Suchergebnisse

Najopsežnije i sigurno najcitiranije djelo o povijesti »grada baroka«, epitet je kojim se nesumnjivo može opisati Povijest grada Varaždina renomiranog hrvatskog povjesničara Rudolfa Horvata (Koprivnica, 14. ožujka 1873. – Zagreb, 25. svibnja 1947.). Njegovim se tiskom namjeravalo dostojno obilježiti proslavu jubileja sedamstogodišnjice grada Varaždina (1909.) – ali nije; rukopis je tiskan 1993. godine. Godine 2017. navršilo se sedam desetljeća od piščeve smrti, a 2018. godine, 125 godina od njegova rođenja i četvrt stoljeća od tiskanja povjesnice. Na temelju podacima obilne arhivske građe u varaždinskom i zagrebačkom arhivu, upotpunjuje se slika o njezinom nastanku. Iz sačuvanih točaka sjednica gradske vlasti, dopisa gradonačelnika i Prosvjetnog odbora, korespondencije između gradske vlasti i Horvata iščitava se napor autora u provođenju opsežnog istraživanja povijesti grada Varaždina i obradi građe za sastavljanje buduće povjesnice, njegovoj viziji o njezinom sadržaju i ustrajnosti u isplati honorara koji je on neprestano smatrao primjerenim za svoj gotovo tridesetogodišnji rad. Također se iščitava napor njezinog naručitelja da primjerenu visinu honorara provjeri sa znanstvenim i nakladničkim institucijama, te je ugovori u skladu s tadašnjim lošim gospodarskim uvjetima. Naručitelj se o troškovima tiskanja buduće povjesnice raspitavao kod različitih tiskara unaprijed im poslavši predloške tiskanih historiografskih radova, pa tako i Horvatovog. U njezin nastanak uključivao je i mjerodavne osobe – zastupnike i ne-zastupnike grada Varaždina koji će na temelju svog stručnog iskustva i rada, putem triju višečlanih odbora donositi stručne zaključke o predanom rukopisu. Horvat je na njemu radio nepunih trideset godina. Zaključuje da je rukopis predao u dijelovima: u ožujku 1934., 1935., 1936., kolovozu 1938. i proljeće 1939. godine, izravno osobnim dolaskom u Varaždin ili posredstvom gradonačelnika Novakovića ili dragog mu prijatelja. Zaključuje se da je zamislio višedijelni sadržaj rukopisa: njegov I. dio, opća ili politička povijest tiskana je 1993. godine, a tematski II. dio sa zasebnim poglavljima ostao je neobjavljen; pod naslovom Dr. Rudolf Horvat: Kulturna povijest grada Varaždina, skupa s objavljenim prvim djelom, čuva se u Gradskom muzeju Varaždin. Želeći omogućiti Horvatu vrijeme za istraživanje i pisanje povjesnice, gradska vlast je uz pomoć tadašnjeg hrvatskog bana Pavla Raucha, piscu ishodila premještaj u tadašnji Zemaljski kraljevski arhiv u Zagrebu, kako bi tamo mogao istraživati sačuvanu arhivsku građu, a novčanom isplatom pripomogla njegova arhivska istraživanja u austrijskim i mađarskom arhivu i tisak studije Varaždin koncem 16. vijeka. U zagrebačkom arhivu Horvat je imao mogućnosti i vremena istraživati građu ne samo o povijesti Varaždina, nego i o povijesti drugih hrvatskih gradova, na temelju koje je također mogao raditi i na povjesnicama tih gradova. U tom se pogledu ističe i skroman doprinos varaždinskih gradskih zastupnika davne 1909. godine za hrvatsku historiografiju. U vezi s tim, s obzirom na to da je Horvat na rukopisu radio nepunih trideset godina i da ga je u dijelovima predao do 1939. godine, neminovno je uspoređivati rukopis i promatrati ga u kontekstu historiografskih radova nastalih tijekom 1930-ih godina. ; The most comprehensive and most cited work on the history of "the Baroque Town" is undoubtedly the best description of The History of the Town of Varaždin by the renowned Croatian historian Rudolf Horvat (Koprivnica, 14 March 1873 – Zagreb, 25 May 1947). The manuscript was meant to be printed on the 700th anniversary of the founding of the town of Varaždin (in 1909), but the plan failed; it was only printed in 1993. In 2017 it was seven decades since the author's death, and in 2018 we marked 125 years since his birth and a quarter of a century since the publishing of his historiographic work. With the help of rich and comprehensive archive material in State Archive in Varaždin and Croatian State Archives in Zagreb, we get the full picture about the making of his work. Reading the minutes from town assembly sessions, the letters by vice-mayor and Education board, and the correspondence between town officials and Horvat, we see how ardent the author was in conducting a comprehensive research of the history of Varaždin, in collecting the materials for the future historiographic work, in his vision regarding the work's content, and in his persistence in negotiating the fee he deemed reasonable for his 30-years effort. We can also see the commissioner's efforts to discuss the reasonable fee with scientific and publishing institutions, in order to agree a fee in accordance with the poor economic situation of that day and age; they negotiated the cost of printing of his future historiographic work with different printing offices having sent them similar examples of historiographic works, including Horvat's own. The commissioner was keen to involve other competent people in this process – representatives and non-representatives of the town assembly of Varaždin – who were supposed to use their professional and work experience and draw an expert conclusion about the manuscript by means of three multimembered committees. Horvat had worked on it for almost thirty years. He handed over his manuscript in parts in March 1934, 1935, 1936, August 1938 and in the Spring of 1939; he used to com to Varaždin in person or send the text via the mayor Novaković or one of his close friends. It is thought he planned to publish the manuscript in multiple volumes: the first part, general and political history, was published in 1993, whereas the topic-based, second part with separate chapters has never been published. This text titled Doctor Rudolf Horvat: The Cultural History of the Town of Varaždin, together with the published first part, is kept in the Varaždin City Museum. Wanting to give Horvat the time for research and writing of his historiographic work, the town authorities, with the help of the former governor of Croatia Ban Pavao Rauch, sent the author to the then Royal State Archive in Zagreb, where he studied archive materials, and helped him financially to continue his research in Austrian and Hungarian archives, as well as to publish the study Varaždin in the Late 16th Century. In the Royal State Archive in Zagreb (today's Croatian State Archives), Horvat had the time and opportunity to research not only the history of Varaždin, but also the history of other Croatian towns, which allowed him to write historiographic works about these towns as well. That way the representatives of the Varaždin town assembly from 1909 made a small contribution to the development of historiography in Croatia. Regarding that and keeping in mind that Horvat worked on the manuscript for almost thirty years up until 1939, it is necessary to compare this manuscript in the context of historiographic works from the 1930s.

Top 76,2 mm M1942 (ZisS-3) se zbog svojih odlika smatra jednim od najboljih topova Drugog svjetskog rata, no njegova je proizvodnja prestala po završetku ratnih operacija. U radu je dan sažeti povijesni prikaz razvoja ovog srednje teškog topa. Razmatrani je top po završetku rata Sovjetski Savez izvozio u druge zemlje, najvećim dijelom u savezničke komunističke države, pa tako onda i u Jugoslaviju. Top M1942 (ZiS-3) je, zbog svojih dobrih karakteristika, i danas u upotrebi u nekim manje razvijenim dijelovima svijeta. U radu je najvećim dijelom opisan postupak restauriranja i konzerviranja jednog primjerka topa ovog tipa koji je danas u vlasništvu grada Karlovca, odnosno tamošnjeg muzeja. Analiza konkretnog topa je pokazala da je proizveden 1945. te da je u Jugoslavensku narodnu armiju najvjerojatnije stigao između 1945. i sredine 1948. kada su Rezolucijom Informbiroa prekinuti odnosi između Jugoslavije i Sovjetskog Saveza, kao i sovjetska vojna pomoć Jugoslaviji. U vrijeme Domovinskog rata top je prešao u ruke Hrvatske vojske. ; The M1942, better known as ZiS-3, is a multifunctional medium caliber field gun used for infantry support on flat terrain, as well as against tanks and armored vehicles. The German Reich advocated the production of big caliber guns, which prompted the Marshal of the Soviet Union G. I. Kulik to order a cessation of the production of small and medium caliber guns. The work on the gun, which was secretly constructed by engineer V. G. Grabin in Gorki and later known as the 76,2 mm divisional field gun M1942 (ZiS-3), began in 1940. Soon after the German attack on the Soviet Union, the Soviet military command realized that small and medium caliber guns were needed in battles after all, which prompted the production of the aforementioned gun despite certain problems caused by the fact that the gun in question was never officially developed. Its official production began in 1942 and lasted until the end of the World War II. After the war, the Soviet Union exported this gun to other countries, mostly to allied communist countries, including Yugoslavia. It is still in use in some less developed parts of the world due to its characteristics. Less qualified personnel were able to work on the production and gunners quickly passed training on the operation of the gun due to the simplicity of its construction.

Polarizacijski procesi započeti u Hrvatskoj 1950-ih rezultirali su nejednakim društveno-ekonomskim razvojem i prostornim prerazmještajem stanovništva, te koncentracijom stanovništva, radnih mjesta i stanova u gradskim naseljima. Obalni gradovi kao polovi i nositelji društveno-gospodarskog razvoja u svojim regijama postaju žarišta koncentracije stanovništva, a otoci i zaleđe prostori populacijskoga pražnjenja i starenja. Intenzivno doseljavanje pozitivno se odrazilo na demografski razvitak većih obalnih gradova, pa oni postaju nositelji bioreprodukcije i sve do posljednjega međupopisnoga razdoblja (1991.-2001.) bilježe dinamičan populacijski rast. Političke i gospodarske promjene te posljedice rata produbile su i ubrzale ionako nepovoljne demografske procese, što se ogleda u ukupnoj depopulaciji te pogoršanju struktura stanovništva obalnih jadranskih gradova. Smanjenje rodnosti, starenje stanovništva te promjene životnih vrijednosti i novi životni stil dovode do transformacije obitelji i promjena u veličini kućanstava i odnosa među članovima. Opća je tendencija postupno smanjivanje broja višečlanih kućanstava i neprestani rast udjela dvočlanih i samačkih kućanstava. ; Polarisation processes, which began in Croatia in the 1950's, resulted in disparate socio-economic development, in an uneven spatial distribution of the population, and in a concentration of people, jobs and housing in urban settlements. Coastal cities, as hubs and agents of socio-economic development, in their regions became focal points for the concentration of the population, while islands and hinterland areas suffered depopulation and demographic ageing. Intense in-migration had a positive influence on the demographic development of coastal cities. They became hotbeds of bioreproduction and up to the most recent intercensus period (1991–2001) displayed dynamic population growth. However political and economic changes in this recent period, together with the effects of the war, deepened and accelerated increasingly unfavourable demographic processes, which were reflected in an overall reduction of the population of coastal Adriatic cities, as well as in a deterioration of its structure. Decreasing fertility, demographic ageing and changes in life values brought about a transformation of the family, and hence changes in the size of households and in the relations among family members. The general trend today involves a gradual reduction in the number of household members, and a continuous increase in the number of two and one-member households.

Svaki je povijesni grad turistička destinacija par excellence. To proizlazi iz definicija turizma i turista. Kao turistička destinacija, svaki povijesni grad svim turistima ne predstavlja isto. Cilj i svrha turistički usmjerenog razvoja nekog povijesnog grada mora se razlikovati od turističkog razvoja drugih turističkih destinacija. Često povijesno bogati gradovi privlače mnoge posjetitelje, ali se oni kratko zadržavaju. Ovo potiče neka ekonomska pitanja i dileme o tome kako pomiriti trošak očuvanja i održanja povijesnih spomenika s koristima od potrošnje turista koji dolaze i kratko borave u tim gradovima. Postavlja se i pitanje politike samog turističkog razvoja: što je potrebno dodati turističkoj ponudi kako bi se zadržalo posjetitelje dulje, a bez narušavanja sklada i ljepote povijesnog grada. Često je to pitanje suživota novog i starog na istome mjestu, pitanje etike, tradicije, kulture, arhitekture itd. kao i pitanje ekonomske prirode. Ovaj rad postavlja više pitanja nego što daje odgovora, ali također pokušava osvijetliti i problem s teoretske strane. ; Every single historical city is par excellence a tourism destination. This derives simply from the definition of tourism and of the tourist. As a tourist destination, every historical city does not carry the same meaning to all tourists. The aim and purpose of tourism oriented development of a historical city must be different from tourism development of other tourism destinations. Very often the cities with very rich history attract many visitors, but they do not stay in them long. This situation raises a number of economic questions and dilemmas of how to reconcile the costs of preserving and maintaining the historical monuments with the benefit of tourist consumption made by visitors who come and stay in such cities albeit just for a short time. This is a question of tourism development policy itself: how to expand a tourism offer in order to keep the visitors longer, without damaging the harmony and physical environment of historical cities. Very often it is the matter of old and modern coexisting at the same place, of ethics, tradition, culture, architecture etc., as well as of economic concerns. The paper raises more questions than it will give answers, but it attempts to highlight the problem from the theoretical side.

Identitet je skup značajki koje određuju posebnost pojedinca ili skupine u smislu različitosti ili pripadnosti u odnosu na druge pojedince ili skupine pa, susljedno tome, identificirati se znači (samo)odrediti se. Budući da je prostor ključni tvorbeni element u procesu formiranja identiteta, osobito nacionalnog, regionalnog i lokalnog, zanimljiv je i geografima, pa se njime najviše bave politički i kulturni geografi. U radu je iznesen model geografskog proučavanja identiteta izraženoga u imenima ulica i trgova devet gradova u Sjevernom hrvatskom primorju. Ciljevi rada su: potvrditi činjenicu da se u urbanom pejsažu identitet može iščitati kvantitativnom i kvalitativnom značenjskom analizom imena ulica i trgova, utvrditi razliku u prisutnosti hodonima koji izražavaju regionalni identitet (tzv. regionalni hodonimi) i onih iz kojih se iščitava nacionalni identitet (tzv. nacionalni hodonimi) na Kvarneru i u Istri te ispitati u kojoj su mjeri u gradskoj toponimiji Istre izraženi talijanski utjecaji. ; Identity is a group of characteristics which determine the distinctiveness of an individual or a group in terms of differences from or affiliation with other individuals or groups; accordingly, it follows that to identify oneself means to (self)determine the self. Whereas space is an essential formational element in the process of shaping identity, particularly national, regional and local, it is of interest to geographers and is mostly pursued by political and cultural geographers. This paper presents a model of geographical research of identity manifest in the names of streets and squares in nine towns of the North Croatian Littoral. It has three main objectives: to corroborate the fact that identity in the urban landscape can be observed through quantitative (statistical-mathematical) and qualitative (interpretative) semantic analysis of street and square names; then to establish the difference in the presence of hodonyms which reflect regional identity (the so-called regional hodonyms), and those which reflect national identity (the so called national hodonyms) in Kvarner and Istria; and finally to examine the level of prominence of the Italian influence in the urban toponymy of Istria.