Cultures of Death
In: Social text, Band 26, Heft 3, S. 39-58
ISSN: 1527-1951
3685 Ergebnisse
Sortierung:
In: Social text, Band 26, Heft 3, S. 39-58
ISSN: 1527-1951
In: Routledge interpretive marketing research 22
In: Consumption, markets and culture, Band 21, Heft 3, S. 283-286
ISSN: 1477-223X
"All societies have their own customs and beliefs surrounding death. In the West, traditional ways of mourning are disappearing, and although Western science has had a major impact on how people die, it has taught us little about the way to die or to grieve. Many whose work brings them into contact with the dying and the bereaved from Western and other cultures are at a loss to know how to offer appropriate and sensitive support. Death and Bereavement Across Cultures 2nd Edition is a handbook which meets the needs of doctors, nurses, social workers, hospital chaplains, counsellors and volunteers caring for patients with life-threatening illness and their families before and after bereavement. It is a practical guide explaining the religious and other differences commonly met with in multi-cultural societies when someone is dying or bereaved. In doing so readers may be surprised to find how much we can learn from other cultures about our own attitudes and assumptions about death. Written by international experts in the field the book: - Describes the rituals and beliefs of major world religions; - Explains their psychological and historical context; - Shows how customs are changed by contact with the West; - Considers the implications for the future The second edition includes new chapters that: explore how members of the health care professions perform roles formerly conducted by priests and shamans, can cross the cultural gaps between different cultures and religions; consider the relevance of attitudes and assumptions about death for our understanding of religious and nationalist extremism and its consequences; discuss the Buddhist, Islamic and Christian ways of death"--
In: Emerald studies in death and culture
This book offers an ethnographic exploration of three sites of infamous atrocity and their differing memorialization. Dark tourism research has studied the consumerization of spaces associated with death and barbarity, whilst difficult heritage has looked at politicized, national debates that surround the preservation of death. This book contributes to these debates by applying spatial theory on a scalar level, particularly through the work of Henri Lefebvre. It uses escalating case studies to situate memorialization, and the multifarious demands of politics, consumption and community, within a framework that rearticulates lived, perceived and conceived aspects of deviant spaces ranging from the small (a bench) to the very large (a city).The first case study, the Tyburn gallows site in York, uses Lefebvres notion of theatrical space to contextualize the role of performativity in memorialization. The second, Number 25 Cromwell Street in Gloucester, builds on this by exploring the absence of memorialization through Lefebvres concept of contradictory space and the impact this has on consumption. The third expands to consider the city as a problematic memorial, here focusing on the political subjectivities of Dresden rebuilt following the devastation of the Second World War and its contemporary associations with neo-Nazi and anti-fascist protests. Ultimately, by examining the issue of scale in heritage, the book seeks to develop a new way of unpacking and understanding the heteroglossic nature of deviant space and memorialization.
In: Emerald studies in death and culture
In: Springer eBook Collection
World Affairs Online
"Contents" -- "Introduction: The Paradoxes of Death" -- "One. The Intellectual Origins of the Cult of Death" -- "Two. The Commodification of Death: The Social and Historical Perspectives" -- "Three. The Monsters and the Humans" -- "Four. Harry Potter, Tanya Grotter, and Death in the Coming-of-Age Novel" -- "Conclusion" -- "Notes" -- "Selected Bibliography".
In: Emerald Studies in Death and Culture Ser.
Examining a spectrum of post-mortem images, this volume considers what death photography communicates about attitudes related to dying, mourning and the afterlife. Focusing on American examples, topics are discussed alongside contemporary representations of death, as seen in celebrity death images and forensic photography.