Suchergebnisse

"With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us to cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic and theoretical aspects of the ways in which in popular culture understands, represents and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music and advertising"--

"All societies have their own customs and beliefs surrounding death. In the West, traditional ways of mourning are disappearing, and although Western science has had a major impact on how people die, it has taught us little about the way to die or to grieve. Many whose work brings them into contact with the dying and the bereaved from Western and other cultures are at a loss to know how to offer appropriate and sensitive support. Death and Bereavement Across Cultures 2nd Edition is a handbook which meets the needs of doctors, nurses, social workers, hospital chaplains, counsellors and volunteers caring for patients with life-threatening illness and their families before and after bereavement. It is a practical guide explaining the religious and other differences commonly met with in multi-cultural societies when someone is dying or bereaved. In doing so readers may be surprised to find how much we can learn from other cultures about our own attitudes and assumptions about death. Written by international experts in the field the book: - Describes the rituals and beliefs of major world religions; - Explains their psychological and historical context; - Shows how customs are changed by contact with the West; - Considers the implications for the future The second edition includes new chapters that: explore how members of the health care professions perform roles formerly conducted by priests and shamans, can cross the cultural gaps between different cultures and religions; consider the relevance of attitudes and assumptions about death for our understanding of religious and nationalist extremism and its consequences; discuss the Buddhist, Islamic and Christian ways of death"--

"The Celebration of Death in Contemporary Culture investigates the emergence and meaning of the cult of death. Over the last three decades, Halloween has grown to rival Christmas in its popularity and profitability; dark tourism has emerged as a rapidly expanding industry; and funerals have become less traditional. "Corpse chic" and "skull style" have entered mainstream fashion, while elements of gothic, horror, torture porn, and slasher movies have streamed into more conventional genres. Monsters have become pop culture heroes: vampires, zombies, and serial killers now appeal broadly to audiences of all ages. This book considers, for the first time, these phenomena as aspects of a single movement, documenting its development in contemporary Western culture. Previous considerations of our fixation on death have not developed a convincing theory linking the mounting demand for images of violent death and the dramatic changes in death-related social rituals and practices. This book offers a conceptual framework that connects the observations of the simulated world of fiction and movies--including The Twilight Saga, The Vampire Diaries, Night Watch, Hannibal, and the Harry Potter series--to social and cultural practices, providing an analysis of the specific aesthetics and the intellectual and historical conditions that triggered the cult of death. It also considers the celebration of death in the context of a longstanding critique of humanism and investigates the role played by 20th-century French theory, as well as by posthumanism, transhumanism, and the animal rights movement, in the formation of the current antihumanist atmosphere. With its critique of movie and book blockbusters and the death-related social rituals, festivals, and fashions that have coalesced into the cult of death, this timely volume will appeal to anyone hoping to better understand a defining phenomenon of our age. Scholars and general readers of cultural studies, film and literary studies, anthropology, and American and Russian studies will find this book thought-provoking"--

This book offers an ethnographic exploration of three sites of infamous atrocity and their differing memorialization. Dark tourism research has studied the consumerization of spaces associated with death and barbarity, whilst difficult heritage has looked at politicized, national debates that surround the preservation of death. This book contributes to these debates by applying spatial theory on a scalar level, particularly through the work of Henri Lefebvre. It uses escalating case studies to situate memorialization, and the multifarious demands of politics, consumption and community, within a framework that rearticulates lived, perceived and conceived aspects of deviant spaces ranging from the small (a bench) to the very large (a city).The first case study, the Tyburn gallows site in York, uses Lefebvres notion of theatrical space to contextualize the role of performativity in memorialization. The second, Number 25 Cromwell Street in Gloucester, builds on this by exploring the absence of memorialization through Lefebvres concept of contradictory space and the impact this has on consumption. The third expands to consider the city as a problematic memorial, here focusing on the political subjectivities of Dresden rebuilt following the devastation of the Second World War and its contemporary associations with neo-Nazi and anti-fascist protests. Ultimately, by examining the issue of scale in heritage, the book seeks to develop a new way of unpacking and understanding the heteroglossic nature of deviant space and memorialization.

'The Evolution of the British Funeral Industry in the 20th Century' examines the shifts that have taken place in the funeral industry since 1900, focusing on the figure of the undertaker and exploring how organisational change and attempts to gain recognition as a professional service provider saw the role morph into that of 'funeral director'. As the disposal of the dead increased in complexity during the twentieth century, the role of the undertaker/funeral director has mirrored this change. Whilst the undertaker of 1900 primarily encoffined and transported the body, today's funeral director provides other services, such as taking responsibility for the body of the deceased and embalming, and has overseen changes such as the increasing preference for cremation, the impact of technology on the production of coffins and the shift to motorised transport. These factors, together with the problem of succession for some family-run funeral businesses, have led large organisations to make acquisitions and manage funerals on a centralised basis, achieving economies of scale. This book examines how the occupation has sought to reposition itself and how the 'funeral director' has become an essential functionary in funerary practices. However, despite striving for new-found status the role is hindered by two key issues: the stigma of handling the dead, and the perception of making a profit from loss.