been in there awhile all bandaged up with catheter tubes running though it to keep his wounds soaking wet so they could work on him. They said to me, "Say Mrs. Todd. Funny little thing on your son's arm," he said, "What is that?" I said, "I don't know," "What do you mean what do you mean what is it?" he said, "It's looks as though he might have had a vac" I said, "Oh yes he had his vaccination done just before this happened." And they said, "Well you are the luckiest people in the world because it has festered and scabbed over, and all this water running through it has not opened the scab. If it was he'd have generalized vaccinia all over his whole body." But he didn't, he didn't, worked out fine. He barely has a tiny little mark there now. He's a great big 60 year old man with, you would never know. It was just if and they were so good to us and we stayed in a private room in that hospital at Fort Knox with him. One of us was with him all the time except when people began to say "We can 24 stay with him. We can keep him happy." He was-he is a very good natured person. He still is, he's very patient and even as a baby he would just lie there and look at, you know, we had a thing what do you call it, twirly thing over his head so he could…. SY: A mobile… CT: Mobile, yeah and he had a music box that he loved. I bet I used to wind that thing endlessly and as long as there was a little music going he'd be quiet. SY: You must have been beside yourself though with worry? CT: We were, we were, yeah. But people were very supportive. He was working for General Collier and Mrs. Collier used to come and babysit him. She said, "I'll stay with him. Go get your haircut or something. Run around the block. Get some fresh air. Do something." It was a long winter. And yeah, yeah. And then he came home from the hospital. He could not sit up he could not stand up of course. SY: Oh because he missed all those developmental milestones? CT: Within 2 weeks he was not only sitting up he was pulling up and he was walking in a month and he was, he just made it all up in no time at all. It was amazing. SY: And I assume, I mean he was so young he doesn't have any memories of that time? CT: None. SY: Okay. CT: The only thing he remembers is the last doctor we saw during this said to us, "When he is," I think 12 was the age, I remember 12, "I want you to take him to a plastic surgeon and have them check out these sites and there may be a place where they'll feel it needs to be repaired." They said, "We can't guarantee this will last him his lifetime." But he said, "Take him and the guy they'll know." So we were living in Germany at the time and we took him to a, wherever this was, Stuttgart to the hospital where the surgeon was, and explained the story to him. And he said, "Okay. Okay little guy come on over here. Can you climb on my lap? Sure." He loved to climb up into your lap and they played and talked and you know made his arms and legs go and he said, "If I throw a ball down the hall, will you run and get it?" he said, "Sure," so they threw it down the hall and he ran down. He was not that old, he was near 6 because he was still, and he ran down the hall picked up the ball and came back and the guy said, "Everything he's got, every muscle moves the way it's supposed to. He's fine," He said, "There's no indication to do anything." He said, "if the time comes when he gets psychotic about it, and hates the fact." He hasn't looked at his back, how often do you look at your back? Like never. He has no more and his legs and place and his chest they grew back, it all grew back. He's fine. Isn't that funny? It's wonderful. We used to say to each other that if we ever had to pay for this in a private hospital Russ would have had to get out of the Army and get a big paying job or something because the bills must have been huge. 25 SY: But they took care, it was all taken care of? CT: It was 7 dollars a week to keep him in the hospital because you had to pay for the food. Well he ate 2 jars of chopped liver, I don't know what it was they were eating you know. We were worried. On the other hand, you know I think it had gone past, we couldn't worry anymore and we had to have faith that they were gonna and I think having a good attitude helps in all these things. SY: You don't have time to be filled with anxiety. You just have to do it. CT: No, no, that's right. SY: Yeah. CT: And and neither of the girls ever had anything serious so we were fortunate, yeah. SY: Now, Phyllis Greenway has some crazy stories of you know of her husband you know her being I don't remember where they were maybe it was Fort Knox and her husband being assigned to Hawaii and her having to fly across the country with all of her stuff and the baby and do all this stuff by herself. Did you have experiences like that of just sort of having to manage these moves alone? CT: Oh yeah lots. Yeah. The first move overseas Russ had gone in the fall and I went in probably in mid-December and took Tom. He was, let's see. Yeah and he was fine by then. This was, but he had the cutest little red snowsuit with a little head and we, he and I went down to Fort Hamilton which is Staten Island maybe, and went out with a group of Army wives in a chartered flight. But we swear that the pilot had a date in Paris because we flew to Paris and they put the plane down and it was 6 or 8 hours before he came back. And we thought, "Just a minute, just a minute, we need to go Heidelberg, get over here!" and then we flew on to Frankfurt or wherever it was, yeah. But yeah and then lots of times when we moved I moved I would be -- they seemed to have a way of finding they have to be somewhere else when the. But the one thing I insisted on was that somebody else was gonna do something else with the equipment like the TV and anything else that had a cord that I didn't know how to wind up and put an elastic around sort of thing. I said, "If you can't do it, you got to get one of your buddies to come and help me. I'm just not gonna fool with this stuff." And it got more and more complicated as the older we. And the last person who ever was the one who got tapped to come and do that was John Greenway. When he was Russ's deputy he came and organized all my stuff when it was, when we were moving from Fort Hood to Georgia I guess to Fort MacPherson, yeah. SY: That's funny you guys have known each other for a long time. CT: Oh yeah we knew them well before that. Phyllis is a wonderful cook. I hope you've talked to her about that. SY: I have actually. And she's made motions about having me over to dinner. So I should remind her of that. And she has all that beautiful French cookware too [laughs].26 CT: She does and she's a good cook. SY: I believe that we talked about cooking a little. I'm trying to think because there's this, you know there's so much to talk about here and I don't want to skip over important milestones but we should also probably get to Norwich huh? CT: I think so. Well time passes [both laugh] and um let's see…. SY: Oh well let's talk about volunteering. So you begin to take on this sort of professionalized volunteer role it seems like the Army started to recognize that what you were doing was critical. So could you talk about that? CT: That's absolutely true and I'm trying to think where we were. I think it was those years we lived in France, '63 to '66. We lived oh goodness this is so--I'm gonna have to write a book. So it was such an interesting thing. We lived on the French economy. Fortunately my lessons came swirling back standing me in good stead because our youngest Ellen went to French school, the words I didn't know she probably did which was handy. But we had, we lived in a really nice house. Odd situation but it was nice and you could walk to the over to post. And during those years there were lots of young enlisted people who lived in very difficult places. They didn't speak French, they didn't know the people, and the Army Community Services began to be formed to offer assistance. You had to come on post but there were buses that ran around the community that brought people and we taught things like how to run a, do a checkbook. We taught people very basic things - here's where to find out how to buy food, you know the things that you want, here are the words in French. If you can't get to the commissary and you do go to a, here are the things in a French grocery store that you can buy that are gonna be almost exactly like you'd buy at home if you buy this, you know. It's just very very basic things but even before that, even before I had Tom I had developed somehow a reputation of being somebody who could give talks to other groups of women about really simple stuff. And it started out being with Army etiquette. That was way back when, way way back before I had any children, that first year because I knew one of the colonel's wives. I don't know how well I knew Betty Chandler or how I knew her but I did know her and she said, "Well you know could you do this?" So I started giving these talks which has led me to feeling more comfortable addressing groups of people. Particularly if it's about something I know something about. Tough when you don't, but you can usually fake it some [laughs] and then call on so and so to fill in the gaps or something. But that's really how I started doing this and then time passes and I'm always volunteering to do something. Some things I loved doing, some things I was terrible at. I really really was not good at working in a hospital. I have to go to the hospital you have to make me well if I'm sick. I will be nice to, you know, but I don't want to be there. I really did not like being a Gray Lady but that's what they used to call them Gray Ladies. For one thing you had to wear these awful gray dresses. They were made of heavy, heavy cotton and every time you went it had to be starched and cleaned. Well I couldn't afford sending mine to the cleaners so the day before I went I'd spend, you know, starching and ironing this thing. Well the whole thing was absurd so that I decided that was no good. 27 But I could do things like teach somebody how to balance a checkbook. I could talk to people about the basics of baby care and this sort of thing, and so I was glad to do it. But I began to realize as many, many senior people did the longer you're in this game how great the need is help other people use volunteers well. And how important it is that volunteers be used with compassion and common sense so that the gift that they're giving you of their time and talents and everything else are maximized for their benefit and yours. Because when you go and do something as a volunteer for somebody and come home feeling disappointed or abused it's no good. It doesn't have to be that way and that's how I got into this volunteer administration role which eventually is what became the sort of the climax of my time doing this. I worked in thrift shops, I worked every sort of thing, organized all kinds of events in this sort of thing but the best thing I really think I did was begin to show them how important it was that the people who manage and lead volunteer programs have an understanding of some of the basics. Such as a volunteer needs to have a job description. A what? I said a job description. You don't need it be very long, it does not have to be complicated, but if you ask someone to do a task you have to know what the parameters of this job are. Ah amazing! Ah and because of this I wound up going with Joanne Patton as it turned out to Colorado to the University of Colorado at Boulder, and that's a wonderful place, to go through a summer program and I did it twice with her about how to help people become good volunteer managers. And that woman's name was Marlene Wilson and she wrote the first book ever for volunteer managers - and I think I've still got my tattered copy in there - in about 1980. And so it really was during the time that we were here that I began to do more and more of that. And I think that may be one of the contributions I made was generally to people I ran into I kept trying to say, "Let's get this straight. Exactly what are they supposed to do? How are you going to thank them down the road? Is there a chance that they could be the boss of this? They could be the team leader? Or no." Those things need to be thought through and you need to put the whole task in language that everybody feels comfortable with. SY: Yeah what was the assignment that the chief of staff gave you in Europe? CT: [chuckles] Well that's right. That was the last time, that was in late '70s before we came here in '82. They began to realize how important this sort of thing was, so they asked me to take this assignment to, on behalf of the Army, to go around the various places where Americans were stationed and talk about this with the commander and the commander's wife and anybody else would listen, and some of the volunteers to be sure people were having a good experience volunteering. And I wrote a quarterly newsletter for them about what was going in Bad--what's her name over here in Frankfurt or Heidelberg just sort of encourage people and just say we were all in this together and we're trying to make life better for all of us here as volunteers and it's worth it to do it. And you met with various levels of success but it was worth doing, it really was. SY: And did you also see gaps in the kind of Army infrastructure? CT: Oh yeah. 28 SY: Yeah, yeah, what did you notice? What did you? CT: I noticed that there would be places where the commander and his wife could care less about the situation. And perhaps there were needs for transportation for one thing, so that people who lived what we called on the economy, lived out in the community, could not easily get -- if the husband went off to a duty somewhere else or on the "into the field" as we used to say to do exercises, the wife would be stuck out in the. So we used to talk about setting up transportation networks, you know, could Mrs. X contact Mrs. Y and they could work out something together or not. Or do we need to work on finding some way that a bus goes around talks to people, yeah. That was one of them. But mostly there was a tremendous, very, very nice response to my interest. And because I was doing it sort of with a little bit of authori--I didn't mean authority, but people knew that they were supposed to listen. And I enjoyed doing that. And that made it very easy for me to move into the role that I had here because it's the same thing, or least it was the same thing. SY: And that's actually a question, how do you think you -- I mean the first lady of Norwich, the president's wife, that role of being sort of the president's wife - how did you conceptualize it? And how do you think you conceptualized it differently than the women who'd come before you? CT: I knew Marilyn Hart and we must talk about this again before we go further. I knew Marilyn Hart because they used to come and visit us a good deal. Wherever we were there would be Norwich events and often, I don't know often but enough that I felt like I really knew her. You know she's a really nice lady had 2 kids, got a son Matthew and a daughter whose name is I've forgotten I'm sorry to say. But and we would talk and visit I would take her on functions and things like that. And I knew darn well that I never could never fill the same function that she did. She had been a faculty wife. She had worked with him all the years helping him do things. I'm sure she corrected papers. I'm sure she did everything. She was really smart. But she had a fabulous memory a fabulous memory. I admired that so much. She would -- the receiving line he would be first and she would be second and any number of people, they could be students, they could be people from the State Department would come through, she would know who they were just from seeing them. And she would say to him, "Joe Smith, English class of '64, '64, he shoveled snow for you one time." And he would say, "Joe, remember the time you came and shoveled snow?" I could never do that. That wasn't, I couldn't do that. On the other hand she wasn't comfortable organizing a luncheon or saying, "I think we should do something or support." There was a woman here whose husband was the athletic director her name was Jen, his name was Wally Baines, her name was Jen Baines. And Jen wanted to have a faculty picnic twice a year. "Good. Let's do it." The Harts had the role in this, not of encouraging them and seeing people came and this sort of thing, but of sitting at the door with a checklist seeing who showed and who didn't show up. Well no matter what anybody thinks, no matter how much you might [inaudible] you gotta remember who showed and who didn't show up. It set things off in a bad note. So we29 said well we won't, we don't need to do that. So I'd say to Jen, "How many people you think are going to be there?" "Eighty-four." I said, "Eighty-four? Wow that's great. Just about everybody." I said, "Is everybody who might like to come, do they know about it?" She said, "Well I don't know about the people in physics." I said, "Well what should we ought to do?" I said. She'd say, "Well I ought to." "Or maybe you ought to call up somebody." I said, "I'll be glad to call up somebody just to be sure they know." That's nothing. That doesn't hurt anybody's feelings. I think I spent a lot of time sort of trying not to hurt people's feelings. SY: And easing things over, that makes a lot of sense. Yeah so that was a big part of your job, right? CT: Yeah it was, yeah. I'll tell you something else Marilyn Hart did which I think was amazing. She addressed a Christmas card to everybody on the University's list. I think there were 800 names on that list, not only people who worked here but people in town, people in Burlington. And the first year when they came to me at Christmastime and they said, "Here's your list," I said, "Give me a break here, what do you mean?" And they said, "No this is the job of the president's wife to address the Christmas cards." I said, "Then there won't be any this year. You don't want me doing it believe me you don't." They said, "Whose going to do it" and I said, "Don't ask me, I don't know. You'll have to figure it out." Since then somebody on the staff has just had to start addressing about in September. But you can do that, you know? You can address the envelopes anytime. SY: Yeah but that, you weren't, that wasn't the way you wanted to spend your time. CT: Oh I wasn't--I wouldn't even consider it yeah. SY: So talk about the role you did end up playing. The Peace Corps was pretty critical huh? CT: I wound up working almost working full time in lots of ways as a volunteer, because I was always a volunteer. It's what I did. SY: Though by the end you were getting paid, right? CT: Pardon me? SY: You were getting paid by the end, right? CT: Yeah, in a way. In a way. My hus--did I tell you? explain this to you? Yeah about how Russ took part of his salary and had it given to me instead. SY: So it was symbolic, but it seems important. CT: Well it, by that time it was to me, really, yeah. And I don't know how much the university knows about that. I, I don't care if they do or not. SY: It's the same money going to the same family I don't think it matters, but. 30 CT: Well it did because it helped my social security contributions. But not enough to do any difference. That was okay I was glad to--the whole business about the Peace Corps Prep Program started because I was very active in this Association for Volunteer Administration which was a national organization. Ah really a…a busy, a small organization, but a good organization for people who are in the same area, who are interested in making volunteerism not effective, effective is a good word for it is. And it was before we had national volunteering, before, it was when the Peace Corps was getting going, it was well before AmeriCorps and all this business was started. And these women met once a year and I eventually became the vice, one of the vice presidents for this and served on lots of committees I think because I come across as being efficient, reasonably efficient. And Chris Frankland who was the president asked me to fill out, fill in a second national role and I did that. And I really liked doing it, I liked the people I worked with. It isn't, the organization is now defunct. They made a big mistake in hiring an executive director that they didn't vet appropriately. The man wiped them out every single cent and disappeared and they never, they never could get going again. They had lost all their assets. SY: It's like Mr. Barry. CT: It is! it is! It's the same idea! It is the same idea! Oh my goodness, aren't you smart. I never thought of that. Ah yeah it is. Well anyway, but anyway so that's now defunct. But anyway, still I had these ideas that I should do this. But during the time that I was active in this association we had a national conference as we did each year, and I went and I honestly do not know whether it was in Buffalo or somewhere. But anyway someplace I'd never been and we were having a big luncheon and I was sitted, seated, next to one of the women who was to be a speaker whose name was Loret Miller Ruppe. And Loret Miller Ruppe was the head of the Peace Corps at that time and we were just [chatting sounds] you know just chit chatting, lady talk. And the speaker for the luncheon got up to speak and it was Father, Father Theodore Hesburgh who was the president of Notre Dame. And he essentially said he thought it was high time that higher education took on the role of training students to do volunteer work in the same way they chose to train young men and women to be part of the national service, part of the Army, Navy, Air Force, etcetera. And he said, it is just as much of a need for people to be trained to be good volunteers to head up volunteer organizations. I wish I had a copy of his speech, I never did, but that's essent--I listened to him I thought, "Oh my socks." Russ and I had talked about this ever and ever so many times since when he'd become president that one of roles he saw needed to be fulfilled, somebody needed to do something about the fact that the students who were not in the Corps, most of them at Vermont College in those days when we still owned Vermont but some of them down here in Northfield were not having the same opportunity to become leaders as the people in the Corps were. They were not being given that opportunity to do something beyond themselves, to stretch, to learn the outside world. And he said, he said "I don't know," he said, "I just don't know how to do that." And I said, "Well I don't know how do that either." 31 But when he, Father Hesburgh did, I thought, "I know how to do this. I've got this idea." And I turned to Loret Miller Ruppe and I said, "Ma'am I think Norwich could do that." She said, "Carol, Norwich would be a perfect place to do it. Do you think you can?" and I said, "I'll ask," and I said, "Please don't say anything and I'll go and call and see." So I called Russ, got him out of a meeting and I said, "Don't say anything just listen," and I said, "I need to tell Mrs. Ruppe if we're gonna try." And he said, "We will." He said, "I'll find a way, we will." Well it must have been just before a board meeting because the next time the board met they said, "If you want to try it, go ahead." Meanwhile back at Norwich we have somebody who's a vice president named Peter Smith. Do you know Peter? Who he is? He had run for Congress from Vermont. Well there's more to it than that but anyway and been defeated. No, wrong, he had become a congressman. He, I'm not sure about his career. He had either been in--no he hadn't been in Congress at that point, he had been the lieutenant governor of Vermont. And he had written a Ph.D. thesis on Vermont College which was terribly interesting for Russ to learn when he took on. He knew about Norwich when he took on the job, he didn't know. SY: Why, I wonder what his thesis was about? CT: About the fact that Vermont College had absorbed all those programs from Goddard which is about as far off block as Norwich is you know they're kinda [chuckles]. Well it was a big job to try and pull all this together, but we were giving it a go. So he said, so I called Russ and he said yes to it. The board said yes to it. Peter Smith meanwhile said, "Let me see what I can do about getting you a grant." Good thinking. He got us FIPSE grant, do you know what FIPSE? The Fed, now the Federal, no the Fund for the Improvement of Post-Secondary Education, Department of Education. If I was smart enough I could have told you the amount but I don't remember but he got us a grant to get started. Now if I had taken a salary we wouldn't have had much money left so I was, I didn't need anything. So we had some money and I made up out of whole cloth as best as I could a program that looked like ROTC training but wasn't, was focused on various on other things, which one of them was learning how to manipulate, to act in a culture that was not your own. This was one of the things and having appreciation for others, for other communities. And so it took a while to get this thing sort of organized and once I got a program sketched out I had to go before a committee of the faculty to get their approval. Can you imagine? I was a wreck, but I thought, "Okay I can do this." So I went before the committee and I made my little talk and do you know David Westerman? Oh Professor Westerman, David Westerman he's a geologist. But he's also the guy who is the head of the program at the University for Student Research. You guys really need to be aware of this. SY: Oh you know his name's been mentioned to me because he also collected some geology artifacts I think. CT: Oh I'm sure. SY: Yeah, okay. 32 CT: I think he goes to South America and brings home chips of stuff. I don't what he does. He is the most understanding, thoughtful, articulate. He's, I'm a big of David West--. David Westerman was on that committee and he said, "Well Carol, I'll tell you what, I think you've got some good ideas." He said, "You need to smooth it out a bit but I say you're a go." And he met with the rest of the committee and I said "What did they say?" "Oh sure, good, approved." And I thought, "Oh, he saved my life." I mean he just and then he was helpful in giving me some ideas. And what I'd really like to do is to, maybe another time when we get together is to get into your records, what it was the program looked like. It was a 2 year program for anyone who is not in the Corps. That's all you had to be, not in the Corps. You had to be any elsewhere. And you took classes and you did internship in the summer. And the internships were on Indian reservations. I can remember somebody went overseas on their own ticket to get into something, you know. I really have lost a lot of the details but I spent about 2 years maybe 3 working on this. And one of the big things I had to do which was very helpful was send reports into this FIPSE organization. They assigned a women, I'm sure I'll remember her name if I think of it long enough. She wanted a report from me every Friday. Well I couldn't do it. I finally got to every other Friday, you know you'd spent too much time writing the report then actually out doing something which got to be kind of old. But with their support we were able to get this thing rolling. We were able to hire former Peace Corps volunteers to act as professors. And one of them was Don Hooper. Does that mean anything to you? He lives here. Do you know Don and Alison Hooper? SY: You mentioned it to me, yeah. CT: They make the wonderful cheese, goat cheese, Chèvre. Well anyway I'm sure that somewhere I've got the list of who those people were. Then it got to the point where it had gotten too much and there was enough money left in the FIPSE pot to hire a director, which we did. And it worked reasonably well. But when my husband's time here was over and President Schneider came and things changed there was, I don't know how to put it, it just didn't work out anymore. And they had not been a big success. There hadn't been hundreds of students flocking to it. Every once and awhile you'll hear about somebody from the, from Norwich that goes into the Peace Corps. The Peace Corps itself is not what it was. It's nowhere near as near well-funded. They don't have the leadership of somebody like Loret Miller Ruppe. You know things change. But it wasn't a bad idea, it wasn't a bad idea. SY: No it's a really good idea. So because you know you can go into Peace Corps without previous training right? CT: Absolutely. SY: So this was just to create more effective Peace Corps volunteers? So it was sort of an auxiliary program to the Peace Corps training that would follow? Was it sort of like a? CT: Well no they weren't that interested in it but it was a way of encouraging people to do this kind of service, and to do it effectively. Yeah that's right. And there were people 33 that were int--there was a guy named Mike Kim and Michael Kim was one of these ones who went through it and he eventually became a priest interestingly. SY: I'm interviewing him next week. [interview pauses and resumes] SY: So what were we, what were we talking about? Oh yeah so another thing I read in your husband's oral history was that when you first got up here it must have been mud season, looking at the place you were like, "I don't know about this?" CT: Well of course I'd been up here a lot as a student. But then you're sort of rose colored glasses, you know. But the day that we drove up here to be interviewed for the job it was March at its most March-like, and as we came down the road, which was not this lovely access road we have now from 89. Oh no, twisty turny. There was a cow - did he tell you about this? There was a cow standing beside the side of the road behind a fence. Literally it was up to its udder in the mud and I thought, "Russell," I said, "We cannot live here. This is just awful." He said, "Oh for heaven's sakes. It's just one cow…" I said, and I thought to myself, "Okay, if…" I knew he wanted the job so much. He would have loved, he always hoped he could get the job to be the facilities manager here because he said, "I could love fixing it up." He said, "Never mind, we'll get a facilities manager to fix it up." He said, "Oh this is going to be so great." I thought, "Uh huh." So we came to the interview and we stayed in guest quarters where at the time where the infirmary is, not the new one the old one. And as I told somebody once long ago and I thought it was rather apt, it smelled like your grandmother's cottage after it had been shut up for the winter you know that awful musty [sniffing sound], "Oh it's getting worse here by the minute." And then Jackie and Jerry Painter who you don't know they live in Micminnville Oregon, he was the treasurer, they came and picked us up in their lovely new Buick and it made all the difference in the world. We had a wonderful, fun dinner and they had us in stitches laughing it was so friendly and nice and it was, I thought, "Okay, we can do this. This will be alright. We can clean up the guest quarters. We can do this." Then we were interviewed and I don't remember much about the interview except when we were all siting around. Nobody interviewed me much I don't think. I don't know what I did. But finally Ken Smith, who you don't know, he's dead now but and you wouldn't know. But nice, nice guy, said, "and now General Todd I see that you have no Ph.D." Russ said, "That is correct." And Ken Smith said, "and what do you intend to do about and when will you be getting your Ph.D.?" And my husband said, "I intend to do nothing and the answer is never. Any more questions? No, alright we'll move on." But Ken Smith became his dear, dear friend just a wonderful. Ken Smith could write one of those citations on a, on a, on some sort of a document or when you get an honorary degree, the citation, oh they were wonderful. His use of the English language was just gorgeous. I really loved him. He was great. But anyways so I really didn't like it much so I said, "Okay," if you get the--Oh and then we went to New York City to some lovely club I don't know where, to be interviewed by the board who was meeting there too to interview us the very same weekend because we had just come home from Europe to do this. Fortunately I had new Blylie suit so I was feeling very fine. I always bought a 34 new suit or a blouse if I was going to be in an interview and it seemed to help and I do advise that for interviews. So we went to New York and we got--and Russ was starving, you know if I'd get nervous I don't care if I ever eat. He just gets hungry and hungry. And so we went there and went into this interview and these people were all finishing their lunch and they said, "Have you had any lunch?" Russ said, "No, I haven't." And they said, "Let's get a menu for the Todds." I have no idea what I had, no idea at all. But he decided he'd have French onion soup. Can you imagine eating French onion soup? Nope. I thought, "Oh my God can you imagine so stupid to have?" well of course he managed to get the job and eat the soup at the same time. But it was, I thought, "French onion soup! Idiot!" [Laugh] So that and when we left that interview I knew it was a go. You know I knew it. They told us the next day or something but I felt really good about that. No it was longer than that. Because Russ went back to Europe and I stayed with mother because that's when Sarah was getting, our daughter was getting married about a month later so I stayed home. And George Patton called from the board meeting to tell Russ because we'd been friends for so long. And Russ was really pleased. And then he started getting ready to you know come, reading stuff. And it was a fairly in a way a hard transition because we'd left everything in the military, put it down, and we had a month off. And meanwhile I had taken a tumble somewhere and cracked my hip or something, so I was on Motrin when Motrin was brand new which was great. And we went to England, had a wonderful time in England. I had a friend who's not there now. Lived there, we spent some time and then we came home and then we came here. All pretty, we retired on one day and started here the next sort of thing. It was good. It was good. SY: Wow and then? CT: Loved the house. Was thrilled with the house on Central Street - you know where it is on top of the hill? Because my grandmother lived in a house not unlike that so I knew where the furniture was supposed to come, sort of thing. Oh I liked that house it was fun to live there. SY: And were you glad not to be moving? CT: No I don't mind moving. SY: You don't mind moving. And then clearly you've come to love Northfield and this area. CT: I know it! Oh so originally I said, "Okay now here's the deal. If they offer you this job 5 years, I will stay here 5 years because you'll have plenty of time for you to make an impression." But I said, "I don't," and he said, "Fine, should I tell them 5 years?" I said, "Tell them nothing, just know that I'm telling 5 years." You know "Okay." So after about 3 years he said, "Well now I'm going to have to tell them I'm leaving in 2 years." I said, "You're what? You're what?" I said, "No we live here." He said, "Alright we stay 5 more." I said "5 more." But I knew he was very certain from the beginning that 10 years was what he wanted to give, that he felt anything that could do he could do in 10 years. After that he was afraid he would not be effective. That was his rule to himself so I knew 35 we weren't gonna. But then we said, "Hmmm what are we going to do after that? Hmm I don't know." Let's find some land here in this area and that's how we found, a friend found this and suggested it. SY: It's beautiful. CT: Yeah. But there's another part of my career that I've never gotten to and we don't need to elaborate this, but after the Peace Corps Prep Program I started the Center for Volunteer Administration and taught volunteer administration for 2 years or 3 through Continuing Ed over at VC. SY: You did? CT: Oh yeah. I had a friend named Anne Mills who worked with me and the two of us did this and I felt good about it. I trained maybe about maybe 50 people around here. But you know the thing is they have the same problems, you know the problems don't go away. People don't write plans, they don't take it seriously. I've gotten some of the worst fundraising letters lately and it makes me, of organizations I care about! Good Beginnings - did you get a fundraiser from them? They didn't sign it! SY: I don't. I mean I'm just friends with them on Facebook. I don't get letters from them. CT: Yeah it's a wonderful organization I really think what they do is super, but all you need to do a little, pay attention. No, but way too much of that. But I, nothing that I can do, or nothing that we can do could change that except make people more aware. National Life was a big supporter, really helped, always gave us space and we had a friend who'd been an officer in National Life and she got us a couple of grants to help run that program. So but I mean and then Russ really retired retired I did that for a little bit and then I just thought, "This is just too much fun you know." And then we since '92 I can't believe we've traveled a good deal and we've been all and I was down there looking through some of the scrapbooks and there's tons of pictures of various interesting people, and had a good time. SY: Yeah, so um so was that were you getting paid for was for running the program? CT: No, no, no, no. SY: No. CT: No. SYU: I don't know why I keep asking that. It's just because I'm thinking about the arc of your life and I'm thinking about you wanting to take those couple years before you got married, and I'm just wondering if it mattered to you in that way as validation? CT: No. No. You see when Russ was first, when we were first in the Army and Russ was a lieutenant, we and during the first, even after Sarah was born we were so, they did not pay Army officers a lot of money. We were so tight to the chest and we were so careful even to this day it kills me to pay more than I think I should for a pound of bananas. We 36 just were really careful, and we, even when we had 3 children even by the time Ellen, we were still really, really watching. It wasn't until Russ made general officer really that we got enough money that I didn't have --I remember one day Russ said, "You don't have to worry anymore. You do not have to worry anymore. There's always enough money. There's always enough that you could." Well he knew I didn't have too fancy taste. I didn't want anything fantastic. But he said, "You can stop worrying." It's meant an awful lot to me. I suppose I'm worrying because my mother worried and never said anything. And I'm sure the children didn't have any idea of this, why should they? This is just a burden I bore but it was my own doing. I didn't have to. I just was like that and it's been lovely. I can remember you know lots of times when I thought, "Hmmm if I spend $25.00 for that, no I can't do that," you know, this sort of thing. SY: You were a Depression baby. CT: Yes. SY: This is what your generation did. CT: Yeah. SY: You knew that the rug could be pulled out from under you at any moment. So it makes sense. CT: Yeah, even at the point when you're in the Army you knew that. Well we never had any concern that Russ would lose his job you know. I suppose he could have done something awful but he never did. I sort of trusted him not to do that, but that's right. I never thought of it that way but that's what it is. But it wasn't, it wasn't easy. And then when we came here of course we had not only had his retirement but we had a very modest salary from the university, because for one thing the university could afford nothing else. They - Russ had said, "I think I'll just tell them that I'll work for the first 5 years for no salary." I said, "No, no, no. That's not fair. Even if it's a little we can manage on very little, but." Mary Roux, you know who is our - you know Mary Roux runs the Uniform Shop? She was our, she came to work for me the day the moving man brought us to Northfield and she stayed with us the whole time until we retired in '92. And she was our housekeep--she was supposed to be our housekeeper but of course she became a third daughter which was really great, and yeah that was really nice to have full time help that the university gave us. She did everything for us, she cooked, if I needed her to she ran errands, she did anything. SY: You hosted a lot dinner parties you needed help. Or you need your mother's cook book on how to make hot cocoa for 100. CT: I know it. But she and I cooked a lot because we couldn't afford to pay the food service to have dinner parties, so Mary and I we made apple crisp, not for 100 but I think for about 60 one time, you know. And we did a lot that--hors d'oeuvres and stuff, and I have lots of recipes of Mary's, little recipes that she found that she whip up on a Thursday and I could serve on Friday night if I had to sort of thing. She was wonderful 37 about that. And that was in the days when this University was just going on but we were determined to put up a good face you know. SY: Keep up appearances. CT: Keeping up appearances, yeah. SY: Yeah, yeah. CT: But it was, it was, it was a great life. I wouldn't, I wouldn't have done it differently. I wouldn't have wanted to live in one place. I guess a regret, I suppose it's a regret although it isn't to, our 3 children live all over. They've gone their own separate ways. They're very successful kids to me. They've done what they've needed to do or wanted to do, but they're far away. I think it would be so nice to able to say, "Come over for coffee," or "You and your family come for Sunday dinner or something," and there's none of that. We make a lot of effort to talk a lot on the telephone and they're wonderfully good to us. But I can't see moving to California, I certainly don't want to walk, move to Washington, D.C. and Tom even worse he lives in Olympia, Washington which is charming. We have no connections except them there you know? We have to, our connections are here and in Massachusetts because Russ has cousins there and I have 1 cousin there, and we have our high school friends and we have new friends that we've met there that are good to us too. So this going back you know when I say I don't mind moving that's kind of a falsehood because I fuss and fume but I can do it and we do it twice a year. We move and pick up and [laughs], I left my winter coat down there this time instead of bringing it. I will need it in November here particularly since now those Todd Lecture Series people who've been told 100 times, "Please don't have anything after the first of November," November third next year, November third. And I need my winter coat. Now that sounds like a minor thing, but we've got to go back because I am not going to go to that parade in November without my winter coat and I'm not buying another one. Well I might. There you go, that's a thought. SY: You're a Depression baby you're not going to buy another one [laughs]. CT: It's true. SY: So ingrained, not gonna happen. CT: And I suppose people study Depression and of course you get into the end of it aren't you? I mean people who are much older than I am aren't around too much. SY: Yeah. CT: Yeah. SY: You're getting to be that last generation. CT: Yeah. SY: Yeah. 38 CT: But it was a hardworking generation. Think of our parents. Gosh yeah. SY: Yeah. CT: Yeah. SY: How long have we been talking? 2 hours! [laughs] This was, I was fascinated the whole time. I don't know if I have any other questions. Do you have any last thoughts?
